{"title":"Box Sets","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDive deep into musical legacies with our premium box set collection. These comprehensive sets feature remastered recordings, rare tracks, and exclusive artwork that tell the complete story of legendary artists and iconic albums in stunning presentation.\u003c\/p\u003e","products":[{"product_id":"hot-house-the-complete-jazz-at-massey-hall-recordings-charlie-parker-3lp-vinyl","title":"Hot House (The Complete Jazz At Massey Hall Recordings) - Charlie Parker (3LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003eEvery serious collector needs \u003cstrong\u003eHot House (The Complete Jazz At Massey Hall Recordings)\u003c\/strong\u003e by \u003cstrong\u003eCharlie Parker\u003c\/strong\u003e in their collection – this is essential listening featuring Dizzy Gillespie, Bud Powell, Charles Mingus, Max Roach.\u003c\/p\u003e\n\u003cp\u003eThis session brings together \u003cstrong\u003eCharlie Parker\u003c\/strong\u003e with \u003cstrong\u003eDizzy Gillespie\u003c\/strong\u003e, \u003cstrong\u003eBud Powell\u003c\/strong\u003e, \u003cstrong\u003eCharles Mingus\u003c\/strong\u003e, and \u003cstrong\u003eMax Roach\u003c\/strong\u003e – a collaboration that creates something truly special.\u003c\/p\u003e\n\u003cp\u003eThis record has been in my personal collection for years, and every time I play it, I discover something new in the interplay between the musicians.\u003c\/p\u003e\n\u003cp\u003eThis recording captures Charlie Parker during a transformative period in both their personal artistry and the broader musical landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eWhat strikes me most about this recording is the intricate interplay between the musicians. Charlie Parker leads with that distinctive voice that made them a legend, but it's the conversation between all the players that creates the real magic. Each musician brings their A-game here – Dizzy Gillespie, Bud Powell, Charles Mingus, Max Roach – creating layers of complexity that reveal new details with every listen. The harmonic progressions showcase the evolution of jazz during this era, moving beyond traditional structures into more adventurous territory. You can hear the influence of bebop, hard bop, and the emerging modal approaches that would define the future of jazz. The rhythm section provides that perfect foundation – tight but never restrictive, allowing for those spontaneous moments that make jazz so compelling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom a Collector's Perspective:\u003c\/strong\u003e\u003cbr\u003eAfter decades of hunting down rare pressings and audiophile releases, I can tell you that records like this don't come around often. This isn't just a record – it's a piece of musical history that belongs in any serious collection. The market for recordings like this has only grown stronger over the years, as more collectors recognize the artistic and historical significance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this pressing special:\u003c\/strong\u003e\u003cbr\u003eRunouts are etched, except for Optimal Media catalog number, which is stamped\u003cbr\u003eGeometric plating marks (1| and 1=) in runouts are mirrored.\u003c\/p\u003e\n\u003cp\u003eThe hype sticker claims that lacquers were cut by Kevin Gray at Cohearent, but the runouts don't contain his usual signature. Instead, they point to [a4567417] (HL) at Optimal Media GmbH.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003e. Jazz At Massey Hall (Without Bass Overdubs)\u003cbr\u003eA1. Perdido\u003cbr\u003eA2. Salt Peanuts\u003cbr\u003eA3. All The Things You Are \/ 52nd Street Theme\u003cbr\u003eB1. Wee\u003cbr\u003eB2. Hot House\u003cbr\u003eB3. A Night In Tunisia\u003cbr\u003e. -\u003cbr\u003eC1. Drum Conversation\u003cbr\u003eC2. I've Got You Under My Skin\u003cbr\u003eC3. Embraceable You\u003cbr\u003eC4. Sure Thing\u003cbr\u003eD1. Cherokee\u003cbr\u003eD2. Hallelujah\u003cbr\u003eD3. Lullaby Of Birdland\u003cbr\u003e. Jazz At Massey Hall (With Bass Overdubs)\u003cbr\u003eE1. Perdido\u003cbr\u003eE2. Salt Peanuts\u003cbr\u003eE3. All The Things You Are \/ 52nd Street Theme\u003cbr\u003eF1. Wee\u003cbr\u003eF2. Hot House\u003cbr\u003eF3. A Night in Tunisia\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality \u0026amp; Pressing Details:\u003c\/strong\u003e\u003cbr\u003eThe sonic characteristics of this pressing are exceptional. The dynamic range captures every nuance of the original performance – from the subtle brush work on the drums to the full bloom of the horns in the climactic passages. The stereo imaging (or mono presentation, depending on the era) places you right in the studio with the musicians. You can hear the room tone, the natural reverb, and those little details that make you feel like you're experiencing a live performance. The bass response is tight and defined, the midrange warm and present, and the high frequencies crisp without any harshness. Pressing quality is crucial for a record like this, and this release maintains the highest standards. The vinyl is quiet between tracks, tracking is excellent throughout, and the overall presentation does justice to the source material. Modern pressing technology has allowed engineers to revisit the original master tapes with fresh ears and cutting-edge equipment, resulting in a sound quality that often surpasses earlier reissues.\u003c\/p\u003e\n\u003cp\u003eIf you're building a serious collection, this belongs on your shelf. I guarantee you'll return to this record again and again.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– Miles Waxey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Charlie Parker\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Dizzy Gillespie, Bud Powell, Charles Mingus, Max Roach\u003c\/p\u003e\n\u003cdiv style=\"display: none;\"\u003eFeaturing: Dizzy Gillespie, Bud Powell, Charles Mingus, Max Roach Charlie Parker collaboration\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 3LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CR00683\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":50863853273384,"sku":null,"price":42.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NDgtOTYwNy5qcGVn.jpg?v=1761306749"},{"product_id":"the-birth-of-bop-various-box-set-vinyl","title":"The Birth Of Bop - Various (Box Set 5LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe Birth Of Bop\u003c\/strong\u003e by \u003cstrong\u003eVarious\u003c\/strong\u003e is one of those legendary sessions that jazz enthusiasts discuss with reverence.\u003c\/p\u003e\n\u003cp\u003eI remember finding this gem in a dusty basement shop in New York – the owner didn't even know what he had.\u003c\/p\u003e\n\u003cp\u003eThis recording captures Various during a transformative period in both their personal artistry and the broader musical landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eWhat strikes me most about this recording is the intricate interplay between the musicians. Various leads with that distinctive voice that made them a legend, but it's the conversation between all the players that creates the real magic. The harmonic progressions showcase the evolution of jazz during this era, moving beyond traditional structures into more adventurous territory. You can hear the influence of bebop, hard bop, and the emerging modal approaches that would define the future of jazz. The rhythm section provides that perfect foundation – tight but never restrictive, allowing for those spontaneous moments that make jazz so compelling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom a Collector's Perspective:\u003c\/strong\u003e\u003cbr\u003eAfter decades of hunting down rare pressings and audiophile releases, I can tell you that records like this don't come around often. This isn't just a record – it's a piece of musical history that belongs in any serious collection. The market for recordings like this has only grown stronger over the years, as more collectors recognize the artistic and historical significance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this pressing special:\u003c\/strong\u003e\u003cbr\u003eTrack A1 [S5712-5] recorded September 15, 1944 at WOR Studios, New York City\u003cbr\u003eTrack A2 [D5844] recorded October 30, 1945 in New York City\u003cbr\u003eTracks A3 [S3309-11], E2 [S3312-1] recorded June 26, 1946 in New York City\u003cbr\u003eTracks B1 [S36-110-5], E3 [S36-113], H2 [S36-111] recorded February 23, 1949 in New York City\u003cbr\u003eTrack B2 [D845] recorded March 23, 1948 in Detroit, MI\u003cbr\u003eTrack B3 [S36-127] recorded May 2, 1949 in New York City\u003cbr\u003eTracks C1 [S3369A], I3 [S3370] recorded December 18, 1946 in New York City\u003cbr\u003eTracks C2 [S3470-4], I1 [S3472-4] recorded November 6, 1947 in New York City\u003cbr\u003eTrack C3 [S5869] recorded December 14, 1945 at WOR Studios, New York City\u003cbr\u003eTrack D1 [S5848] recorded November 26, 1945 in New York City\u003cbr\u003eTrack D2 [S3311-2] recorded June 26, 1946 at WOR Studios, New York City\u003cbr\u003eTrack D3 [S5878-2], H3 [S5881-3] recorded January 29, 1946 in New York City\u003cbr\u003eTracks E1 [S5770], G3 [S5769] recorded December 19, 1944 in New York City\u003cbr\u003eTracks F1 [S3496], I2 [S3497-3] recorded December 19, 1947 in New York City\u003cbr\u003eTrack F2 [S3324] recorded July 31, 1946 in New York City\u003cbr\u003eTrack F3 [S3374] recorded December 20, 1946 in New York City\u003cbr\u003eTrack G1 [S3433] recorded July 15, 1947 in New York City\u003cbr\u003eTrack G2 [S3433] recorded January 22, 1947 in New York City\u003cbr\u003eTrack H1 [S3310-1] recorded June 26, 1946 in New York City\u003cbr\u003eTrack J1 [SLA1100] recorded 1948 or on January 19, 1949 in Los Angeles, California\u003cbr\u003eTrack J2 [S3412] recorded March 5, 1947 in New York City\u003cbr\u003eTrack J3 [S3379] recorded January 24, 1947 in New York City\u003c\/p\u003e\n\u003cp\u003eDaniel Krieger did not left his typical etchings in the runouts but is credited in booklet.\u003cbr\u003eCredits\/durations as given in booklet\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003e. The Birth Of Bop Volume 1\u003cbr\u003eA1. Romance Without Finance\u003cbr\u003eA2. Dexter‘s Minor Mad\u003cbr\u003eA3. Jay Bird\u003cbr\u003eB1. Hearing Bells\u003cbr\u003eB2. Chase‘n The Lion\u003cbr\u003eB3. Stan‘s Mood\u003cbr\u003e. The Birth Of Bop Volume 2\u003cbr\u003eC1. Hollerin‘ And Screamin‘ (Fatso)\u003cbr\u003eC2. Church Mouse\u003cbr\u003eC3. Always \u003cbr\u003eD1. Byas A Drink\u003cbr\u003eD2. Jay Jay\u003cbr\u003eD3. Long Tall Dexter\u003cbr\u003e. The Birth Of Bop Volume 3\u003cbr\u003eE1. Little Benny (King Kong)\u003cbr\u003eE2. Mad Be Bop\u003cbr\u003eE3. Bubu\u003cbr\u003eF1. Solitude\u003cbr\u003eF2. Don’t Worry 'bout Me\u003cbr\u003eF3. Maternity (Lard Pot)\u003cbr\u003e. The Birth Of Bop Volume 4\u003cbr\u003eG1. Donald Jay\u003cbr\u003eG2. Saxon\u003cbr\u003eG3. Dee Dee‘s Dance \u003cbr\u003eH1. Coppin‘ The Bop\u003cbr\u003eH2. Junior\u003cbr\u003eH3. Dexter Digs In\u003cbr\u003e. The Birth Of Bop Volume 5\u003cbr\u003eI1. Unmeditated\u003cbr\u003eI2. The Lion‘s Roar (Lion Roars)\u003cbr\u003eI3. Stealin‘ Trash\u003cbr\u003eJ1. Pete‘s Beat\u003cbr\u003eJ2. Pumpernickel \u003cbr\u003eJ3. Blowin‘ For Kicks\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality \u0026amp; Pressing Details:\u003c\/strong\u003e\u003cbr\u003eThe sonic characteristics of this pressing are exceptional. The dynamic range captures every nuance of the original performance – from the subtle brush work on the drums to the full bloom of the horns in the climactic passages. The stereo imaging (or mono presentation, depending on the era) places you right in the studio with the musicians. You can hear the room tone, the natural reverb, and those little details that make you feel like you're experiencing a live performance. The bass response is tight and defined, the midrange warm and present, and the high frequencies crisp without any harshness. Pressing quality is crucial for a record like this, and this release maintains the highest standards. The vinyl is quiet between tracks, tracking is excellent throughout, and the overall presentation does justice to the source material. Modern pressing technology has allowed engineers to revisit the original master tapes with fresh ears and cutting-edge equipment, resulting in a sound quality that often surpasses earlier reissues.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eI've recommended this to countless collectors, and it never fails to impress. Essential listening for any music lover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– Miles Waxey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Various\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Box Set\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CR00590\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e CRAFT Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":50863916417320,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MjQtMTczNC5qcGVn_1cd74141-1e20-40e5-aec7-1b2b1c87db1b.jpg?v=1761310799"},{"product_id":"goin-home-kenny-wayne-shepherd-band-2lp-vinyl","title":"Goin' Home - Kenny Wayne Shepherd Band (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003eIn all my years of collecting, \u003cstrong\u003eGoin' Home\u003c\/strong\u003e by \u003cstrong\u003eKenny Wayne Shepherd Band\u003c\/strong\u003e stands out as a masterpiece that defines the genre .\u003c\/p\u003e\n\u003cp\u003eKenny Wayne Shepherd Band poured their soul into this recording, and you can feel every emotion in their voice and guitar work.\u003c\/p\u003e\n\u003cp\u003eThis recording captures Kenny Wayne Shepherd Band during a transformative period in both their personal artistry and the broader musical landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eThe raw emotional power of this blues recording hits you immediately. Kenny Wayne Shepherd Band's performance is deeply rooted in the tradition while pushing boundaries in subtle but meaningful ways. The guitar work showcases that perfect balance between technical skill and emotional expression that defines great blues. The rhythm section locks in with a groove that's both relaxed and driving, creating that hypnotic quality that makes you lose track of time. This is blues played by musicians who lived it, not just studied it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom a Collector's Perspective:\u003c\/strong\u003e\u003cbr\u003eAfter decades of hunting down rare pressings and audiophile releases, I can tell you that records like this don't come around often. This isn't just a record – it's a piece of musical history that belongs in any serious collection. The market for recordings like this has only grown stronger over the years, as more collectors recognize the artistic and historical significance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this pressing special:\u003c\/strong\u003e\u003cbr\u003eIncludes printed inner sleeves.\u003c\/p\u003e\n\u003cp\u003eSticker on front reads:\u003cbr\u003eWith A Little Help From Friends:\u003cbr\u003ePastor Brady Blade, Sr.\u003cbr\u003eWarren Haynes\u003cbr\u003eKeb' Mo'\u003cbr\u003eRobert Randolph\u003cbr\u003eRebirth Brass Band\u003cbr\u003eRingo Starr\u003cbr\u003eJoe Walsh\u003cbr\u003eKim Wilson\u003cbr\u003eIncludes Free MP3\u003cbr\u003eAlbum Download Card\u003cbr\u003eINCLUDES THREE BONUS TRACKS\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Palace Of The King\u003cbr\u003eA2. Everything Gonna Be Alright\u003cbr\u003eA3. I Love The Life I Live\u003cbr\u003eA4. House Is Rockin'\u003cbr\u003eB1. You Can't Judge A Book By The Cover\u003cbr\u003eB2. You Done Lost Your Good Thing Now\u003cbr\u003eB3. Breaking Up Somebody's Home\u003cbr\u003eC1. Looking Back\u003cbr\u003eC2. Boogie Man\u003cbr\u003eC3. Born Under A Bad Sign\u003cbr\u003eC4. Cut You Lose\u003cbr\u003eD1. Three Hundred Pounds Of Joy\u003cbr\u003eD2. Still A Fool\u003cbr\u003eD3. Can You Hear Me\u003cbr\u003eD4. Trick Bag\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality \u0026amp; Pressing Details:\u003c\/strong\u003e\u003cbr\u003eThe sonic characteristics of this pressing are exceptional. The dynamic range captures every nuance of the original performance – from the subtle brush work on the drums to the full bloom of the horns in the climactic passages. The recording captures that raw, immediate energy that defines great blues. The guitar tone has that perfect balance of warmth and bite, the vocals sit perfectly in the mix, and the rhythm section provides that solid foundation you can feel in your chest. Pressing quality is crucial for a record like this, and this release maintains the highest standards. The vinyl is quiet between tracks, tracking is excellent throughout, and the overall presentation does justice to the source material. This millennial-era pressing benefits from improved manufacturing processes while maintaining the integrity of the original recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCultural Impact \u0026amp; Legacy:\u003c\/strong\u003e\u003cbr\u003eUnderstanding the cultural significance of this recording requires looking beyond just the music itself. Kenny Wayne Shepherd Band was carrying forward a tradition that stretches back to the Mississippi Delta, but making it their own in ways that would influence generations of musicians. This recording represents a crucial link in the chain of blues evolution. The authenticity of this performance speaks to the lived experience of the artists – this isn't academic blues, but music born from real struggle and genuine emotion. From an investment standpoint, recordings like this have consistently held their value and often appreciated significantly over time. But more importantly, this is the kind of record that changes how you hear music. It's an education in artistic excellence that never gets old.\u003c\/p\u003e\n\u003cp\u003eThis is one of those albums that sounds better on vinyl – the warmth and dynamics just can't be replicated digitally.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– Miles Waxey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kenny Wayne Shepherd Band\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Blues\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Concord Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CRE-35529-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2014\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":50863938240808,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/Ny00MzY4LmpwZWc.jpg?v=1761312213"},{"product_id":"twenty-one-geri-allen-trio-2lp-vinyl","title":"Twenty One - Geri Allen Trio (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003eWhen \u003cstrong\u003eGeri Allen Trio\u003c\/strong\u003e recorded \u003cstrong\u003eTwenty One\u003c\/strong\u003e, they created a timeless piece of art that continues to inspire musicians today featuring Ron Carter, Anthony Williams from 2022 – this is one of those records that stopped me in my tracks.\u003c\/p\u003e\n\u003cp\u003eThis session brings together \u003cstrong\u003eGeri Allen Trio\u003c\/strong\u003e with \u003cstrong\u003eRon Carter\u003c\/strong\u003e and \u003cstrong\u003eAnthony Williams\u003c\/strong\u003e – a collaboration that creates something truly special.\u003c\/p\u003e\n\u003cp\u003eI first heard this when I was digging through a collection in Chicago, and the moment the needle dropped, I knew I was holding something extraordinary. Geri Allen Trio was at the height of their creative powers when they walked into Rudy Van Gelder's studio for this Blue Note session. \u003c\/p\u003e\n\u003cp\u003eThis recording captures Geri Allen Trio during a transformative period in both their personal artistry and the broader musical landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eWhat strikes me most about this recording is the intricate interplay between the musicians. Geri Allen Trio leads with that distinctive voice that made them a legend, but it's the conversation between all the players that creates the real magic. Each musician brings their A-game here – Ron Carter, Anthony Williams – creating layers of complexity that reveal new details with every listen. The harmonic progressions showcase the evolution of jazz during this era, moving beyond traditional structures into more adventurous territory. You can hear the influence of bebop, hard bop, and the emerging modal approaches that would define the future of jazz. The rhythm section provides that perfect foundation – tight but never restrictive, allowing for those spontaneous moments that make jazz so compelling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom a Collector's Perspective:\u003c\/strong\u003e\u003cbr\u003eAfter decades of hunting down rare pressings and audiophile releases, I can tell you that records like this don't come around often. Blue Note Records has always been the gold standard for jazz recordings – Alfred Lion and Francis Wolff knew how to capture the essence of a performance. Their attention to detail, from the recording techniques to the pressing quality, set them apart from their contemporaries. This isn't just a record – it's a piece of musical history that belongs in any serious collection. The market for recordings like this has only grown stronger over the years, as more collectors recognize the artistic and historical significance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this pressing special:\u003c\/strong\u003e\u003cbr\u003eFirst vinyl release\u003cbr\u003e℗ 1994 © 2022\u003cbr\u003eMade in the EU.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. RTG\u003cbr\u003eA2. If I Should Lose You\u003cbr\u003eA3. Drummer's Song\u003cbr\u003eA4. Introspection \/ Thelonious\u003cbr\u003eB1. A Beautiful Friendship\u003cbr\u003eB2. In The Morning (For Sister Leola)\u003cbr\u003eB3. Tea For Two\u003cbr\u003eC1. Lullaby Of The Leaves\u003cbr\u003eC2. Feed The Fire\u003cbr\u003eD1. Old Folks\u003cbr\u003eD2. A Place Of Power\u003cbr\u003eD3. In The Middle\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality \u0026amp; Pressing Details:\u003c\/strong\u003e\u003cbr\u003eThe sonic characteristics of this pressing are exceptional. The dynamic range captures every nuance of the original performance – from the subtle brush work on the drums to the full bloom of the horns in the climactic passages. The stereo imaging (or mono presentation, depending on the era) places you right in the studio with the musicians. You can hear the room tone, the natural reverb, and those little details that make you feel like you're experiencing a live performance. The bass response is tight and defined, the midrange warm and present, and the high frequencies crisp without any harshness. Pressing quality is crucial for a record like this, and this release maintains the highest standards. The vinyl is quiet between tracks, tracking is excellent throughout, and the overall presentation does justice to the source material. Modern pressing technology has allowed engineers to revisit the original master tapes with fresh ears and cutting-edge equipment, resulting in a sound quality that often surpasses earlier reissues.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCultural Impact \u0026amp; Legacy:\u003c\/strong\u003e\u003cbr\u003eUnderstanding the cultural significance of this recording requires looking beyond just the music itself. Geri Allen Trio was working during a period when jazz was not just entertainment, but a form of cultural expression that challenged social norms and pushed artistic boundaries. This recording captures a moment in time when musicians were redefining what American music could be. The influence of this recording can be heard in countless albums that followed. Young musicians studied these performances, learning not just the notes but the approach, the attitude, the fearless creativity that defined this generation of artists. From an investment standpoint, recordings like this have consistently held their value and often appreciated significantly over time. But more importantly, this is the kind of record that changes how you hear music. It's an education in artistic excellence that never gets old.\u003c\/p\u003e\n\u003cp\u003eThis is one of those albums that sounds better on vinyl – the warmth and dynamics just can't be replicated digitally.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– Miles Waxey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Geri Allen Trio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Ron Carter, Anthony Williams\u003c\/p\u003e\n\u003cdiv style=\"display:none;\"\u003eFeaturing: Ron Carter, Anthony Williams Geri Allen Trio collaboration\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 3876188\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50863955280168,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NjctNTY4NC5qcGVn.jpg?v=1761313134"},{"product_id":"warna-joey-alexander-2lp-vinyl","title":"Warna - Joey Alexander (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003eLet me tell you about \u003cstrong\u003eWarna\u003c\/strong\u003e by \u003cstrong\u003eJoey Alexander\u003c\/strong\u003e – this recording changed the course of jazz history from 2020 – this is one of those records that stopped me in my tracks.\u003c\/p\u003e\n\u003cp\u003eThis record has been in my personal collection for years, and every time I play it, I discover something new in the interplay between the musicians. \u003c\/p\u003e\n\u003cp\u003eThis recording captures Joey Alexander during a transformative period in both their personal artistry and the broader musical landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eWhat strikes me most about this recording is the intricate interplay between the musicians. Joey Alexander leads with that distinctive voice that made them a legend, but it's the conversation between all the players that creates the real magic. The harmonic progressions showcase the evolution of jazz during this era, moving beyond traditional structures into more adventurous territory. You can hear the influence of bebop, hard bop, and the emerging modal approaches that would define the future of jazz. The rhythm section provides that perfect foundation – tight but never restrictive, allowing for those spontaneous moments that make jazz so compelling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom a Collector's Perspective:\u003c\/strong\u003e\u003cbr\u003eAfter decades of hunting down rare pressings and audiophile releases, I can tell you that records like this don't come around often. This isn't just a record – it's a piece of musical history that belongs in any serious collection. The market for recordings like this has only grown stronger over the years, as more collectors recognize the artistic and historical significance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this pressing special:\u003c\/strong\u003e\u003cbr\u003egatefold cover\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Warna\u003cbr\u003eA2. Mosaic (Of Beauty)\u003cbr\u003eA3. Lonely Streets\u003cbr\u003eB1. Downtime\u003cbr\u003eB2. Affirmation I\u003cbr\u003eB3. Inner Urge\u003cbr\u003eC1. We Here\u003cbr\u003eC2. Tis Our Prayer\u003cbr\u003eC3. Fragile\u003cbr\u003eD1. Our Story\u003cbr\u003eD2. Affirmation III\u003cbr\u003eD3. The Light\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality \u0026amp; Pressing Details:\u003c\/strong\u003e\u003cbr\u003eThe sonic characteristics of this pressing are exceptional. The dynamic range captures every nuance of the original performance – from the subtle brush work on the drums to the full bloom of the horns in the climactic passages. The stereo imaging (or mono presentation, depending on the era) places you right in the studio with the musicians. You can hear the room tone, the natural reverb, and those little details that make you feel like you're experiencing a live performance. The bass response is tight and defined, the midrange warm and present, and the high frequencies crisp without any harshness. Pressing quality is crucial for a record like this, and this release maintains the highest standards. The vinyl is quiet between tracks, tracking is excellent throughout, and the overall presentation does justice to the source material. Modern pressing technology has allowed engineers to revisit the original master tapes with fresh ears and cutting-edge equipment, resulting in a sound quality that often surpasses earlier reissues.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCultural Impact \u0026amp; Legacy:\u003c\/strong\u003e\u003cbr\u003eUnderstanding the cultural significance of this recording requires looking beyond just the music itself. Joey Alexander was working during a period when jazz was not just entertainment, but a form of cultural expression that challenged social norms and pushed artistic boundaries. This recording captures a moment in time when musicians were redefining what American music could be. The influence of this recording can be heard in countless albums that followed. Young musicians studied these performances, learning not just the notes but the approach, the attitude, the fearless creativity that defined this generation of artists. From an investment standpoint, recordings like this have consistently held their value and often appreciated significantly over time. But more importantly, this is the kind of record that changes how you hear music. It's an education in artistic excellence that never gets old.\u003c\/p\u003e\n\u003cp\u003eIf you're building a serious collection, this belongs on your shelf. I guarantee you'll return to this record again and again.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– Miles Waxey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Joey Alexander\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0031489-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50863960195368,"sku":null,"price":14.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MjUtMzY3My5qcGVn.jpg?v=1761313510"},{"product_id":"hollywood-africans-jon-batiste-2lp-vinyl","title":"Hollywood Africans - Jon Batiste (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003eWhen I first encountered \u003cstrong\u003eHollywood Africans\u003c\/strong\u003e by \u003cstrong\u003eJon Batiste\u003c\/strong\u003e, I knew I was holding something truly extraordinary.\u003c\/p\u003e\n\u003cp\u003eI remember finding this gem in a dusty basement shop in New York – the owner didn't even know what he had.\u003c\/p\u003e\n\u003cp\u003eThis recording captures Jon Batiste during a transformative period in both their personal artistry and the broader musical landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eWhat strikes me most about this recording is the intricate interplay between the musicians. Jon Batiste leads with that distinctive voice that made them a legend, but it's the conversation between all the players that creates the real magic. The harmonic progressions showcase the evolution of jazz during this era, moving beyond traditional structures into more adventurous territory. You can hear the influence of bebop, hard bop, and the emerging modal approaches that would define the future of jazz. The rhythm section provides that perfect foundation – tight but never restrictive, allowing for those spontaneous moments that make jazz so compelling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom a Collector's Perspective:\u003c\/strong\u003e\u003cbr\u003eAfter decades of hunting down rare pressings and audiophile releases, I can tell you that records like this don't come around often. This isn't just a record – it's a piece of musical history that belongs in any serious collection. The market for recordings like this has only grown stronger over the years, as more collectors recognize the artistic and historical significance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this pressing special:\u003c\/strong\u003e\u003cbr\u003eSide D is etched with an image of a tree.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Kenner Boogie\u003cbr\u003eA2. What A Wonderful World\u003cbr\u003eA3. Chopinesque\u003cbr\u003eA4. Saint James Infirmary Blues\u003cbr\u003eB1. Nocturne No. 1 in D Minor\u003cbr\u003eB2. The Very Thought Of You\u003cbr\u003eB3. Green Hill Zone\u003cbr\u003eB4. Mr. Buddy\u003cbr\u003eC1. Is It Over\u003cbr\u003eC2. Smile\u003cbr\u003eC3. Don’t Stop\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality \u0026amp; Pressing Details:\u003c\/strong\u003e\u003cbr\u003eThe sonic characteristics of this pressing are exceptional. The dynamic range captures every nuance of the original performance – from the subtle brush work on the drums to the full bloom of the horns in the climactic passages. The stereo imaging (or mono presentation, depending on the era) places you right in the studio with the musicians. You can hear the room tone, the natural reverb, and those little details that make you feel like you're experiencing a live performance. The bass response is tight and defined, the midrange warm and present, and the high frequencies crisp without any harshness. Pressing quality is crucial for a record like this, and this release maintains the highest standards. The vinyl is quiet between tracks, tracking is excellent throughout, and the overall presentation does justice to the source material. This millennial-era pressing benefits from improved manufacturing processes while maintaining the integrity of the original recording.\u003c\/p\u003e\n\u003cp\u003eI've recommended this to countless collectors, and it never fails to impress. Essential listening for any music lover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– Miles Waxey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Jon Batiste\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0028868-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50864035103016,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MTgtMjE5Ni5qcGVn.jpg?v=1761314483"},{"product_id":"consentrik-quartet-nels-cline-2lp-vinyl","title":"Consentrik Quartet - Nels Cline (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eConsentrik Quartet\u003c\/strong\u003e by \u003cstrong\u003eNels Cline\u003c\/strong\u003e is one of those legendary sessions that jazz enthusiasts discuss with reverence – this is one of those records that stopped me in my tracks.\u003c\/p\u003e\n\u003cp\u003eI remember finding this gem in a dusty basement shop in New York – the owner didn't even know what he had. Nels Cline was at the height of their creative powers when they walked into Rudy Van Gelder's studio for this Blue Note session. \u003c\/p\u003e\n\u003cp\u003eThis recording captures Nels Cline during a transformative period in both their personal artistry and the broader musical landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eWhat strikes me most about this recording is the intricate interplay between the musicians. Nels Cline leads with that distinctive voice that made them a legend, but it's the conversation between all the players that creates the real magic. The harmonic progressions showcase the evolution of jazz during this era, moving beyond traditional structures into more adventurous territory. You can hear the influence of bebop, hard bop, and the emerging modal approaches that would define the future of jazz. The rhythm section provides that perfect foundation – tight but never restrictive, allowing for those spontaneous moments that make jazz so compelling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom a Collector's Perspective:\u003c\/strong\u003e\u003cbr\u003eAfter decades of hunting down rare pressings and audiophile releases, I can tell you that records like this don't come around often. Blue Note Records has always been the gold standard for jazz recordings – Alfred Lion and Francis Wolff knew how to capture the essence of a performance. Their attention to detail, from the recording techniques to the pressing quality, set them apart from their contemporaries. This isn't just a record – it's a piece of musical history that belongs in any serious collection. The market for recordings like this has only grown stronger over the years, as more collectors recognize the artistic and historical significance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this pressing special:\u003c\/strong\u003e\u003cbr\u003eRecorded by Eli Crews on February 13, 14 \u0026amp; July 27, 2024 at The Bunker Studio, Brooklyn NY\u003cbr\u003eAssisted by Nolan Thies \u0026amp; Alex Conroy\u003cbr\u003eMixed by Eli Crews (w\/ Nels) at Spillway, West Hurley, NY\u003cbr\u003eMastering by Thomas Dimuzio at Gench Studio, San Francisco, CA\u003cbr\u003eVinyl Mastered by Ryan Smith at Sterling Sound, Nashville, TN\u003c\/p\u003e\n\u003cp\u003ePublished by Nebsonic Music\/Administered by BMG (ASCAP)\u003c\/p\u003e\n\u003cp\u003e\"Satomi\" is for Satomi Matsuzaki\u003cbr\u003e\"The Bag\" is for Tom Rainey\u003c\/p\u003e\n\u003cp\u003eCover painting: \"Magata Jinja\" by Hiroki Katayama (© Hiroki Katayama Artworks. hirokikatayma.com)\u003c\/p\u003e\n\u003cp\u003eMade in Germany sticker on shrink\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. 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The bass response is tight and defined, the midrange warm and present, and the high frequencies crisp without any harshness. Pressing quality is crucial for a record like this, and this release maintains the highest standards. The vinyl is quiet between tracks, tracking is excellent throughout, and the overall presentation does justice to the source material. Modern pressing technology has allowed engineers to revisit the original master tapes with fresh ears and cutting-edge equipment, resulting in a sound quality that often surpasses earlier reissues.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCultural Impact \u0026amp; Legacy:\u003c\/strong\u003e\u003cbr\u003eUnderstanding the cultural significance of this recording requires looking beyond just the music itself. Nels Cline was working during a period when jazz was not just entertainment, but a form of cultural expression that challenged social norms and pushed artistic boundaries. This recording captures a moment in time when musicians were redefining what American music could be. The influence of this recording can be heard in countless albums that followed. Young musicians studied these performances, learning not just the notes but the approach, the attitude, the fearless creativity that defined this generation of artists. From an investment standpoint, recordings like this have consistently held their value and often appreciated significantly over time. But more importantly, this is the kind of record that changes how you hear music. It's an education in artistic excellence that never gets old.\u003c\/p\u003e\n\u003cp\u003eThis is one of those albums that sounds better on vinyl – the warmth and dynamics just can't be replicated digitally.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– Miles Waxey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Nels Cline\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 0060247574051\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2025\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50865896554792,"sku":null,"price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MzItNDQ5Ni5qcGVn.jpg?v=1761399633"},{"product_id":"the-carnegie-hall-concert-alice-coltrane-2lp-vinyl","title":"The Carnegie Hall Concert - Alice Coltrane (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003eIn all my years of collecting, \u003cstrong\u003eThe Carnegie Hall Concert\u003c\/strong\u003e by \u003cstrong\u003eAlice Coltrane\u003c\/strong\u003e stands out as a masterpiece that defines the genre – this is one of those records that stopped me in my tracks.\u003c\/p\u003e\n\u003cp\u003eI remember finding this gem in a dusty basement shop in New York – the owner didn't even know what he had. \u003c\/p\u003e\n\u003cp\u003eColtrane was in the midst of his spiritual and musical awakening during this period. He was practicing obsessively – sometimes 12 hours a day – and his harmonic concepts were evolving rapidly. This recording captures him at a moment when his technical mastery was serving a deeper spiritual purpose, and you can hear that transcendent quality in every note.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eWhat strikes me most about this recording is the intricate interplay between the musicians. Alice Coltrane leads with that distinctive voice that made them a legend, but it's the conversation between all the players that creates the real magic. The harmonic progressions showcase the evolution of jazz during this era, moving beyond traditional structures into more adventurous territory. You can hear the influence of bebop, hard bop, and the emerging modal approaches that would define the future of jazz. The rhythm section provides that perfect foundation – tight but never restrictive, allowing for those spontaneous moments that make jazz so compelling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom a Collector's Perspective:\u003c\/strong\u003e\u003cbr\u003eAfter decades of hunting down rare pressings and audiophile releases, I can tell you that records like this don't come around often. This isn't just a record – it's a piece of musical history that belongs in any serious collection. The market for recordings like this has only grown stronger over the years, as more collectors recognize the artistic and historical significance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this pressing special:\u003c\/strong\u003e\u003cbr\u003eRecorded at Carnegie Hall, New York, NY, February 21, 1971\u003cbr\u003eGatefold jacket\u003cbr\u003e10 page full-color booklet enclosed with photos \u0026amp; extensive liner notes.\u003c\/p\u003e\n\u003cp\u003eBarcode sticker 6 02458 82870 2 (for Opaque Galaxy Orange color variant)\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Journey In Satchidananda\u003cbr\u003eB1. Shiva-Loka\u003cbr\u003eC1. Africa\u003cbr\u003eD1. Leo\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality \u0026amp; Pressing Details:\u003c\/strong\u003e\u003cbr\u003eThe sonic characteristics of this pressing are exceptional. The dynamic range captures every nuance of the original performance – from the subtle brush work on the drums to the full bloom of the horns in the climactic passages. The stereo imaging (or mono presentation, depending on the era) places you right in the studio with the musicians. You can hear the room tone, the natural reverb, and those little details that make you feel like you're experiencing a live performance. The bass response is tight and defined, the midrange warm and present, and the high frequencies crisp without any harshness. Pressing quality is crucial for a record like this, and this release maintains the highest standards. The vinyl is quiet between tracks, tracking is excellent throughout, and the overall presentation does justice to the source material. Modern pressing technology has allowed engineers to revisit the original master tapes with fresh ears and cutting-edge equipment, resulting in a sound quality that often surpasses earlier reissues.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCultural Impact \u0026amp; Legacy:\u003c\/strong\u003e\u003cbr\u003eUnderstanding the cultural significance of this recording requires looking beyond just the music itself. Alice Coltrane was working during a period when jazz was not just entertainment, but a form of cultural expression that challenged social norms and pushed artistic boundaries. This recording captures a moment in time when musicians were redefining what American music could be. The influence of this recording can be heard in countless albums that followed. Young musicians studied these performances, learning not just the notes but the approach, the attitude, the fearless creativity that defined this generation of artists. From an investment standpoint, recordings like this have consistently held their value and often appreciated significantly over time. But more importantly, this is the kind of record that changes how you hear music. It's an education in artistic excellence that never gets old.\u003c\/p\u003e\n\u003cp\u003eI've recommended this to countless collectors, and it never fails to impress. Essential listening for any music lover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– Miles Waxey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Alice Coltrane\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 602458828696\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":50865898062120,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OTYtMjgzMy5qcGVn.jpg?v=1761400114"},{"product_id":"the-look-of-love-diana-krall-2lp-vinyl-acoustic-sounds-series","title":"The Look Of Love - Diana Krall (2LP Vinyl) [Acoustic Sounds Series]","description":"\u003cp\u003e\u003cstrong\u003eThe Look Of Love\u003c\/strong\u003e by \u003cstrong\u003eDiana Krall\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eDiana Krall's \"The Look Of Love\" arrives here as part of Verve's prestigious Acoustic Sounds Series, a double LP reissue that treats one of the vocalist and pianist's most beloved recordings with the care it deserves. This is a Verve Records release, with the original 2001 recording newly presented for a 2024 pressing, distributed by Universal Music Enterprises. The set brings together lush orchestral settings and intimate small-group performances across four sides of 180 gram vinyl.\u003c\/p\u003e\n\u003cp\u003eThe album's centerpiece sessions feature the London Symphony Orchestra, recorded March 9 through 11, 2001 at the legendary Abbey Road Studios in London, with assistant engineers Chris Clark and Richard Lancaster. Additional tracks were captured January 22 through 27 at Avatar Studios in New York City, where Aya Takemura served as assistant engineer, before being mixed March 19 through 23 at Capitol Studios in Hollywood with John Hendrickson assisting. A further group of performances was recorded June 3 and 4, 2001 at Capitol Studios and mixed there June 5 through 7, giving the record its blend of sweeping strings and closer, more direct jazz intimacy.\u003c\/p\u003e\n\u003cp\u003eAcross the program you'll find the standards that made this album a modern classic, from the buoyant opener \"S'Wonderful\" through \"Love Letters\" and \"I Remember You,\" into the smoldering \"Cry Me A River\" and a languid \"Besame Mucho.\" The second half moves through \"The Night We Called It A Day,\" \"Dancing In The Dark,\" and \"I Get Along Without You Very Well,\" building toward the title track \"The Look Of Love\" and closing with \"Maybe You'll Be There.\"\u003c\/p\u003e\n\u003cp\u003eThe audiophile credentials here are serious. Reissue mastering was handled by Bernie Grundman at Bernie Grundman Mastering, working from the original analog tapes. The LPs were pressed at Quality Record Pressings (QRP) on 180 gram vinyl, and the packaging follows the series' high standard: an old-style tip-on gatefold jacket printed by Stoughton Printing on high-grade board. This copy comes as a double pocket gatefold with plain rice paper inner sleeves and a double-sided insert dedicated to the Verve Impulse! Acoustic Sounds Series.\u003c\/p\u003e\n\u003cp\u003eCollectors should note one chapter in this pressing's history. A sound quality issue was identified on the second LP, leading to a recall roughly a month after release. Buyers who obtained an affected copy from Acoustic Sounds were advised that a replacement second LP would be sent, with shipping of those replacements reportedly beginning in late February 2025.\u003c\/p\u003e\n\u003cp\u003eFor anyone drawn to Diana Krall's velvet phrasing and the orchestral grandeur of this record, this Acoustic Sounds Series edition offers a definitive analog presentation, mastered and manufactured to bring out every nuance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eDouble pocket gatefold jacket with plain rice paper inner sleeves and a double-sided insert for \"Verve Impulse! Acoustic Sounds Series\".\u003c\/p\u003e\n\u003cp\u003eA sound quality issue was identified on the second LP leading to a recall around a month after release. Purchases with the issue bought from Acoustic Sounds were advised that a replacement of the second LP would be sent within 2 months but apparently they only started shipping from late February 2025.\u003c\/p\u003e\n\u003cp\u003e[Back cover and labels]\u003cbr\u003eA Verve Records release; ℗ 2001 ℗ 2024 UMG Recordings Inc.\u003cbr\u003eDistributed by Universal Music Enterprises, A division of UMG Recordings, Inc.\u003c\/p\u003e\n\u003cp\u003e[Gatefold interior]\u003cbr\u003e{A2, B1, C1 to D2} recorded January 22-27 at Avatar Studios, NYC\u003cbr\u003eAssistant engineer: Aya Takemura\u003cbr\u003eLondon Symphony Orchestra recorded March 9-11, 2001 at Abbey Road Studios, London\u003cbr\u003eAssistant engineers: Chris Clark and Richard Lancaster\u003cbr\u003eMixed March 19-23 at Capitol Studios, Hollywood\u003cbr\u003eAssistant engineer: John Hendrickson\u003cbr\u003e-\u003cbr\u003e{A1, A3, B2} recorded June 3 and 4, 2001\u003cbr\u003eat Capitol Studios, Hollywood\u003cbr\u003eMixed June 5-7, 2001 at Capitol Studios, Hollywood\u003cbr\u003e-\u003cbr\u003eReissue Mastering: Bernie Grundman, Bernie Grundman Mastering\u003cbr\u003eA Verve Records release: ℗ 2001 ℗ 2024 UMG Recordings Inc.\u003c\/p\u003e\n\u003cp\u003e['Acoustic Sounds Series' sticker]\u003cbr\u003eAudiophile vinyl reissues from the world's greatest jazz labels\u003cbr\u003e• Mastered from the original analog tapes by top mastering engineers\u003cbr\u003e• Manufactured at Quality Record Pressings (QRP) on 180 gram vinyl\u003cbr\u003e• Tip-on gatefold sleeves printed on high-grade board\u003c\/p\u003e\n\u003cp\u003e[Acoustic Sounds product page]\u003cbr\u003eMastered by Bernie Grundman from the original analog tapes\u003cbr\u003e180-gram 2LPs pressed at Quality Record Pressings!\u003cbr\u003eStoughton Printing gatefold old-style tip-on jackets\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. S'Wonderful\u003cbr\u003eA2. Love Letters\u003cbr\u003eA3. I Remember You\u003cbr\u003eB1. Cry Me A River\u003cbr\u003eB2. Besame Mucho\u003cbr\u003eC1. The Night We Called It A Day\u003cbr\u003eC2. Dancing In The Dark\u003cbr\u003eC3. I Get Along Without You Very Well\u003cbr\u003eD1. The Look Of Love\u003cbr\u003eD2. Maybe You'll Be There\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Diana Krall\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 602458986808\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Acoustic Sounds Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50870179758376,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/B6CCBD35-D4BF-4748-AE0C-B81079C10D9C.jpg?v=1792092075"},{"product_id":"valentine-bill-frisell-2lp-vinyl","title":"Valentine - Bill Frisell (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eValentine\u003c\/strong\u003e by \u003cstrong\u003eBill Frisell\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eBill Frisell's \u003cem\u003eValentine\u003c\/em\u003e arrives on Blue Note Records as a warm, wide-ranging document of one of the guitar's most distinctive voices. Spread across four sides and housed in a handsome gatefold sleeve, this 2020 release gathers original compositions, standards, and traditional material into a single, unhurried statement. It is a record that rewards patience, unfolding its ideas the way Frisell has always favored, with space, texture, and a quiet sense of discovery.\u003c\/p\u003e\n\u003cp\u003eThe program opens with \"Baba Drame,\" published by Label Bleu, before settling into a run of Frisell originals that form the backbone of the album. \"Hour Glass,\" the title track \"Valentine,\" and \"Levees\" showcase his gift for melody as space, while side B continues with \"Winter Always Turns To Spring\" and \"Keep Your Eyes Open.\" These pieces, published through Frizz-Tone Music, carry the unmistakable Frisell signature: tunes that feel both freshly composed and somehow long remembered.\u003c\/p\u003e\n\u003cp\u003eInterpretation has always been central to Frisell's art, and \u003cem\u003eValentine\u003c\/em\u003e leans into that instinct with care. Billy Strayhorn's \"A Flower Is A Lovesome Thing\" appears on side B, published by Tempo Music, a nod to the great American songbook tradition that runs beneath so much of Frisell's playing. Side D reaches toward Burt Bacharach and Hal David with \"What The World Needs Now Is Love,\" a choice that feels tender rather than nostalgic, its message resonating clearly in the hands of a trio unafraid of directness.\u003c\/p\u003e\n\u003cp\u003eThe traditional and public domain material gives the album its emotional anchor. \"Wagon Wheels\" on side C and the closing \"We Shall Overcome\" on side D root the record in something older and communal, the kind of shared songbook that Frisell has long treated as sacred ground. Placed alongside originals like \"Electricity,\" \"Aunt Mary,\" and \"Where Do We Go?,\" these pieces expand the album's reach, connecting personal invention to a broader American vernacular.\u003c\/p\u003e\n\u003cp\u003eThe sound of the pressing matters here, and \u003cem\u003eValentine\u003c\/em\u003e was recorded and mixed at Flora Recording \u0026amp; Playback in Portland, Oregon, then mastered at Sterling Sound in Edgewater, New Jersey. That pairing lends the music a natural, roomy presence, letting every string and cymbal breathe across the grooves. Released under Blue Note Records with a 2020 UMG copyright, it is a session built for careful listening on a good system.\u003c\/p\u003e\n\u003cp\u003eFor collectors and listeners drawn to Frisell's singular blend of jazz, folk, and Americana, \u003cem\u003eValentine\u003c\/em\u003e stands as an essential entry in his catalog. It is a generous, deeply felt record, one that treats melody as an act of affection and invites you to return to it again and again.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eGatefold sleeve.\u003c\/p\u003e\n\u003cp\u003eTrack A1: Published by Label Bleu (SACEM)\u003cbr\u003eTracks A2, A3, A4, B1, B2, C1, C3, D2: Published by Frizz-Tone Music (BMI)\u003cbr\u003eTrack B3: Published by Tempo Music (ASCAP)\u003cbr\u003eTracks C2, D3: Public Domain\u003cbr\u003eTrack D1: Published by Hidden Valley Music (ASCAP), Casa David (ASCAP)\u003c\/p\u003e\n\u003cp\u003eAll songs recorded and mixed by (...) and assisted by (...) at Flora Recording \u0026amp; Playback, Portland, OR.\u003cbr\u003eMastered by (...) at Sterling Sound, Edgewater, NJ.\u003c\/p\u003e\n\u003cp\u003eBlue Note Records; ℗© 2020 UMG Recordings, Inc.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Baba Drame\u003cbr\u003eA2. Hour Glass\u003cbr\u003eA3. Valentine\u003cbr\u003eA4. Levees\u003cbr\u003eB1. Winter Always Turns To Spring\u003cbr\u003eB2. Keep Your Eyes Open\u003cbr\u003eB3. A Flower Is A Lovesome Thing\u003cbr\u003eC1. Electricity\u003cbr\u003eC2. Wagon Wheels\u003cbr\u003eC3. Aunt Mary\u003cbr\u003eD1. What The World Needs Now Is Love\u003cbr\u003eD2. Where Do We Go?\u003cbr\u003eD3. We Shall Overcome\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Bill Frisell\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 60250899210\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50870694740264,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OTUtNDI1MS5qcGVn.jpg?v=1761597069"},{"product_id":"four-bill-frisell-2lp-vinyl","title":"Four - Bill Frisell (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eFour\u003c\/strong\u003e by \u003cstrong\u003eBill Frisell\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are records that announce themselves loudly, and then there are records like this one, which arrive with the warmth of a familiar voice picking up a conversation that never really ended. \"Four\" by Bill Frisell is a work built on connection, dedicated in memory of Ron Miles and offered to dear old friends. That sense of intimacy runs through every groove, spread generously across four sides of vinyl housed in a gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"Dear Old Friend (For Alan Woodard),\" a title that sets the tone for everything that follows. From there the first side moves through \"Claude Utley\" and \"The Pioneers,\" compositions that unfold with the unhurried patience Frisell has long made his signature. All of these pieces are published by Friz-Tone Music, BMI, the mark of a musician who has spent decades shaping a language entirely his own.\u003c\/p\u003e\n\u003cp\u003eThe second and third sides deepen the mood. \"Holiday\" and the tender \"Waltz For Hal Willner\" give way to \"Lookout For Hope,\" while side three gathers \"Monroe,\" \"Wise Woman,\" \"Blues From Before,\" and the aching \"Always.\" These are pieces that reward close listening, the kind of music that seems to expand the longer you sit with it, revealing detail and feeling in equal measure. The blues here is felt more than declared, woven quietly into the fabric of the playing.\u003c\/p\u003e\n\u003cp\u003eThe closing side carries a wry affection all its own, from \"Good Dog, Happy Man\" through \"Invisible\" to the closing \"Dog On A Roof.\" It is a fitting way to draw the record to a close, playful and heartfelt, the final word in a set that never loses sight of the human warmth at its center.\u003c\/p\u003e\n\u003cp\u003eThe craft behind this pressing matches the care in the music. \"Four\" was recorded at The Samurai Hotel in Astoria, NY, and mixed at Reservoir Studios in New York, NY. Mastering was handled at Sterling Sound in Edgewater, NJ, with vinyl mastering completed at Cohearant Audio in North Hills, CA. All runouts are etched, a small detail that speaks to the attention lavished on the physical object itself.\u003c\/p\u003e\n\u003cp\u003eReleased by Blue Note Records in 2022 and made in the EU, this is a record that belongs on the shelf of anyone who values the quieter, more searching corners of contemporary jazz. It is Bill Frisell at his most generous and most personal, a tribute to friendship and memory rendered in sound. For collectors and listeners alike, \"Four\" is a rewarding addition, a gatefold set that invites you back again and again.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eIn memory of Ron Miles.\u003cbr\u003eTo dear old friends.\u003c\/p\u003e\n\u003cp\u003eRecorded at The Samurai Hotel, Astoria, NY\u003cbr\u003eMixed at Reservoir Studios, New York, NY\u003cbr\u003eMastered at Sterling Sound, Edgewater, NJ\u003cbr\u003eVinyl mastered at Cohearant Audio, North Hills, CA.\u003c\/p\u003e\n\u003cp\u003eAll compositions published by Friz-Tone Music, BMI.\u003c\/p\u003e\n\u003cp\u003e℗ © 2022 Blue Note Records.\u003cbr\u003eMade in the EU.\u003c\/p\u003e\n\u003cp\u003eGatefold sleeve, all runouts etched\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Dear Old Friend (For Alan Woodard)\u003cbr\u003eA2. Claude Utley\u003cbr\u003eA3. The Pioneers\u003cbr\u003eB1. Holiday\u003cbr\u003eB2. Waltz For Hal Willner\u003cbr\u003eB3. Lookout For Hope\u003cbr\u003eC1. Monroe\u003cbr\u003eC2. Wise Woman\u003cbr\u003eC3. Blues From Before\u003cbr\u003eC4. Always\u003cbr\u003eD1. Good Dog, Happy Man\u003cbr\u003eD2. Invisible\u003cbr\u003eD3. Dog On A Roof\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Bill Frisell\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B003528601\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50870698344744,"sku":null,"price":32.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OTUtNTUyNS5qcGVn.jpg?v=1761597284"},{"product_id":"orchestras-bill-frisell-2lp-vinyl","title":"Orchestras - Bill Frisell (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestras\u003c\/strong\u003e by \u003cstrong\u003eBill Frisell\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eBill Frisell's \"Orchestras\" is a double album that captures the guitarist in two very different large ensemble settings, each drawn from live performances and studio sessions that stretch across continents. It is a record built on collaboration and scale, pairing Frisell's unmistakable tone with symphonic textures on one disc and a more intimate ensemble on the other, all released under UMG Recordings in 2024 and pressed in Germany.\u003c\/p\u003e\n\u003cp\u003eThe first disc was recorded on September 23 and 24, 2022, at two Belgian venues: De Bijloke in Ghent and Flagey in Brussels. It arrives as a commission from Muziekcentrum De Bijloke, Flagey, and the Brussels Philharmonic, presented within their \"Jazz Meets Symphonic\" series. That framing tells you everything about the ambition here, as Frisell's compositions and choices are set against the sweep of a full orchestral canvas, captured live with recording and pre-mixing handled by High Score Recording.\u003c\/p\u003e\n\u003cp\u003eAcross these sides you get the range of Frisell as both writer and interpreter. His own pieces dominate, with titles like \"Throughout,\" \"Electricity,\" \"Rag,\" \"Lookout For Hope,\" \"Levees,\" \"Strange Meeting,\" and \"Monica Jane\" drawn from Friz-Tone Music, reflecting decades of his distinctive compositional voice. Alongside them sit interpretations that reveal his roots and reach, including Billy Strayhorn's \"Lush Life\" and two readings of \"Doom,\" the latter published through Retrac Productions.\u003c\/p\u003e\n\u003cp\u003eThe second disc shifts the setting entirely, recorded from December 30, 2021, through January 1, 2022, at Teatro Mancinelli in Orvieto, Italy, with additional recording at 25th St. Recording in Oakland, California. The album's two halves were then brought together in Oakland, mixed at 25th St. Recording before mastering at Sterling Sound in Edgewater, New Jersey, with the vinyl mastered at Sterling Sound in Nashville. That transatlantic path, from Italian and Belgian stages to California studios and back out to German pressing plants, mirrors the record's spirit of movement and dialogue.\u003c\/p\u003e\n\u003cp\u003eThere are moments here that stretch beyond the jazz idiom into something closer to song and hymn. \"Beautiful Dreamer\" and \"We Shall Overcome\" appear as public domain pieces, folded into Frisell's world with the same care he brings to his originals, while \"Sweet Rain\" and \"Richter 858, No. 7\" round out the emotional palette. It is a program that moves easily between the tender and the expansive.\u003c\/p\u003e\n\u003cp\u003eFor collectors of Frisell and admirers of the meeting point between jazz and orchestral music, \"Orchestras\" is a rewarding addition to the shelf. It documents a specific and adventurous chapter in his career, one where the guitar sits at the center of ensembles large and small, and it belongs among the standout large scale statements in his catalog.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eDisc One\u003cbr\u003eRecorded September 23 and 24, 2022 at De Bijloke, Ghent, Belgium and Flagey, Brussels, Belgium\u003cbr\u003eLive recording engineer and pre-mixing: High Score Recording\u003cbr\u003eCommission by Muziekcentrum De Bijloke, Flagey and Brussels Philharmonic, in the series \"Jazz Meets Symphonic\"\u003c\/p\u003e\n\u003cp\u003eDisc Two\u003cbr\u003eRecorded December 30, 2021 - January 1, 2022 at Teatro Mancinelli, Orvieto, Italy\u003cbr\u003eAdditional recording at 25th St. Recording, Oakland, California\u003c\/p\u003e\n\u003cp\u003eMixed at 25th St. Recording, Oakland, California\u003cbr\u003eMastered at Sterling Sound, Edgewater, NJ\u003cbr\u003eVinyl mastered at Sterling Sound, Nashville, TN\u003c\/p\u003e\n\u003cp\u003eTrack A1: Published by Michael C. Gibbs (PRS\/MCPS)\u003cbr\u003eTrack A2: Published by Billy Strayhorn Songs Inc. and Reservoir Media Music (ASCAP)\u003cbr\u003eTracks A3, D1: Published by Retrac Productions Inc. (BMI)\u003cbr\u003eTracks A4 to B1, B3, C1 to C3, D2, D3: Published by Friz-Tone Music (BMI)\u003cbr\u003eTrack B2: Published by On Stage Music (BMI)\u003cbr\u003eTracks B4, D4: Public Domain\u003c\/p\u003e\n\u003cp\u003e℗ © 2024 UMG Recordings, Inc.\u003c\/p\u003e\n\u003cp\u003eMade in Germany\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Nocturne Vulgaire\u003cbr\u003eA2. Lush Life\u003cbr\u003eA3. Doom\u003cbr\u003eA4. Rag\u003cbr\u003eA5. Throughout\u003cbr\u003eB1. Electricity\u003cbr\u003eB2. Sweet Rain\u003cbr\u003eB3. Richter 858, No. 7\u003cbr\u003eB4. Beautiful Dreamer\u003cbr\u003eC1. Lookout For Hope\u003cbr\u003eC2. Levees\u003cbr\u003eC3. Strange Meeting\u003cbr\u003eD1. Doom\u003cbr\u003eD2. Electricity\u003cbr\u003eD3. Monica Jane\u003cbr\u003eD4. We Shall Overcome\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Bill Frisell\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 00602458837407\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50870699131176,"sku":null,"price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MDItNDYwMi5qcGVn.jpg?v=1761597413"},{"product_id":"this-dream-of-you-diana-krall-2lp-vinyl","title":"This Dream Of You - Diana Krall (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eThis Dream Of You\u003c\/strong\u003e by \u003cstrong\u003eDiana Krall\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere is a particular kind of magic that happens when Diana Krall settles into a song, and \"This Dream Of You\" is a collection built to let that magic breathe. Spread across four sides of vinyl, this is an album that unfolds slowly, invites you to linger, and rewards the patient listener who lets the needle carry them from one track to the next without hurry.\u003c\/p\u003e\n\u003cp\u003eThis edition arrives as a Barnes \u0026amp; Noble Exclusive Limited Edition pressed on clear vinyl, a striking format that suits the shimmering, late-night quality of the music itself. The clear wax is housed in a handsome gatefold sleeve, giving the release the presentational weight that a project like this deserves. You will also notice a sticker bearing a second barcode placed over the original sleeve barcode, a small detail that marks this out as the exclusive variant.\u003c\/p\u003e\n\u003cp\u003eThe sequencing rewards a full listen. Side A opens with the tender \"But Beautiful,\" moving into \"That's All\" and the wistful \"Autumn In New York,\" setting a tone of elegance and unhurried romance. Side B keeps the momentum with \"Almost Like Being In Love,\" \"More Than You Know,\" the playful \"Just You, Just Me,\" and \"There's No You,\" a run that balances warmth and swing with quieter, more reflective moments.\u003c\/p\u003e\n\u003cp\u003eTurn to the second disc and the mood deepens. Side C pairs the smoky intimacy of \"Don't Smoke In Bed\" with the album's title track, \"This Dream Of You,\" a centerpiece that gives the whole collection its name and its dreamlike character. It is the kind of song that seems to slow time down, and hearing it on clear vinyl only heightens the sense of occasion.\u003c\/p\u003e\n\u003cp\u003eSide D closes the set beautifully, with \"I Wished On The Moon,\" \"How Deep Is The Ocean,\" and a graceful reading of \"Singing In The Rain\" to send you off. Together these final three songs draw a natural arc to the record, ending on a note that feels both familiar and freshly interpreted through Krall's phrasing and touch.\u003c\/p\u003e\n\u003cp\u003eFor collectors and jazz lovers alike, this is a release that works on every level: a thoughtfully chosen program of standards, a voice and a sensibility perfectly matched to the material, and a limited pressing that turns a great album into a genuine keepsake. The gatefold, the clear vinyl, and the exclusive marking all combine to make this a copy worth owning, spinning often, and returning to whenever you need that unhurried, after-hours atmosphere that Diana Krall does so well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eBarnes \u0026amp; Nobles Exclusive Limited Edition Clear Vinyl.\u003c\/p\u003e\n\u003cp\u003eIt comes with a sticker with a second barcode on top of the original sleeve barcode.\u003c\/p\u003e\n\u003cp\u003eGatefold\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. But Beautiful\u003cbr\u003eA2. That's All\u003cbr\u003eA3. Autumn In New York\u003cbr\u003eB1. Almost Like Being In Love\u003cbr\u003eB2. More Than You Know\u003cbr\u003eB3. Just You, Just Me\u003cbr\u003eB4. There's No You\u003cbr\u003eC1. Don't Smoke In Bed\u003cbr\u003eC2. This Dream Of You\u003cbr\u003eD1. I Wished On The Moon\u003cbr\u003eD2. How Deep Is The Ocean\u003cbr\u003eD3. Singing In The Rain\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Diana Krall\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0032704-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50870711058728,"sku":null,"price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NDEtNzI5NS5qcGVn.jpg?v=1761597981"},{"product_id":"wallflower-diana-krall-2lp-vinyl","title":"Wallflower - Diana Krall (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eWallflower\u003c\/strong\u003e by \u003cstrong\u003eDiana Krall\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eDiana Krall steps away from the standards songbook that made her name and turns instead toward the pop and rock touchstones that shaped a generation. \"Wallflower\" gathers a set of familiar melodies and reimagines them through her unmistakable phrasing, that low, unhurried voice easing into songs many listeners already carry in their memory. It is an album built on recognition, on the pleasure of hearing something you know rendered in an entirely new mood.\u003c\/p\u003e\n\u003cp\u003eThe program opens with \"Californian Dreaming,\" a gentle reframing that sets the tone for everything that follows, before moving into the wounded swagger of \"Desperado\" and the aching devotion of \"Superstar.\" From the first side, the record signals its intentions: these are songs about longing, distance, and quiet reckoning, drawn together by an interpreter who understands how to let a lyric breathe.\u003c\/p\u003e\n\u003cp\u003eThe middle of the collection deepens that emotional thread. \"Alone Again\" and the title track \"Wallflower\" sit at the heart of the album, followed by \"If I Take You Home Tonight,\" each one leaning into intimacy rather than spectacle. Krall's approach favors restraint, trusting the strength of the melody and the weight of a well placed pause over any need to embellish.\u003c\/p\u003e\n\u003cp\u003eSide three carries some of the most beloved material here, beginning with \"I Can't Tell You Why\" and moving through \"Sorry Seems to Be the Hardest Word,\" a song practically built for her sensibility, all regret and hushed confession. \"Operator\" rounds out the side, giving the sequence a touch of narrative warmth amid the ballads.\u003c\/p\u003e\n\u003cp\u003eThe final side closes the album on a reflective note. \"I'm Not in Love\" unfolds with cool detachment, \"Feels Like Home\" offers a moment of settled comfort, and \"Don't Dream It's Over\" brings the collection to a hopeful, open ended finish. Spread across four sides, the pacing gives each song room to land, rewarding the kind of attentive, front to back listening that vinyl invites.\u003c\/p\u003e\n\u003cp\u003eFor collectors and casual listeners alike, \"Wallflower\" holds a distinctive place in Diana Krall's catalog, a departure from her jazz standards work that reveals another dimension of her artistry. It is an album for late evenings and quiet rooms, best heard the way it was meant to be, one side at a time, with the needle tracing songs you thought you knew until they arrived sounding new.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Californian Dreaming\u003cbr\u003eA2. Desperado\u003cbr\u003eA3. Superstar\u003cbr\u003eB1. Alone Again\u003cbr\u003eB2. Wallflower\u003cbr\u003eB3. If I take you home tonight\u003cbr\u003eC1. I can't tell you why\u003cbr\u003eC2. Sorry seems to be the hardest word\u003cbr\u003eC3. Operator\u003cbr\u003eD1. I'm not in love\u003cbr\u003eD2. Feels like home\u003cbr\u003eD3. Don't dream its over\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Diana Krall\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Universal Music\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 00602458206159\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Import\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Universal Music","offers":[{"title":"Default Title","offer_id":50870714564904,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NDktMzg5NC5qcGVn.jpg?v=1761598166"},{"product_id":"from-this-moment-on-diana-krall-2lp-vinyl","title":"From This Moment On - Diana Krall (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eFrom This Moment On\u003c\/strong\u003e by \u003cstrong\u003eDiana Krall\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere is a particular kind of pleasure in hearing Diana Krall lean into a standard, and \"From This Moment On\" spreads that pleasure generously across four sides of wax. This German pressing gives the music room to breathe, letting Krall's phrasing and touch unfold at the unhurried pace they deserve. It is a record built for the long listen, the sort of album you put on and let run while the evening settles.\u003c\/p\u003e\n\u003cp\u003eSide A opens with \"It Could Happen To You,\" an invitation that sets the tone before easing into the gentle sway of \"Isn't This A Lovely Day.\" From there, \"How Insensitive\" draws the mood inward, its bossa lilt carrying a quiet, contemplative weight that shows how comfortably Krall moves between the buoyant and the reflective.\u003c\/p\u003e\n\u003cp\u003eSide B brings the title track into focus, with \"From This Moment On\" nestled between the swinging \"Exactly Like You\" and the warm confidence of \"I Was Doing Alright.\" This is Krall in fine form, treating each of these standards with the care of someone who clearly loves the material, never rushing a line, never overplaying a phrase.\u003c\/p\u003e\n\u003cp\u003eTurn to Side C and the emotional temperature deepens. \"Little Girl Blue\" aches in the way only that song can, while \"Day In Day Out\" picks the energy back up before \"Willow Weep For Me\" closes the side on a note of tender melancholy. It is a beautifully sequenced stretch, one that rewards close attention and a good pair of speakers.\u003c\/p\u003e\n\u003cp\u003eThe final side sends things off in style, with \"Come Dance With Me\" ushering in a lighter, more celebratory feel before the record signs off with the pairing of \"It Was A Beautiful Day In August\" and \"You Can Depend On Me.\" Spread across a double album, these eleven pieces make a persuasive case for the enduring appeal of the songbook tradition, delivered by a voice and a piano that understand restraint.\u003c\/p\u003e\n\u003cp\u003eFor collectors who appreciate a well made European pressing, this is a satisfying addition to the shelf, an album that captures Diana Krall doing what she does best across a generous run of standards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eMade in Germany.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. It Could Happen To You\u003cbr\u003eA2. Isn't This A Lovely Day\u003cbr\u003eA3. How Insensitive\u003cbr\u003eB1. Exactly Like You\u003cbr\u003eB2. From This Moment On\u003cbr\u003eB3. I Was Doing Alright\u003cbr\u003eC1. Little Girl Blue\u003cbr\u003eC2. Day In Day Out\u003cbr\u003eC3. Willow Weep For Me\u003cbr\u003eD1. Come Dance With Me\u003cbr\u003eD2. It Was A Beautiful Day In August \/ You Can Depend On Me\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Diana Krall\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Universal Music Group International\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 602547376893\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2016\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Import\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Universal Music Group International","offers":[{"title":"Default Title","offer_id":50870717350184,"sku":null,"price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MS04MzUwLmpwZWc.jpg?v=1761598302"},{"product_id":"uneasy-vijay-iyer-2lp-vinyl","title":"Uneasy - Vijay Iyer (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eUneasy\u003c\/strong\u003e by \u003cstrong\u003eVijay Iyer\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eRecorded in December 2019 at Oktaven Audio Studio in Mount Vernon, New York, \"Uneasy\" arrives as a spacious double LP that gives Vijay Iyer's music room to breathe across four sides. The setting is intimate and deliberate, the kind of studio environment where every touch of the piano and every shift in rhythm carries weight, and the pressing spreads ten pieces over generous grooves so nothing feels crowded.\u003c\/p\u003e\n\u003cp\u003eThe first side opens with intent, moving from the somber, socially charged undercurrent of \"Children Of Flint\" into the tense pulse of \"Combat Breathing\" before easing into a reading of the standard \"Night And Day.\" That sequence tells you a lot about the record's ambitions: it holds contemporary urgency and jazz tradition in the same hand, letting the familiar and the newly written speak to one another.\u003c\/p\u003e\n\u003cp\u003eSide B keeps the momentum with \"Touba\" and \"Drummer's Song,\" two pieces that lean into groove and interplay. Here the trio's conversation feels loose and alert, built on the give and take between piano, bass, and drums, with rhythm treated as a living, shifting foundation rather than a fixed grid.\u003c\/p\u003e\n\u003cp\u003eThe third side gathers some of the album's most searching material, from the quiet anticipation of \"Augury\" through the shifting geometry of \"Configurations\" and into the title track, \"Uneasy.\" That title piece sits at the heart of the record and lends the whole project its mood, a sense of music made in unsettled times that refuses easy resolution and instead sits honestly with tension.\u003c\/p\u003e\n\u003cp\u003eSide D closes things out with \"Retrofit\" and \"Entrustment,\" a pairing that balances forward motion against a feeling of care and handing off. It is a fitting way to end, leaving the listener with something offered rather than concluded, the trio stepping back after a set that has ranged widely without ever losing its center.\u003c\/p\u003e\n\u003cp\u003ePressed across two records for the space and dynamics the performances deserve, this is a rewarding addition for anyone drawn to modern piano jazz that thinks as hard as it swings. From the freshly written material to the lone standard tucked into side one, \"Uneasy\" rewards close and repeated listening, and it belongs on the shelf of collectors who value contemporary jazz that engages fully with the world around it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRecorded December 2019\u003cbr\u003eOktaven Audio Studio, Mount Vernon, NY\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Children Of Flint \u003cbr\u003eA2. Combat Breathing \u003cbr\u003eA3. Night And Day\u003cbr\u003eB1. Touba\u003cbr\u003eB2. Drummer's Song\u003cbr\u003eC1. Augury\u003cbr\u003eC2. Configurations\u003cbr\u003eC3. Uneasy\u003cbr\u003eD1. Retrofit\u003cbr\u003eD2. Entrustment\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Vijay Iyer\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Linda Oh, Tyshawn Sorey\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ECM Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e ECM 2692\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2021\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Germany\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ECM Records","offers":[{"title":"Default Title","offer_id":50870759063848,"sku":null,"price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MDItMzI1My5qcGVn.jpg?v=1761599385"},{"product_id":"compassion-vijay-iyer-2lp-vinyl","title":"Compassion - Vijay Iyer (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eCompassion\u003c\/strong\u003e by \u003cstrong\u003eVijay Iyer\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eVijay Iyer's \"Compassion\" arrives as a 2-LP set on ECM, carrying the catalog number ECM 2760 and pressed for release in 2024. This is an ECM Production in the fullest sense, produced by Iyer alongside label founder Manfred Eicher, a pairing that speaks to the care and considered patience behind the music captured here. Spread across four sides, the album gives its dozen pieces room to breathe, unfolding at the unhurried pace that vinyl rewards.\u003c\/p\u003e\n\u003cp\u003eThe recording itself took shape in May 2022 at Oktaven Audio in Mount Vernon, New York, with Ryan Streber behind the console as engineer. The mixing followed across July and August of that year, a process that lends the set its depth and clarity. Everything about the physical release reflects ECM's long tradition of visual and sonic craftsmanship, from the cover photograph by Jan Kricke to the liner image by Ogata, all pulled together under the design hand of Sascha Kleis.\u003c\/p\u003e\n\u003cp\u003eThe program moves through Iyer's own compositions and a thoughtfully chosen set of pieces by others. Side A opens with the title track \"Compassion,\" then \"Arch,\" before turning to Stevie Wonder's \"Overjoyed,\" a tune published through Jobete Music and Black Bull Music. Side B gathers \"Maelstrom,\" the meditative \"Prelude: Orison,\" and \"Tempest,\" a sequence that swings between turbulence and stillness.\u003c\/p\u003e\n\u003cp\u003eSide C brings some of the album's most striking cross-generational conversations. \"Panegyric\" gives way to \"Nonaah,\" a piece by Roscoe Mitchell drawn from the Art Ensemble of Chicago's publishing catalog, before \"Where I Am\" closes the side. Here Iyer places his own voice in dialogue with figures whose work has shaped the wider language of creative music, a gesture that runs quietly through the entire record.\u003c\/p\u003e\n\u003cp\u003eThe final side carries \"Ghostrumental\" and \"It Goes,\" and closes with \"Free Spirits \/ Drummer's Song,\" a paired conclusion that ties the set's threads together. Across these sides, the publishing credits alone tell a story of lineage, with pieces connected to John Stubblefield through Norahs Publishing and SteepleChase Music, and to the late Geri Allen through Antoinette Music and Pacific Wind Music. Iyer's own writing is published under Sonocentric Publishing.\u003c\/p\u003e\n\u003cp\u003eManufactured in the EU and released under ECM Records GmbH of München, \"Compassion\" is a document worthy of a place in any serious collection of contemporary jazz on vinyl. It rewards attentive listening and repeated returns, its balance of original composition and interpretation revealing new detail with each spin. For those who prize the ECM aesthetic in both sound and presentation, this double LP stands as a considered and generous addition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003e[inside gatefold]\u003c\/p\u003e\n\u003cp\u003ePublishing:\u003cbr\u003eSonocentric Publishing (Vijay Iyer)\u003cbr\u003eJobete Music Co. Inc \u0026amp; Black Bull Music Inc. (Stevie Wonder)\u003cbr\u003eArt Ensemble of Chicago Publishing Co. (Roscoe Mitchell)\u003cbr\u003eNorahs Publishing \/ SteepleChase Music (John Stubblefield)\u003cbr\u003eAntoinette Music \/ Pacific Wind Music (Geri Allen)\u003c\/p\u003e\n\u003cp\u003eRecorded May 2022\u003cbr\u003eOktaven Audio, Mount Vernon, NY\u003cbr\u003eEngineer: Ryan Streber\u003cbr\u003eMixed July\/August 2022\u003cbr\u003eCover photo: Jan Kricke\u003cbr\u003eLiner photo: Ogata\u003cbr\u003eDesign: Sascha Kleis\u003cbr\u003eProduced by Vijay Iyer and Manfred Eicher\u003c\/p\u003e\n\u003cp\u003e[on back of cover]\u003c\/p\u003e\n\u003cp\u003eAn ECM Production\u003c\/p\u003e\n\u003cp\u003e℗ © 2024 ECM Records GmbH\u003cbr\u003ePostfach 600331, 81203 München\u003cbr\u003ewww.ecmrecords.com\u003c\/p\u003e\n\u003cp\u003eECM 2760\u003c\/p\u003e\n\u003cp\u003e2-LP\u003c\/p\u003e\n\u003cp\u003eMade in EU\u003c\/p\u003e\n\u003cp\u003e[on disc]\u003c\/p\u003e\n\u003cp\u003e℗ 2024 ECM Records GmbH\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Compassion\u003cbr\u003eA2. Arch\u003cbr\u003eA3. Overjoyed\u003cbr\u003eB1. Maelstrom\u003cbr\u003eB2. Prelude: Orison\u003cbr\u003eB3. Tempest\u003cbr\u003eC1. Panegyric\u003cbr\u003eC2. Nonaah\u003cbr\u003eC3. Where I Am\u003cbr\u003eD1. Ghostrumental\u003cbr\u003eD2. It Goes\u003cbr\u003eD3. Free Spirits \/ Drummer's Song\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Vijay Iyer\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Linda Oh, Tyshawn Sorey\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ECM Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e ECM 2760\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Germany\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ECM Records","offers":[{"title":"Default Title","offer_id":50870766829864,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MjItODYxOC5qcGVn.jpg?v=1761599455"},{"product_id":"the-new-standard-herbie-hancock-2lp-vinyl-verve-by-request","title":"The New Standard - Herbie Hancock (2LP Vinyl) [Verve by Request]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe New Standard\u003c\/strong\u003e by \u003cstrong\u003eHerbie Hancock\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWhen Herbie Hancock reached for \"The New Standard,\" he did exactly what the title promises: he took the shape of the modern songbook and reimagined it through the language of jazz. Rather than mining the familiar catalog of show tunes and bebop heads, he turned to material drawn from popular songwriting of more recent decades, treating each piece as raw ore to be melted down and recast in his own image.\u003c\/p\u003e\n\u003cp\u003eThe album opens with a run that signals its intentions immediately. \"New York Minute\" sets the pace before \"Mercy Street\" opens up more contemplative territory, and the well known \"Norwegian Wood\" arrives as a familiar melody bent toward improvisation. From there the first half moves through \"When Can I See You\" and \"You've Got It Bad Girl,\" songs whose vocal origins are dissolved into instrumental phrasing, leaving room for interpretation and space.\u003c\/p\u003e\n\u003cp\u003eThe middle of the record leans into a kind of gentle intensity. \"Love Is Stronger Than Pride\" carries a slow burning emotional weight, and the traditional \"Scarborough Fair\" folds centuries old melody into a modern harmonic setting. These are the moments where the concept of the project reveals itself most clearly: melody as a point of departure, not a destination, with the tune serving as a doorway into extended playing.\u003c\/p\u003e\n\u003cp\u003eThe closing stretch is the most adventurous, gathering an unlikely set of sources under a single roof. \"Thieves In The Temple\" brings a funk inflected edge, while \"All Apologies\" pulls a grunge era anthem into the acoustic jazz idiom, stripping it back to its melodic bones. \"Manhattan (Islands Of Lights And Love)\" offers an evocative, cinematic sweep, and \"Your Gold Teeth II\" closes the record with a knotty, playful complexity that rewards close listening.\u003c\/p\u003e\n\u003cp\u003eWhat holds the whole thing together is Hancock's conviction that a great song is a great song regardless of its origin. By pulling from such a wide range of writers and eras, he builds a case for a living, expanding standard, one that keeps growing as new generations of songwriters add to the common language. The sequencing carries you from bright openers through introspective ballads and out into the daring final side, so that the album functions as a journey rather than a collection.\u003c\/p\u003e\n\u003cp\u003eFor collectors, this is one of those records that rewards both the casual spin and the deep dive. It sits comfortably in a jazz collection while stretching the definition of what belongs there, a document of an artist confident enough to reshape the canon on his own terms. Spread across four sides, it invites you to linger with each interpretation and hear these songs anew.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. New York Minute\u003cbr\u003eA2. Mercy Street\u003cbr\u003eB1. Norwegian Wood\u003cbr\u003eB2. When Can I See You\u003cbr\u003eB3. You've Got It Bad Girl\u003cbr\u003eC1. Love Is Stronger Than Pride\u003cbr\u003eC2. Scarborough Fair\u003cbr\u003eD1. Thieves In The Temple\u003cbr\u003eD2. All Apologies\u003cbr\u003eD3. Manhattan (Islands Of Lights And Love)\u003cbr\u003eD4. Your Gold Teeth II\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Herbie Hancock\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0037675-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Verve by Request\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50873546506536,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/ODItOTI0Ni5qcGVn.jpg?v=1761687203"},{"product_id":"trio-fascination-edition-one-joe-lovano-2lp-vinyl-tone-poet-series","title":"Trio Fascination - Edition One - Joe Lovano (2LP Vinyl) [Tone Poet Series]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eTrio Fascination - Edition One\u003c\/strong\u003e by \u003cstrong\u003eJoe Lovano\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew saxophonists arrived at the close of the 1990s with the assurance and imagination that Joe Lovano brought to \"Trio Fascination - Edition One.\" Recorded across two days at Avatar Studios in New York City on September 16 and 17, 1997, this Blue Note session captures a player at the height of his powers, unafraid to strip the music back to its essentials and let the conversation between three voices breathe.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"New York Fascination,\" a fitting statement of intent, before moving through the reflective \"Sanctuary Park\" and the aptly named \"Eternal Joy\" to close the first side. There is a restless curiosity at work throughout, a sense of musicians listening closely and pushing one another into fresh territory without ever losing the thread of melody.\u003c\/p\u003e\n\u003cp\u003eThe record spreads its ten pieces generously across four sides, giving each performance room to unfold. \"Ghost Of A Chance\" brings a tender, ballad-minded intimacy, while \"Studio Rivbea\" and \"Cymbalism\" lean into rhythmic invention and interplay. Side three pairs the atmospheric \"Impressionistic\" with \"Villa Paradiso,\" and the set builds to the propulsive \"4 On the Floor\" and the wistful \"Days Of Yore,\" a closing meditation that lingers long after the needle lifts.\u003c\/p\u003e\n\u003cp\u003eMixed at Sony Music Studios in New York, the recording has a clarity and openness that suits its trio format, letting the saxophone sing out against a spacious backdrop. This is music that rewards attentive listening, the kind of session that reveals new detail with every return, and the vinyl presentation does justice to its warmth and dynamic range.\u003c\/p\u003e\n\u003cp\u003ePresented in a gatefold cover with etched runouts, this is a Blue Note Records release carrying its own quiet gravity. The recording is dedicated to the memory of Bill Plavan, Ron Browning, Joe Alexander, and \"Big T\" Tony Lovano, a personal touch that grounds the ambition of the music in something deeply felt.\u003c\/p\u003e\n\u003cp\u003eA Blue Note Records release; ℗ 1998 © 2024 Capitol Records, LLC. Blue Note is a registered trademark of Capitol Records, LLC. For collectors drawn to Lovano's fearless, singing tone and to the enduring legacy of Blue Note, \"Trio Fascination - Edition One\" is an essential chapter, a document of three musicians chasing something eternal and catching it more than once.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRecorded at Avatar Studios, NYC, September 16 \u0026amp; 17, 1997\u003cbr\u003eMixed at Sony Music Studios, NYC\u003c\/p\u003e\n\u003cp\u003eThis recording is dedicated to the memory of Bill Plavan, Ron Browning, Joe Alexander and \"Big T\" Tony Lovano\u003c\/p\u003e\n\u003cp\u003eA Blue Note Records release; ℗ 1998 © 2024 Capitol Records, LLC.\u003cbr\u003eBlue Note® is a registered trademark of Capitol Records, LLC.\u003c\/p\u003e\n\u003cp\u003eGatefold cover.\u003cbr\u003eRunouts are etched.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. New York Fascination\u003cbr\u003eA2. Sanctuary Park\u003cbr\u003eA3. Eternal Joy\u003cbr\u003eB1. Ghost Of A Chance\u003cbr\u003eB2. Studio Rivbea\u003cbr\u003eB3. Cymbalism\u003cbr\u003eC1. Impressionistic\u003cbr\u003eC2. Villa Paradiso\u003cbr\u003eD1. 4 On the Floor\u003cbr\u003eD2. Days Of Yore\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Joe Lovano\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 602445262205\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Tone Poet Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50873846300968,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MjQtNDg4My5qcGVn.jpg?v=1761702023"},{"product_id":"i-long-to-see-you-charles-lloyd-the-marvels-2lp-vinyl","title":"I Long To See You - Charles Lloyd \u0026 The Marvels (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eI Long To See You\u003c\/strong\u003e by \u003cstrong\u003eCharles Lloyd \u0026amp; The Marvels\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are records that announce themselves, and there are records that simply open a door and wait for you to walk through. \"I Long To See You\" by Charles Lloyd \u0026amp; The Marvels belongs firmly to the latter. Spread across a double LP housed in a gatefold with an insert, it is a document of a saxophonist in a reflective, expansive mood, gathering songs of longing, protest, and prayer into a single unhurried statement.\u003c\/p\u003e\n\u003cp\u003eMost of the music here was captured over two days at Santa Barbara Sound Design in April 2015, on the 27th and 28th. That studio warmth runs through the sequence, from the opening reading of Bob Dylan's \"Masters Of War\" to the traditional ache of \"Shenandoah\" and the hymnal weight of \"Abide With Me.\" The one exception is \"Sombrero Sam,\" recorded live at the Lobero Theatre on April 28, 2015, a moment lifted from the stage and set among the studio pieces so that the album breathes with two kinds of air.\u003c\/p\u003e\n\u003cp\u003eLloyd's program is a study in how a jazz sensibility can absorb almost anything and make it feel like home. \"La Llorona\" carries the pull of Mexican folk tradition, while \"All My Trials\" and \"Last Night I Had The Strangest Dream\" reach toward spiritual and pacifist songbooks that stretch far beyond the usual jazz canon. His own \"Of Course, Of Course\" and the closing \"Barche Lamsel\" show the composer's hand, and \"You Are So Beautiful\" arrives as a tender, familiar embrace to round out the third side.\u003c\/p\u003e\n\u003cp\u003eThe publishing credits map the record's wide reach, moving from Special Rider Music through Forest Farm Music across most of the set, with Almanac Music and the Irving Music and Almo Music pairing accounting for the rest. It is the kind of clearance list that only makes sense on an album this generous in its borrowing, one that treats a protest anthem and a wedding-day standard as equal citizens of the same emotional territory.\u003c\/p\u003e\n\u003cp\u003eTwo notable guests deepen the occasion. Bill Frisell appears courtesy of Okeh Records and Sony Entertainment, his guitar a natural partner for Lloyd's open, singing lines. Willie Nelson appears courtesy of Legacy Recordings, lending a voice steeped in exactly the plainspoken Americana these songs invite. Their presence turns the record into a meeting of worlds, jazz, country, and folk gathered around a single microphone.\u003c\/p\u003e\n\u003cp\u003eMade in the U.S.A. and presented as a gatefold pressing with its accompanying insert, this is a release for listeners who value mood over spectacle. Put it on and let the songs unfold in order; \"I Long To See You\" rewards patience with something quietly, lastingly beautiful.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eGatefold with insert.\u003c\/p\u003e\n\u003cp\u003eRecorded at Santa Barbara Sound Design April 27 \u0026amp; 28, 2015\u003cbr\u003eExcept track B2 recorded at the Lobero Theatre April 28, 2015\u003c\/p\u003e\n\u003cp\u003ePublished by:\u003cbr\u003eA1: Special Rider Music (SESAC)\u003cbr\u003eA2 to C1, C3, D1: Forest Farm Music (BMI)\u003cbr\u003eC2: Almanac Music, Inc. (ASCAP)\u003cbr\u003eC4: Irving Music, Inc. (BMI) \/ Almo Music Corp. (ASCAP\u003c\/p\u003e\n\u003cp\u003eBill Frisell appears courtesy of [url=https:\/\/www.discogs.com\/label\/62753-Okeh]Okeh Records[\/url]\/[url=https:\/\/www.discogs.com\/label\/25487-Sony-Music]Sony Entertainment[\/url]\u003c\/p\u003e\n\u003cp\u003eWillie Nelson appears courtesy of [url=https:\/\/www.discogs.com\/label\/15491-Legacy]Legacy Recordings[\/url]\u003c\/p\u003e\n\u003cp\u003eMade in U.S.A.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Masters Of War\u003cbr\u003eA2. Of Course, Of Course\u003cbr\u003eA3. La Llorona\u003cbr\u003eB1. Shenandoah\u003cbr\u003eB2. Sombrero Sam\u003cbr\u003eC1. All My Trials\u003cbr\u003eC2. Last Night I Had The Strangest Dream\u003cbr\u003eC3. Abide With Me\u003cbr\u003eC4. You Are So Beautiful\u003cbr\u003eD1. Barche Lamsel\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Charles Lloyd \u0026amp; The Marvels\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B002451201\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2016\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50873846890792,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MS0yODk1LmpwZWc.jpg?v=1761702083"},{"product_id":"the-sky-will-still-be-there-tomorrow-charles-lloyd-2lp-vinyl","title":"The Sky Will Still Be There Tomorrow - Charles Lloyd (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe Sky Will Still Be There Tomorrow\u003c\/strong\u003e by \u003cstrong\u003eCharles Lloyd\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are records that arrive quietly and yet carry the weight of a lifetime, and \"The Sky Will Still Be There Tomorrow\" is one of them. Released on Blue Note Records in 2024, this Charles Lloyd set unfolds across four sides, giving the music room to breathe and the listener room to wander. From the opening call of \"Defiant, Tender Warrior\" to its closing echo in \"Defiant, Reprise; Homeward Dove,\" the record is bookended by a single spirit, a statement that turns back on itself with a gentler face by the end.\u003c\/p\u003e\n\u003cp\u003eThe company Lloyd keeps here is worth savoring. Brian Blade appears courtesy of Stoner Hill Records and Press, while Jason Moran, a Steinway Artist, appears courtesy of Yes Records. Their presence signals the kind of listening ensemble that lives inside every pause and swell, the sort of players who understand that space is as much a part of the music as sound.\u003c\/p\u003e\n\u003cp\u003eThe program moves with a novelist's sense of sequence. Side A gathers \"The Lonely One,\" \"Monk's Dance,\" and \"The Water Is Rising,\" while Side B carries \"Late Bloom,\" \"Booker's Garden,\" and the haunted grace of \"The Ghost Of Lady Day\" before the title track lands as a kind of steadying breath. Side C opens the horizon wider still with \"Beyond Darkness\" and \"Sky Valley, Spirit Of The Forest,\" pieces whose very names suggest the reach of Lloyd's imagination.\u003c\/p\u003e\n\u003cp\u003eThe final side is the most searching of all. \"Balm In Gilead\" and \"Lift Every Voice And Sing,\" both drawn from the public domain, root the record in a deep American songbook of comfort and resolve, while \"When The Sun Comes Up, Darkness Is Gone,\" \"Cape To Cairo,\" and the closing reprise carry the listener toward a hard won calm. Apart from those two traditional pieces, the compositions are published by Forest Farm Music, BMI, administered by Wixen Music, a reminder that this is Lloyd's own vision, written and shaped in his own hand.\u003c\/p\u003e\n\u003cp\u003eThe pressing honors that vision. Recorded and mixed at Santa Barbara Sound Design in Santa Barbara, California, and mastered at Cohearant Mastering in North Hills, California, the album carries a warmth and clarity that reward attentive playback. Pressed in Germany and issued ℗© 2024 Charles Lloyd under exclusive license to UMG Recordings, Inc., it is a set built to last.\u003c\/p\u003e\n\u003cp\u003eFor collectors of modern jazz and admirers of Lloyd's long, patient journey, this is a document of an artist still reaching, still questioning, still finding the light. Slip it onto the turntable, let a full side play through, and hear a master reminding us that the sky will still be there tomorrow.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRecorded \u0026amp; mixed at Santa Barbara Sound Design, Santa Barbara, CA\u003cbr\u003eMastered at Cohearant Mastering, North Hills, CA\u003c\/p\u003e\n\u003cp\u003eBrian Blade appears courtesy of Stoner Hill Records and Press\u003cbr\u003eJason Moran is a Steinway Artist and appears courtesy of Yes Records\u003c\/p\u003e\n\u003cp\u003eAll compositions published by Forest Farm Music, BMI\u003cbr\u003eAdministered by Wixen Music\u003cbr\u003eExcept: Balm In Gilead\u003cbr\u003eLift Every Voice; Public Domain\u003c\/p\u003e\n\u003cp\u003eBlue Note Records; ℗© 2024 Charles Lloyd under exclusive license to UMG Recordings, Inc.\u003c\/p\u003e\n\u003cp\u003eMade in Germany\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Defiant, Tender Warrior\u003cbr\u003eA2. The Lonely One\u003cbr\u003eA3. Monk's Dance\u003cbr\u003eA4. The Water Is Rising\u003cbr\u003eB1. Late Bloom\u003cbr\u003eB2. Booker's Garden\u003cbr\u003eB3. The Ghost Of Lady Day\u003cbr\u003eB4. The Sky Will Still Be There Tomorrow\u003cbr\u003eC1. Beyond Darkness\u003cbr\u003eC2. Sky Valley, Spirit Of The Forest\u003cbr\u003eD1. Balm In Gilead\u003cbr\u003eD2. Lift Every Voice And Sing\u003cbr\u003eD3. When The Sun Comes Up, Darkness Is Gone\u003cbr\u003eD4. Cape To Cairo\u003cbr\u003eD5. Defiant, Reprise; Homeward Dove\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Charles Lloyd\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 00602458167962\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50873850528040,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MzEtMjQ3MS5qcGVn.jpg?v=1761702517"},{"product_id":"tone-poem-charles-lloyd-the-marvels-2lp-vinyl-tone-poet-series","title":"Tone Poem - Charles Lloyd \u0026 The Marvels (2LP Vinyl) [Tone Poet Series]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eTone Poem\u003c\/strong\u003e by \u003cstrong\u003eCharles Lloyd \u0026amp; The Marvels\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eCharles Lloyd and The Marvels arrive here with a record that stretches across studios and stages, gathering songs into a single unbroken statement. Issued in a handsome gatefold cover, \"Tone Poem\" carries the ℗ © 2021 mark of Charles Lloyd under exclusive license to UMG Recordings, Inc., a release that speaks to a saxophonist and bandleader still restlessly exploring at this late, luminous stage of his journey.\u003c\/p\u003e\n\u003cp\u003eThe bulk of the album was captured at East West Studios in Los Angeles, the room that shaped tracks A1 through C1 and D1. From the opening \"Peace\" and \"Ramblin',\" through \"Anthem,\" \"Dismal Swamp,\" the title piece \"Tone Poem,\" and \"Monk's Mood,\" you can hear a group settling into the natural acoustics of a legendary space, letting the music breathe without hurry or gloss.\u003c\/p\u003e\n\u003cp\u003eThe set widens its horizon with \"Ay Amor,\" recorded live at Noches del Botánico in Madrid, Spain. That single concert cut brings the open air and the crowd into the record, a moment of Spanish night woven into an otherwise studio-anchored sequence. It gives the album a change of texture and light, a reminder that these songs live and travel far beyond any one room.\u003c\/p\u003e\n\u003cp\u003eTo close, \"Prayer\" was taped at Santa Barbara Sound Design in Santa Barbara, adding a third location and a fitting sense of quiet resolution. Across these venues, the sequencing moves with intention, ending on a note that feels contemplative and earned, drawing the various sessions together into a coherent whole.\u003c\/p\u003e\n\u003cp\u003eThe publishing credits map the album's wide reach of sources. \"Peace\" and \"Ramblin'\" fall under Phrase Tech Music, while \"Anthem\" comes through Sony \/ ATV Songs LLC. \"Dismal Swamp,\" the title track \"Tone Poem,\" and \"Prayer\" are held by Forest Farm Music, administered by Wixen Music, and \"Monk's Mood\" arrives via Embassy Music. \"Ay Amor\" is published by Hadem Music Corp., and \"Lady Gabor\" through Gabor and Cardigan Music, a spread of catalogs that hints at the breadth of material Lloyd draws upon.\u003c\/p\u003e\n\u003cp\u003eFor collectors at Miles Waxey, this is a rewarding piece of contemporary jazz on vinyl, a document of Charles Lloyd and The Marvels moving between the studio and the stage with unforced grace. The gatefold presentation and the thoughtful cross-country, cross-continent recording history make it a record worth living with, one that rewards repeated listening from the first breath of \"Peace\" to the last hush of \"Prayer.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eIssued in a gatefold cover\u003cbr\u003e \u003cbr\u003e℗ © 2021 Charles Lloyd under exclusive license to UMG Recordings, Inc.\u003cbr\u003eTracks A1-C1, D1 recorded at East West Studios, Los Angeles, CA\u003cbr\u003eTrack C2 recorded at Noches del Botánico, Madrid, Spain\u003cbr\u003eTrack D2 recorded at Santa Barbara Sound Design, Santa Barbara, CA\u003cbr\u003e \u003cbr\u003ePublishers:\u003cbr\u003eA1, A2 -- Phrase Tech Music (ASCAP)\u003cbr\u003eA3 -- Sony \/ ATV Songs LLC (SOCAN)\u003cbr\u003eB1, B2, D2 -- Forest Farm Music (BMI) \/ Administered by Wixen Music\u003cbr\u003eC1 -- Embassy Music (BMI)\u003cbr\u003eC2 -- Hadem Music Corp. (ASCAP)\u003cbr\u003eD1 -- Gabor and Cardigan Music (BMI)\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Peace\u003cbr\u003eA2. Ramblin'\u003cbr\u003eA3. Anthem\u003cbr\u003eB1. Dismal Swamp\u003cbr\u003eB2. Tone Poem\u003cbr\u003eC1. Monk's Mood\u003cbr\u003eC2. Ay Amor (Live)\u003cbr\u003eD1. Lady Gabor\u003cbr\u003eD2. Prayer\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Charles Lloyd \u0026amp; The Marvels\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0033135-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Tone Poet Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2021\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50873851838760,"sku":null,"price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OTEtMjQ1Mi5qcGVn.jpg?v=1761702584"},{"product_id":"ultimate-peggy-lee-peggy-lee-2lp-vinyl","title":"Ultimate Peggy Lee - Peggy Lee (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eUltimate Peggy Lee\u003c\/strong\u003e by \u003cstrong\u003ePeggy Lee\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew voices in American popular music have carried the smoky poise and understated authority of Peggy Lee, and this generous double LP gathers a sweeping cross section of her artistry across four sides. Housed in a handsome gatefold cover, \"Ultimate Peggy Lee\" is exactly the kind of anthology that rewards a slow evening and a good turntable, moving from playful swing to torchlit intimacy without ever losing its cool center.\u003c\/p\u003e\n\u003cp\u003eSide A comes out swinging with the buoyant \"I Love Being Here With You\" before sliding into the immortal \"Fever,\" a performance so spare and so sensual it practically defines Lee's genius for saying more with less. \"Things Are Swingin'\" and \"I Don't Know Enough About You\" keep the tempo bright and knowing, and the side closes with \"I'm A Woman,\" a strutting declaration delivered with all the wit and steel Lee could muster.\u003c\/p\u003e\n\u003cp\u003eThe second side broadens the palette considerably. \"Just In Time\" and \"Hallelujah, I Love Him So\" show her easy rapport with an uptempo groove, while \"Sweet Happy Life\" and \"Alright, Okay, You Win\" balance breeziness with a bluesy backbone. Closing the side is \"Why Don't You Do Right (Get Me Some Money Too),\" the song that helped make her a star, its slow simmer and sly reproach still utterly magnetic.\u003c\/p\u003e\n\u003cp\u003eSide C is where the anthology reveals its range as a showcase of interpretation. \"It's A Good Day\" and \"You Deserve\" bring sunny optimism, while \"Big Spender\" turns worldly and theatrical. \"He's A Tramp,\" forever tied to Lee's screen legacy, arrives with a wink, and \"I Wanna Be Around\" lets a little bite creep into the phrasing. Throughout, she treats each lyric as a small drama, shaping every line with impeccable timing.\u003c\/p\u003e\n\u003cp\u003eThe final side gathers some of her most enduring ballad statements. \"Black Coffee\" broods in the small hours, \"I've Got The World On A String\" turns buoyant, and \"The Folks Who Live On The Hill\" glows with tender nostalgia. Then comes \"Is That All There Is?,\" her singular, world weary meditation, followed by a graceful reading of \"Try A Little Tenderness\" that sends the collection off on a note of warmth.\u003c\/p\u003e\n\u003cp\u003eSpanning swing, blues, standards, and the sophisticated pop that became her signature, this set is an ideal entry point for newcomers and a satisfying keepsake for longtime devotees. Across twenty two performances laid out over two records, it captures the many facets of a singer who made restraint feel like the boldest gesture of all. A worthy addition to any jazz and vocal collection, and a record that plays beautifully from first groove to last.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eDouble LP in gatefold cover\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. I Love Being Here With You\u003cbr\u003eA2. Fever\u003cbr\u003eA3. Things Are Swingin’\u003cbr\u003eA4. I Don’t Know Enough About You\u003cbr\u003eA5. I’m A Woman\u003cbr\u003eB1. Just In Time\u003cbr\u003eB2. Hallelujah, I Love Him So\u003cbr\u003eB3. Sweet Happy Life\u003cbr\u003eB4. Alright, Okay, You Win\u003cbr\u003eB5. Too Close For Comfort\u003cbr\u003eB6. Why Don’t You Do Right (Get Me Some Money Too)\u003cbr\u003eC1. It’s A Good Day\u003cbr\u003eC2. You Deserve\u003cbr\u003eC3. Heart\u003cbr\u003eC4. Big Spender\u003cbr\u003eC5. He's A Tramp\u003cbr\u003eC6. I Wanna Be Around\u003cbr\u003eD1. Black Coffee\u003cbr\u003eD2. I’ve Got The World On A String\u003cbr\u003eD3. The Folks Who Live On The Hill\u003cbr\u003eD4. Is That All There Is?\u003cbr\u003eD5. Try A Little Tenderness\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Peggy Lee\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0031401-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Capitol Records","offers":[{"title":"Default Title","offer_id":50873865797928,"sku":null,"price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MzYtNDkyNS5wbmc.jpg?v=1761702838"},{"product_id":"unomkhubulwane-nduduzo-makhathini-2lp-vinyl","title":"Unomkhubulwane - Nduduzo Makhathini (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eUnomkhubulwane\u003c\/strong\u003e by \u003cstrong\u003eNduduzo Makhathini\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eNduduzo Makhathini's \"Unomkhubulwane\" arrives as a work conceived in three movements, a structure that reveals its ambitions long before the needle ever touches the groove. This is music organized as ceremony, unfolding across a deliberate arc rather than a loose collection of tunes, and the sequencing rewards those who let the whole thing play from beginning to end.\u003c\/p\u003e\n\u003cp\u003eThe first movement, titled Libations, opens the offering. It moves through \"Omnyama,\" \"Uxolo,\" and \"Kwakhangelamankengana,\" three pieces that set the tone for everything that follows. There is an invocational quality here, a sense of preparation and address, as though the record is clearing space before it begins its deeper work.\u003c\/p\u003e\n\u003cp\u003eMovement Two, Water Spirits, is the album's expansive heart, gathering four pieces across its span. \"Izinkonjana,\" \"Amanxusa Asemkhathini,\" \"Nyoni Le?,\" and \"Iyana\" carry the listener into more fluid, searching territory. The movement's title suggests currents and depths, and the music seems to answer that call, drifting and gathering with a logic all its own.\u003c\/p\u003e\n\u003cp\u003eThe closing movement, Inner Attainment, brings the journey toward resolution across four final pieces: \"Izibingelelo,\" \"Umlayez'ophuthumayo,\" \"Amanzi Ngobhoko,\" and \"Ithemba.\" The Zulu titles carry weight, gestures of greeting, of urgency, of water, and finally of hope, giving the record a quiet emotional destination to arrive at after all that has come before.\u003c\/p\u003e\n\u003cp\u003eAs a physical object, this pressing has been given real care. It is housed in a gatefold jacket, opening out to frame the three movement structure that shapes the listening experience. The presentation matches the seriousness of the music, treating the album as a complete statement rather than a mere container for tracks.\u003c\/p\u003e\n\u003cp\u003eCollectors will appreciate the pressing's telling details. There are two catalog numbers to note: the first appears on the top of the back cover, while the second is found on the spine and again in the company credits on the back cover. A \"Made in Germany\" sticker sits on the back shrink, marking its European manufacture. In the runouts, everything is etched, with the \"STERLING\" stamp alongside a \"+1\" and a \"=1\" that appear mirrored, small idiosyncrasies that reward a close look under good light. Taken together, \"Unomkhubulwane\" is a considered addition to any shelf, a record whose form and pressing both honor the music held within.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eGatefold jacket.\u003c\/p\u003e\n\u003cp\u003eFirst catalog number on top back cover.\u003cbr\u003eSecond catalog number on spine and in company credits on back cover.\u003c\/p\u003e\n\u003cp\u003eMade in Germany sticker on back shrink.\u003c\/p\u003e\n\u003cp\u003eAll runouts are etched except \"STERLING\" the \"+1\" and \"=1\" are mirrored\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003e. Movement One: Libations\u003cbr\u003eA1. Omnyama\u003cbr\u003eA2. Uxolo\u003cbr\u003eA3. Kwakhangelamankengana\u003cbr\u003e. Movement Two: Water Spirits\u003cbr\u003eB1. Izinkonjana\u003cbr\u003eB2. Amanxusa Asemkhathini\u003cbr\u003eB3. Nyoni Le?\u003cbr\u003eB4. Iyana\u003cbr\u003e. Movement Three: Inner Attainment\u003cbr\u003eC1. Izibingelelo\u003cbr\u003eC2. Umlayez’ophuthumayo\u003cbr\u003eC3. Amanzi Ngobhoko\u003cbr\u003eC4. Ithemba\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Nduduzo Makhathini\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e ST-85249\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50878394040616,"sku":null,"price":44.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MjItOTM2OS5qcGVn.jpg?v=1761752811"},{"product_id":"nublues-joel-ross-3-2lp-vinyl","title":"Nublues - Joel Ross (3) (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eNublues\u003c\/strong\u003e by \u003cstrong\u003eJoel Ross (3)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eVibraphonist Joel Ross has spent the past several years establishing himself as one of the most compelling voices to emerge on Blue Note Records, and \"Nublues\" finds him deepening a language that draws freely from the tradition while pushing restlessly forward. Spread across four sides of vinyl, the album stretches out with the kind of space that lets a working band breathe, letting melodies unfold and ideas circulate rather than rushing to resolve them.\u003c\/p\u003e\n\u003cp\u003eThe program opens with \"Early,\" \"Equinox,\" and \"Mellowdee\" on the first side, a sequence that sets the tone for everything that follows. From there the record moves through \"Chant,\" \"What Am I Waiting For?,\" and the meditative \"Bach (God The Father In Eternity),\" a title that hints at the wide reach of Ross's sensibility, one that can hold the sacred and the swinging in the same breath.\u003c\/p\u003e\n\u003cp\u003eSide C carries the album's title piece, \"Nublues,\" a track that gives the whole project its name and its center of gravity. Alongside it sit \"Ya Know?\" and \"Evidence,\" the latter a nod to the deep well of jazz composition that Ross and his collaborators keep in constant conversation with their own writing. The blues, in Ross's hands, is less a fixed form than a feeling to be turned over and reexamined from every angle.\u003c\/p\u003e\n\u003cp\u003eThe final side belongs entirely to \"Central Park West,\" given room to stand alone as the album's closing statement. Placing a single extended piece on its own side is a gesture that rewards patient listening, the kind of choice that suits a vibraphonist whose instrument thrives on shimmer, decay, and the quiet resonance between notes.\u003c\/p\u003e\n\u003cp\u003eThere is a small wrinkle in the pressing that collectors will appreciate: all tracks carry a ℗2024 UMG Recordings, Inc. Blue Note Records line except for the title track \"Nublues\" itself, which bears a ℗2023 UMG Recordings, Inc. Blue Note Records designation. It is a detail that speaks to the way this music came together over time, the title piece arriving a little ahead of the rest.\u003c\/p\u003e\n\u003cp\u003eThis copy includes a signed art card, a welcome addition for anyone building a shelf of contemporary Blue Note releases and looking for that extra personal touch from the artist. Between the generous sequencing, the thoughtful use of the four sides, and Ross's singular voice on the vibraphone, this is a record that suits both the dedicated jazz listener and the collector drawn to the modern chapter of a storied label. Bring it home, drop the needle on \"Early,\" and let it play through to the last ringing tones of \"Central Park West.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eIncludes a signed art card.\u003c\/p\u003e\n\u003cp\u003eAll tracks ℗2024 UMG Recordings, Inc. Blue Note Records \u003cbr\u003eexcept nublues ℗2023 UMG Recordings, Inc. Blue Note Records\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Early\u003cbr\u003eA2. Equinox\u003cbr\u003eA3. Mellowdee\u003cbr\u003eB1. Chant\u003cbr\u003eB2. What Am I Waiting For?\u003cbr\u003eB3. Bach (God The Father In Eternity)\u003cbr\u003eC1. Nublues\u003cbr\u003eC2. Ya Know?\u003cbr\u003eC3. Evidence\u003cbr\u003eD. Central Park West\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Joel Ross (3)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 00602458376647\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50878424383784,"sku":null,"price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MDYtOTYwNi5qcGVn.jpg?v=1761754449"},{"product_id":"live-at-montreux-the-sun-ra-arkestra-2lp-vinyl","title":"Live At Montreux - The Sun Ra Arkestra (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eLive At Montreux\u003c\/strong\u003e by \u003cstrong\u003eThe Sun Ra Arkestra\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eOn July 9, 1976, the Sun Ra Arkestra brought its cosmic vision to the Casino de Montreux, and this double record captures that night at the Montreux Jazz Festival in full sprawling glory. Spread across four sides, it documents an ensemble that treated the stage as a launchpad, moving between deep space meditation and hard swinging tradition with a fluidity few groups could match.\u003c\/p\u003e\n\u003cp\u003eSide A opens the journey with \"For The Sunrise\" and \"Of The Other Tomorrow\" before stretching out into the long form terrain that Sun Ra loved best. The centerpiece here is \"On Sound Infinity Spheres,\" a sprawling thirteen and a half minute excursion that follows the brief \"From Out Where Others Dwell.\" Together the four pieces fill nearly twenty eight minutes, a single continuous arc of sound that rewards patient listening.\u003c\/p\u003e\n\u003cp\u003eCollectors should note a genuine quirk in this pressing. The Side A label carries an error in its track listing: the timing printed for A3, \"From Out Where Others Dwell,\" actually belongs to the unlisted track that follows it. In reality \"From Out Where Others Dwell\" runs a compact four minutes and twenty one seconds, while \"On Sound Infinity Spheres\" claims the remaining thirteen and a half minutes. It is exactly the kind of small imperfection that gives a live artifact its character and its story.\u003c\/p\u003e\n\u003cp\u003eSide B keeps the momentum with \"The House Of Eternal Being\" and \"God Of The Thunder Realm,\" then lands on \"Lights On A Satellite,\" one of the Arkestra's most beloved and enduring themes. Side C shifts the mood entirely, opening with a solo \"Piano Intro\" that gives way to a reading of \"Take The A Train,\" Sun Ra tipping his hat to the Ellington lineage that runs deep in his music while bending it toward his own orbit.\u003c\/p\u003e\n\u003cp\u003eThe final side is where the concert truly opens its arms. A \"Prelude\" leads into \"El Is The Sound Of Joy,\" followed by two encores that show a band unwilling to leave the stage, and the whole set closes on \"We Travel The Spaceways,\" the anthem that doubled as the Arkestra's mission statement. It is a fitting farewell, a chant that turns a Swiss casino into a vessel bound for the stars.\u003c\/p\u003e\n\u003cp\u003eFor anyone drawn to the wilder, more expansive corners of jazz, this Montreux document is essential listening. It gathers standards, originals, and pure interstellar invention into one generous package, a snapshot of Sun Ra and his players at the peak of their touring powers on a summer night in 1976.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eLive at Montreux Jazz Festival, Casino de Montreux, Switzerland, July 9, 1976.\u003c\/p\u003e\n\u003cp\u003eThe track list on the label side A is in error. Total length of Side A is 27:40. \u003cbr\u003eCorrect tracklisting above, on the label track A3 is listed with timing of the unlisted track A4.\u003cbr\u003eTimings measured from own copy:\u003cbr\u003e\u003cem\u003e A3 From Out Where Others Dwell 04:21\u003cbr\u003e\u003c\/em\u003e A4 On Sound Infinity Spheres 13:30\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. For The Sunrise\u003cbr\u003eA2. Of The Other Tomorrow\u003cbr\u003eA3. From Out Where Others Dwell\u003cbr\u003eA4. On Sound Infinity Spheres\u003cbr\u003eB1. The House Of Eternal Being\u003cbr\u003eB2. God Of The Thunder Realm\u003cbr\u003eB3. Lights On A Satellite\u003cbr\u003eC1. Piano Intro\u003cbr\u003eC2. Take The A Train\u003cbr\u003eD1. Prelude\u003cbr\u003eD2. El Is The Sound Of Joy\u003cbr\u003eD3. Encore 1\u003cbr\u003eD4. Encore 2\u003cbr\u003eD5. We Travel The Spaceways\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e The Sun Ra Arkestra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Inner City Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e IC 1039\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2010\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Inner City Records","offers":[{"title":"Default Title","offer_id":50878430839080,"sku":null,"price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OS5qcGVn.jpg?v=1761754903"},{"product_id":"knew-you-were-waiting-the-best-of-aretha-franklin-1980-2014-aretha-franklin-2lp-vinyl","title":"Knew You Were Waiting- The Best Of Aretha Franklin 1980- 2014 - Aretha Franklin (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eKnew You Were Waiting- The Best Of Aretha Franklin 1980- 2014\u003c\/strong\u003e by \u003cstrong\u003eAretha Franklin\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are collections that trace an artist's rise, and then there are collections that prove an artist never stopped rising. \"Knew You Were Waiting: The Best Of Aretha Franklin 1980-2014\" belongs firmly in the second category, gathering more than three decades of the Queen of Soul at her most fearless, adaptable, and undeniably commanding. Spread across four sides, it captures a chapter of Aretha's career that too often gets overshadowed by her earlier triumphs, and it makes the case for these later years as some of her boldest.\u003c\/p\u003e\n\u003cp\u003eSide A opens with the warmth of \"United Together\" and \"Love All The Hurt Away\" before shifting gears into the irresistible strut of \"Jump To It\" and the propulsive energy of \"Freeway Of Love.\" Right away you hear an artist embracing a new decade on her own terms, folding contemporary production around a voice that needed no reinvention. That momentum carries straight into Side B, where \"Who's Zoomin' Who\" and the anthemic \"Sisters Are Doin' It For Themselves\" show Aretha in full command of the dancefloor, closing with her exhilarating take on \"Jumpin' Jack Flash.\"\u003c\/p\u003e\n\u003cp\u003eThe set's emotional center arrives on Side C. \"Jimmy Lee\" leads into the record's namesake, \"I Knew You Were Waiting (For Me),\" a duet that became one of the defining crossover moments of her later catalog. From there, \"Through The Storm\" and \"It Isn't, It Wasn't, It Ain't Never Gonna Be\" find Aretha trading verses and holding her ground, reminding everyone that no partner ever outsang her.\u003c\/p\u003e\n\u003cp\u003eSide D pushes the timeline forward with \"Ever Changing Times\" and the house-inflected surge of \"A Deeper Love,\" a track that proved Aretha could meet the club era head on and win. \"Willing To Forgive\" softens the tempo with gospel-rooted grace, while \"A Rose Is Still A Rose\" delivers one of her most affecting late-period statements, a song about resilience delivered by the very woman who embodied it.\u003c\/p\u003e\n\u003cp\u003eThe collection saves its most striking gesture for last. \"Rolling In The Deep (The Aretha Version)\" reclaims a modern classic and refracts it through decades of hard-won authority, turning a contemporary anthem into something that sounds like it was hers all along. It is a fitting close, an artist in her seventies still reaching forward rather than looking back.\u003c\/p\u003e\n\u003cp\u003eFor listeners who know Aretha through her sixties and seventies landmarks, this is the essential companion volume, a portrait of an artist who treated every new sound as another room to walk into and own. Play it start to finish and you hear a voice that simply refused to age out of relevance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. United Together\u003cbr\u003eA2. Love All The Hurt Away\u003cbr\u003eA3. Jump To It\u003cbr\u003eA4. Get It Right\u003cbr\u003eA5. Freeway Of Love\u003cbr\u003eB1. Who’s Zoomin’ Who\u003cbr\u003eB2. Sisters Are Doin’ It For Themselves\u003cbr\u003eB3. Another Night\u003cbr\u003eB4. Jumpin’ Jack Flash\u003cbr\u003eC1. Jimmy Lee\u003cbr\u003eC2. I Knew You Were Waiting (For Me)\u003cbr\u003eC3. Through The Storm\u003cbr\u003eC4. It Isn’t, It Wasn’t, It Ain’t Never Gonna Be\u003cbr\u003eD1. Ever Changing Times\u003cbr\u003eD2. A Deeper Love\u003cbr\u003eD3. Willing To Forgive\u003cbr\u003eD4. A Rose Is Still A Rose\u003cbr\u003eD5. Rolling In The Deep (The Aretha Version)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Aretha Franklin\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Legacy\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 19439865191\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2021\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Legacy","offers":[{"title":"Default Title","offer_id":50878872289576,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NjAtOTI4NS5qcGVn.jpg?v=1761770011"},{"product_id":"songwrights-apothecary-lab-esperanza-spalding-2lp-vinyl","title":"Songwrights Apothecary Lab - Esperanza Spalding (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eSongwrights Apothecary Lab\u003c\/strong\u003e by \u003cstrong\u003eEsperanza Spalding\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eEsperanza Spalding delivers transformative artistry in this essential recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eEsperanza Spalding leads with distinctive artistry, creating intricate interplay between musicians. The harmonic progressions and rhythm section showcase the evolution of jazz with spontaneous brilliance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlbum Story:\u003c\/strong\u003e\u003cbr\u003e\"Songwrights Apothecary Lab,\" the innovative album by Grammy-winning artist Esperanza Spalding, serves as both a musical feast and a therapeutic exploration, inviting listeners on a journey through the healing power of sound. Released under Concord Records, this remarkable work transcends traditional album formats by presenting an intricate blend of genres and styles, from jazz and soul to experimental music. Each track is crafted with the intention of addressing specific emotions and experiences, reflecting Spalding's belief in the transformative potential of music. With a diverse ensemble of collaborators and lush arrangements, the album boldly redefines the boundaries of contemporary music while engaging with the listener's emotional landscape.\u003c\/p\u003e\n\u003cp\u003eWhat makes \"Songwrights Apothecary Lab\" truly unique is its conceptual approach, which marries art with activism, encouraging a deeper engagement with the healing properties of creativity. Each composition is not just a song but a carefully formulated remedy for various emotional states, ranging from joy to sorrow, echoing Spalding's commitment to social\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eEsperanza Spalding's new album Songwrights Apothecary Lab explores how songwriters may incorporate knowledge in consultation with practitioners of music therapy, neuroscience and more to create music that can have a specific effect on the listener. \u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA 1. Formwela 1\u003cbr\u003eA 2. Formwela 2\u003cbr\u003eA 3. Formwela 3\u003cbr\u003eB 1. Formwela 4\u003cbr\u003eB 2. Formwela 5\u003cbr\u003eB 3. Formwela 6\u003cbr\u003eB 4. Formwela 7\u003cbr\u003eC 1. Formwela 8\u003cbr\u003eC 2. Formwela 9\u003cbr\u003eC 3. Formwela 10\u003cbr\u003eD 1. Formwela 11\u003cbr\u003eD 2. Formwela 12\u003cbr\u003eD 3. Formwela 13\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality:\u003c\/strong\u003e\u003cbr\u003eExceptional dynamic range captures every nuance – tight bass, warm midrange, crisp highs. High-quality pressing with excellent tracking and quiet surfaces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCollector's Notes:\u003c\/strong\u003e\u003cbr\u003eEssential for serious collectors – a piece of musical history with lasting value.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Esperanza Spalding\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Concord Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CRE01846\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Concord Records","offers":[{"title":"Default Title","offer_id":50884084400424,"sku":null,"price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OTEtODEzNi5qcGVn.jpg?v=1761839313"},{"product_id":"oh-scolohofo-2lp-vinyl-tone-poet-series","title":"Oh! - Scolohofo (2LP Vinyl) [Tone Poet Series]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eOh!\u003c\/strong\u003e by \u003cstrong\u003eScolohofo\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are supergroups, and then there are gatherings so effortlessly aligned that the only honest title is a single, wide-eyed syllable. \"Oh!\" by Scolohofo arrives as one of those rare meetings, a record whose very name feels like the sound a listener makes when the music opens up in front of them. Spread across four sides, it unfolds patiently, letting each idea breathe rather than rushing toward resolution.\u003c\/p\u003e\n\u003cp\u003eWhat makes this pressing special begins in the room where it was born. The music was captured live-to-two-track on 30 ips analog tape across two July nights, the 30th and 31st, 2002, at the storied Sear Sound in New York City. That live-to-two-track approach means there is nowhere to hide and nothing to fix afterward; what you hear is a performance, committed in the moment, with all the interplay and tension intact. It is jazz as event rather than construction.\u003c\/p\u003e\n\u003cp\u003eThe sequence itself rewards a full front-to-back listen. It opens with the title track, \"Oh!,\" followed by \"Right About Now,\" setting a tone that is confident without ever showing off. Side B moves through \"The Winding Way,\" \"Bittersweet,\" and \"Shorter Form,\" a stretch that lives up to those titles with music that turns, aches, and distills in equal measure. There is a sense of a group thinking together in real time, listening as hard as they are playing.\u003c\/p\u003e\n\u003cp\u003eThe second disc keeps that momentum. \"New Amsterdam\" and \"In Your Arms\" carry Side C with a mix of forward drive and warmth, while the final side stacks four pieces in a row: \"The Dawn Of Time,\" \"Brandyn,\" \"Faces,\" and the closing \"Oh I See.\" That last title lands like a knowing answer to the album's opening exclamation, bookending the record with a quiet wink and giving the whole program a satisfying shape.\u003c\/p\u003e\n\u003cp\u003eThis is a Blue Note Records release, ℗ 2003 and © 2022 UMG Recordings, Inc., with Blue Note® a registered trademark of Capitol Records, LLC. It has been cut directly from the original analog tapes, keeping the signal path faithful to those two nights at Sear Sound and honoring the immediacy of the original recording. For anyone who cares about how a record actually sounds, that lineage matters.\u003c\/p\u003e\n\u003cp\u003eHoused in a gatefold jacket, it presents as a proper listening object, something to hold, open, and return to. If you gravitate toward jazz that values conversation over spectacle and captures musicians in genuine dialogue, \"Oh!\" belongs on your shelf and, more importantly, on your turntable. Cue it from the top, let all four sides play, and understand exactly why they called it that.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRecorded live-to-two-track 30 ips analog tape: July 30 \u0026amp; 31, 2002, at Sear Sound, NYC.\u003cbr\u003e \u003cbr\u003eA Blue Note Records release; ℗ 2003 © 2022 UMG Recordings, Inc.\u003cbr\u003eBlue Note® is a registered trademark of Capitol Records, LLC.\u003cbr\u003e \u003cbr\u003eCut directly from the original analog tapes.\u003cbr\u003eGatefold jacket.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Oh!\u003cbr\u003eA2. Right About Now\u003cbr\u003eB1. The Winding Way\u003cbr\u003eB2. Bittersweet\u003cbr\u003eB3. Shorter Form\u003cbr\u003eC1. New Amsterdam\u003cbr\u003eC2. In Your Arms\u003cbr\u003eD1. The Dawn Of Time\u003cbr\u003eD2. Brandyn\u003cbr\u003eD3. Faces\u003cbr\u003eD4. Oh I See\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Scolohofo\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0033844-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Tone Poet Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50884138500392,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MTktNTIyNS5qcGVn.jpg?v=1761840124"},{"product_id":"the-harmony-codex-steven-wilson-2lp-vinyl","title":"The Harmony Codex - Steven Wilson (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe Harmony Codex\u003c\/strong\u003e by \u003cstrong\u003eSteven Wilson\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eSteven Wilson's \"The Harmony Codex\" arrives as a sprawling, immersive double album spread across four sides, a work that rewards the patience and attention a vinyl playthrough demands. Released in 2023 on Steven Wilson Productions Ltd. and distributed by Virgin Music Group, this pressing was made in the EU and carries the catalog markings SW7V2, alongside the barcode 00044003353008 on the rear sleeve.\u003c\/p\u003e\n\u003cp\u003eThe sequencing invites you to move through the record in deliberate stages. Side A opens with \"Inclination,\" followed by \"What Life Brings\" and \"Economies of Scale,\" setting the tone before Side B delivers the expansive \"Impossible Tightrope\" and the brooding \"Rock Bottom.\" Turn the record over and Side C pairs \"Beautiful Scarecrow\" with the title track \"The Harmony Codex,\" while Side D closes the journey with \"Time Is Running Out,\" \"Actual Brutal Facts,\" and the closing \"Staircase.\"\u003c\/p\u003e\n\u003cp\u003eThe package is thoughtfully assembled for those who value the physical listening ritual. A printed inner sleeve houses the full lyrics, so you can follow the words as the music unfolds. The rear sleeve bears the full production credits, the LC03261 label code, and BIEM\/SDRM markings, all reflecting the care Wilson brings to every element of his releases. Copies shipped in shrink wrap carrying a \"Made in Germany\" sticker.\u003c\/p\u003e\n\u003cp\u003eCollectors will note the special editions that accompanied this release. Initial copies purchased through the Burning Shed website included four exclusive postcards tucked into an envelope, its flap sealed with a Steven Wilson sticker, a small but delightful bonus for early buyers.\u003c\/p\u003e\n\u003cp\u003eMore coveted still is the Assai Records Obi Edition, limited to just 300 copies. Each of these featured a numbered Obi strip personally signed by Steven Wilson, making them a genuine rarity for enthusiasts of the artist and for anyone building a serious collection of modern progressive and art rock pressings.\u003c\/p\u003e\n\u003cp\u003eFor newcomers and longtime followers alike, \"The Harmony Codex\" represents Steven Wilson at his most ambitious and atmospheric, a record built to be experienced side by side, disc by disc. It stands as a fine addition to the shelves here at Miles Waxey, where records of this scope and craftsmanship find a natural home.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRear sleeve:\u003cbr\u003e\"00044003353008 \/ SW7V2 ℗ 2023 Steven Wilson Productions Ltd. Distributed by Virgin Music Group. © 2023 Steven Wilson Productions Ltd. Made in the EU. LC03261. BIEM\/SDRM. stevenwilsonhq.com\".\u003c\/p\u003e\n\u003cp\u003e\"Made in Germany\" sticker on shrink wrap of the rear sleeve.\u003c\/p\u003e\n\u003cp\u003eInitial copies sold via the Burning Shed website came with four exclusive postcards in an envelope, flap sealed with a Steven Wilson sticker.\u003c\/p\u003e\n\u003cp\u003eIncludes printed inner sleeve containing lyrics.\u003c\/p\u003e\n\u003cp\u003e300 copies were sold by Assai Records as part of the Assai Records Obi Editions featuring a numbered Obi signed by Steven Wilson.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Inclination\u003cbr\u003eA2. What Life Brings\u003cbr\u003eA3. Economies of Scale\u003cbr\u003eB1. Impossible Tightrope\u003cbr\u003eB2. Rock Bottom\u003cbr\u003eC1. Beautiful Scarecrow\u003cbr\u003eC2. The Harmony Codex\u003cbr\u003eD1. Time Is Running Out\u003cbr\u003eD2. Actual Brutal Facts\u003cbr\u003eD3. Staircase\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Steven Wilson\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Virgin Music Group\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e SW7V2\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Import\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Virgin Music Group","offers":[{"title":"Default Title","offer_id":50884919820584,"sku":null,"price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MjUtOTIzNi5qcGVn.jpg?v=1761856617"},{"product_id":"wayfaring-webster-ben-webster-quartet-2lp-vinyl","title":"Wayfaring Webster - Ben Webster Quartet (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eWayfaring Webster\u003c\/strong\u003e by \u003cstrong\u003eBen Webster Quartet\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew tenor saxophonists have ever poured as much warmth into a phrase as Ben Webster, and \"Wayfaring Webster\" gathers the Ben Webster Quartet in a setting that lets that unmistakable breathy tone breathe. Across four sides of music, the collection moves with an unhurried grace, favoring the ballad craft and the swing feel that made Webster one of the most beloved voices in jazz.\u003c\/p\u003e\n\u003cp\u003eSide A eases you in with \"Sunday,\" a lively opener that gives way to the tender introspection of \"Old Folks\" and the aching lyricism of \"For All We Know.\" It is a sequence that showcases Webster's gift for storytelling, the way he can lean into a melody, hold a note just a moment longer than expected, and make it feel like a confession.\u003c\/p\u003e\n\u003cp\u003eThe middle sides keep the quartet stretching out. \"Poutin'\" and the standard \"My Romance\" close out Side B before \"Perdido\" brings a familiar, swinging brightness to the start of Side C, followed by the gentle sway of \"How Long Has This Been Going On.\" These are tunes that reward repeat listening, revealing more of the interplay between Webster and his rhythm section each time around.\u003c\/p\u003e\n\u003cp\u003eSide D delivers two highlights to send you off, beginning with \"Chelsea Bridge,\" the Billy Strayhorn composition that Webster made his own with a rendition of misty, twilight beauty. The closer, \"Ben's Little Scheme,\" offers one last taste of the quartet at play, a fitting farewell to an intimate program.\u003c\/p\u003e\n\u003cp\u003eThis edition marks the first time this music has appeared on vinyl, presented as a Record Store Day Black Friday 2023 UK and Europe exclusive. Pressed on 180g Double Black vinyl and limited to just 1000 copies, it is a release designed for collectors who want to hear Webster with weight and clarity across a generously spaced double LP.\u003c\/p\u003e\n\u003cp\u003eCompleting the package is an obi strip, a considered finishing touch that adds to the appeal for anyone building a serious jazz shelf. For devotees of Webster's late, luxuriant style, and for newcomers looking to understand why his sound remains so cherished, \"Wayfaring Webster\" is a rewarding addition to the collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRecord Store Day Black Friday 2023 (UK\/EUROPE) exclusivity\u003c\/p\u003e\n\u003cp\u003eLimited to 1000 copies\u003cbr\u003e180g edition Double Black vinyl edition\u003cbr\u003eComes with obi strip - First time on vinyl\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Sunday\u003cbr\u003eA2. Old Folks\u003cbr\u003eA3. For All We Know\u003cbr\u003eB1. Poutin’\u003cbr\u003eB2. My Romance\u003cbr\u003eC1. Perdido\u003cbr\u003eC2. How Long Has This Been Going On\u003cbr\u003eD1. Chelsea Bridge\u003cbr\u003eD2. Ben’s Little Scheme\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Ben Webster Quartet\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Tidal Waves Music\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e TWM114\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United Kingdom\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tidal Waves Music","offers":[{"title":"Default Title","offer_id":50884927947048,"sku":null,"price":24.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NjgtOTQyOS5qcGVn.jpg?v=1761856885"},{"product_id":"blues-blood-immanuel-wilkins-2lp-vinyl","title":"Blues Blood - Immanuel Wilkins (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eBlues Blood\u003c\/strong\u003e by \u003cstrong\u003eImmanuel Wilkins\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eImmanuel Wilkins arrives with \"Blues Blood,\" a double LP that stretches across four sides and asks to be heard as a single, unbroken statement. Housed in a gatefold sleeve, this is a record built for immersion, the kind of release that rewards patience and a willingness to sit with an album from first groove to last.\u003c\/p\u003e\n\u003cp\u003eThe music unfolds in movements. Side A opens with \"Matte Glaze,\" then moves through \"Funmi,\" \"Motion,\" and \"Everything,\" a sequence that lays out the emotional and rhythmic terrain to come. Wilkins has a way of pacing his records so that each piece feels connected to the next, and the flow across this opening side sets the tone for everything that follows.\u003c\/p\u003e\n\u003cp\u003eInterludes are woven through the whole work, giving it the shape of a suite rather than a simple collection of songs. \"Air (Interlude)\" bridges into side B before \"Dark Eyes Smile\" and \"Apparition\" take hold. Later, \"Assembly (Interlude)\" opens side C, and side D is threaded with \"Set! (Interlude)\" and \"Your Memory (Interlude),\" small connective passages that let the larger pieces breathe and resolve.\u003c\/p\u003e\n\u003cp\u003eThe heavier weight of the album lives in its middle and closing stretches. \"Afterlife Residence Time\" and \"Moshpit\" bring a charged energy to side C, while side D builds toward its conclusion through \"If That Blood Runs East\" before landing on the title track, \"Blues Blood.\" Ending an album on its namesake gives the whole project a sense of arrival, a final word that ties the running themes together.\u003c\/p\u003e\n\u003cp\u003eThis is the USA pressing, identifiable by the address text printed on the back of the jacket, which differs from the European variant. For collectors who track regional editions, that detail matters, and it makes this copy a specific object with its own place in the release history rather than an interchangeable pressing.\u003c\/p\u003e\n\u003cp\u003eAs a double LP in a gatefold, \"Blues Blood\" is a record that suits the listener who values the long form, the artist working on a wide canvas, and the pleasure of turning the record over across four sides. Wilkins continues to build a body of work that speaks to the deep tradition of jazz while pushing it somewhere personal, and this album is a strong document of that voice. It belongs on the shelf of anyone following the most compelling saxophone players of the moment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eGatefold Sleeve\u003c\/p\u003e\n\u003cp\u003eUSA address on back side of jacket text, different than Europe variant\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Matte Glaze\u003cbr\u003eA2. Funmi\u003cbr\u003eA3. Motion\u003cbr\u003eA4. Everything\u003cbr\u003eB1. Air (Interlude)\u003cbr\u003eB2. Dark Eyes Smile\u003cbr\u003eB3. Apparition\u003cbr\u003eC1. Assembly (Interlude)\u003cbr\u003eC2. Afterlife Residence Time\u003cbr\u003eC3. Moshpit\u003cbr\u003eD1. Set! (Interlude)\u003cbr\u003eD2. If That Blood Runs East\u003cbr\u003eD3. Your Memory (Interlude)\u003cbr\u003eD4. Blues Blood\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Immanuel Wilkins\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 00602465552041\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50884936171816,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NDAtNjQ1OC5qcGVn.jpg?v=1761857027"},{"product_id":"the-lady-in-the-balcony-lockdown-sessions-eric-clapton-2lp-vinyl","title":"The Lady In The Balcony: Lockdown Sessions - Eric Clapton (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe Lady In The Balcony: Lockdown Sessions\u003c\/strong\u003e by \u003cstrong\u003eEric Clapton\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eRecorded during a period when the world had gone quiet, \"The Lady In The Balcony: Lockdown Sessions\" captures Eric Clapton in an intimate, unhurried mode. This is the vinyl edition of that session, pressed as a limited edition 2LP on clear vinyl and housed in a gatefold sleeve. The hype sticker on the front announces the format plainly, and this is a record built for slow, attentive listening across four sides.\u003c\/p\u003e\n\u003cp\u003eThe setting is stripped back and conversational, and the playing reflects it. Clapton handles guitar and vocals alongside a tight, seasoned band: Nathan East on bass and vocals, Steve Gadd on drums, and Chris Stainton on keyboards. These are musicians who know how to leave space, and across these performances they lean into the blues and the ballad rather than the arena. Produced by Russ Titelman, the album feels like a room full of friends reworking a life's worth of songs.\u003c\/p\u003e\n\u003cp\u003eSide A moves from the weary resignation of \"Nobody Knows You When You're Down And Out\" through \"Golden Ring\" and a reading of \"Black Magic Woman,\" before touching Fleetwood Mac's \"Man Of The World\" and the instrumental \"Kerry.\" Side B gathers some of Clapton's most cherished material, with \"After Midnight,\" \"Bell Bottom Blues,\" and \"Key To The Highway\" flowing into the aching \"River Of Tears.\"\u003c\/p\u003e\n\u003cp\u003eThe second disc keeps the range wide. Side C opens with \"Rock Me Baby\" and \"Believe In Life,\" then digs into \"Going Down Slow\" before arriving at an unplugged-spirited \"Layla,\" a song that has proven itself capable of endless reinvention. Side D closes the set with the tender \"Tears In Heaven,\" followed by \"Long Distance Call,\" \"Bad Boy,\" and a rolling, spirited \"Got My Mojo Working\" to send things off.\u003c\/p\u003e\n\u003cp\u003eThe sonics here have been given serious care. The lacquers were cut by Sean Magee, with mastering by Marc Thériault, and the runouts are etched. Pressed in Poland, this pressing is aimed at listeners who want these performances to breathe on wax, the acoustic textures and vocal harmonies given the room they deserve.\u003c\/p\u003e\n\u003cp\u003eFor collectors, the clear vinyl format and the limited edition status make this a desirable object as much as a listening experience, while the gatefold packaging suits the reflective, career-spanning nature of the music inside. It is a document of an artist and his band returning to the songs that shaped them, playing them for the sheer love of it. This is one for the shelf and the turntable alike, a warm and generous set that rewards repeat plays.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Nobody Knows You When You're Down And Out\u003cbr\u003eA2. Golden Ring\u003cbr\u003eA3. Black Magic Woman\u003cbr\u003eA4. Man Of The World\u003cbr\u003eA5. Kerry\u003cbr\u003eB1. After Midnight\u003cbr\u003eB2. Bell Bottom Blues\u003cbr\u003eB3. Key To The Highway\u003cbr\u003eB4. River Of Tears\u003cbr\u003eC1. Rock Me Baby\u003cbr\u003eC2. Believe In Life\u003cbr\u003eC3. Going Down Slow\u003cbr\u003eC4. Layla\u003cbr\u003eD1. Tears In Heaven\u003cbr\u003eD2. Long Distance Call\u003cbr\u003eD3. Bad Boy\u003cbr\u003eD4. Got My Mojo Working\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eNathan East - Bass, Vocals\u003cbr\u003eSteve Gadd - Drums\u003cbr\u003eEric Clapton - Guitar, Vocals\u003cbr\u003eChris Stainton - Keyboards [Keyboard]\u003cbr\u003eSean Magee - Lacquer Cut By [Vinyl Cut By]\u003cbr\u003eMarc Thériault - Mastered By\u003cbr\u003eRuss Titelman - Producer\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eComes in a gatefold sleeve.\u003cbr\u003eHype sticker on front reads \"Limited Edition 2LP Clear Vinyl\"\u003cbr\u003eBack cover, on the shrink: \"Made In Poland\"\u003c\/p\u003e\n\u003cp\u003eRunouts are etched.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Eric Clapton\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Blues\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mercury Studios (5)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e MSVL555524\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Import\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mercury Studios (5)","offers":[{"title":"Default Title","offer_id":50892228133160,"sku":null,"price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/41eWS3_M-8L._SY300_SX300_QL70_FMwebp.webp?v=1762203590"},{"product_id":"but-beautiful-boz-scaggs-2lp-vinyl","title":"But Beautiful - Boz Scaggs (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eBut Beautiful\u003c\/strong\u003e by \u003cstrong\u003eBoz Scaggs\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWhen Boz Scaggs stepped into the world of the American songbook with \"But Beautiful,\" he set aside the blue eyed soul and radio polish that made his name and reached instead for something quieter and more intimate. Released in 2003 on Gray Cat Records, this is a jazz record in the truest sense, a program of standards delivered with restraint, warmth, and an evident love for the material.\u003c\/p\u003e\n\u003cp\u003eAcross four sides, Scaggs works his way through a collection of ballads and torch songs that reward patience and close listening. The album opens gently with \"What's New?\" and \"Never Let Me Go,\" setting a mood of late night reflection that carries through \"How Long Has This Been Going On?\" and into the second side. There you will find \"Sophisticated Lady,\" the title track \"But Beautiful,\" and a tender reading of \"Bewitched, Bothered And Bewildered.\"\u003c\/p\u003e\n\u003cp\u003eThe back half deepens the spell. Side C pairs \"Easy Living\" with \"I Should Care,\" while the closing side offers \"You Don't Know What Love Is\" and \"For All We Know,\" two songs that leave the listener suspended in the album's hushed, unhurried atmosphere. It is a sequence built for the format, meant to be played on vinyl with the lights low and no reason to rush.\u003c\/p\u003e\n\u003cp\u003eThe band Scaggs assembled here is small and sympathetic, a group that understands the value of space. Paul Nagel handles piano duties and also arranged the sessions, giving the record its harmonic frame and its gentle sense of forward motion. John Shifflett on bass and Jason Lewis on drums provide a supple, understated rhythmic foundation, while Eric Crystal's saxophone adds color and a vocal quality that answers and shadows Scaggs throughout.\u003c\/p\u003e\n\u003cp\u003eThe care extended to the sound itself. Scaggs produced the album, and the sessions passed through the hands of a deep engineering team including Chris Tabarez, Jeff Cressman, Michael Rodriguez, and Steve MacMillan. Joel Moss handled the mix, and the record was mastered by the legendary Bernie Grundman, whose name on a jazz pressing is a mark of fidelity and analog warmth.\u003c\/p\u003e\n\u003cp\u003eFor collectors drawn to the standards tradition and to artists who cross genres with genuine feeling, \"But Beautiful\" is a rewarding find. It captures a familiar voice in an unfamiliar setting, treating each song with tenderness and letting the arrangements breathe. This is Boz Scaggs as interpreter rather than showman, and the result is an album that sits comfortably alongside the classic vocal jazz records that inspired it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. What's New?\u003cbr\u003eA2. Never Let Me Go\u003cbr\u003eA3. How Long Has This Been Going On?\u003cbr\u003eB1. Sophisticated Lady\u003cbr\u003eB2. But Beautiful\u003cbr\u003eB3. Bewitched, Bothered And Bewildered\u003cbr\u003eC1. Easy Living\u003cbr\u003eC2. I Should Care\u003cbr\u003eD1. You Don't Know What Love Is\u003cbr\u003eD2. For All We Know\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eJohn Shifflett - Bass\u003cbr\u003eJason Lewis - Drums\u003cbr\u003eChris Tabarez - Engineer\u003cbr\u003eJeff Cressman - Engineer\u003cbr\u003eMichael Rodriguez (2) - Engineer\u003cbr\u003eSteve MacMillan - Engineer\u003cbr\u003eBernie Grundman - Mastered By\u003cbr\u003eJoel Moss - Mixed By\u003cbr\u003ePaul Nagel - Piano, Arranged By\u003cbr\u003eBoz Scaggs - Producer\u003cbr\u003eEric Crystal - Saxophone\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003e℗ © 2003 Gray Cat Records.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Boz Scaggs\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Blues\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Gray Cat Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e GCV4000\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2003\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Gray Cat Records","offers":[{"title":"Default Title","offer_id":50892315001128,"sku":null,"price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MS0yMzgwLmpwZWc.jpg?v=1762204603"},{"product_id":"just-one-night-eric-clapton-1980-2lp-vinyl-near-mint-nm","title":"Just One Night - Eric Clapton (1980 pressing) (2LP Vinyl) - Near Mint (NM)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eJust One Night\u003c\/strong\u003e by \u003cstrong\u003eEric Clapton\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eRecorded live and captured with a directness that studio work rarely manages, \"Just One Night\" finds Eric Clapton in commanding form, leading a band that could shift from breezy country swing to deep, aching blues without losing a step. This double LP spreads fourteen performances across four sides, giving each song room to breathe and the players space to stretch out. It is the sound of a group that knows one another well, playing loud and playing true.\u003c\/p\u003e\n\u003cp\u003eThe set opens on a road-worthy note with \"Tulsa Time,\" rolls into \"Early In The Morning,\" and settles into the easy grooves of \"Lay Down Sally\" and the tender \"Wonderful Tonight,\" a run that shows just how wide Clapton's range had become. Side two moves from \"If I Don't Be There By Morning\" into the smoky testimony of \"Worried Life Blues,\" pairs the reflective \"All Our Past Times\" with a charged reading of \"After Midnight,\" and never lets the momentum flag.\u003c\/p\u003e\n\u003cp\u003eThe back half of the record leans harder into the blues that always sat at the center of Clapton's playing. \"Double Trouble\" and \"Blues Power\" bookend the sprightly \"Setting Me Up,\" while the final side delivers \"Rambling On My Mind,\" the crowd favorite \"Cocaine,\" and a rousing \"Further On Up The Road\" to close things out. Across all four sides, the guitar work is generous and the singing unguarded, the mark of a performer comfortable in front of an audience.\u003c\/p\u003e\n\u003cp\u003eMuch of the fire here comes from the band around Clapton. Albert Lee is a standout presence, contributing guitar, vocals, and keyboards, while Chris Stainton adds further keyboard color. Dave Markee holds down the bass and Henry Spinetti drives the rhythm from the drum kit, together giving Clapton the steady foundation he needs to reach for those long, singing solos. It is a lineup built for the stage, tight enough to lock in and loose enough to let the songs stretch.\u003c\/p\u003e\n\u003cp\u003eBehind the boards, Jon Astley served as producer and engineer, sharing mixing duties with Phil Chapman, and the resulting sound has the presence and clarity that a live document demands. The package itself is a piece of design worth admiring, with cover art and art direction by David Stewart, illustration by Ken Konno, and photography from both Dave Brown and Koichiro Hiki, a collaboration that dresses the music in imagery as considered as the performances.\u003c\/p\u003e\n\u003cp\u003eCollectors should note that this is a specific pressing, identifiable by the \"56\" marking on the labels and the \"CP\" etched into the runouts. For anyone drawn to Clapton on stage, doing what he does best in real time, this is an essential entry in the catalog and a rewarding listen from first groove to last.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Tulsa Time\u003cbr\u003eA2. Early In The Morning\u003cbr\u003eA3. Lay Down Sally\u003cbr\u003eA4. Wonderful Tonight\u003cbr\u003eB1. If I Don’t Be There By Morning\u003cbr\u003eB2. Worried Life Blues\u003cbr\u003eB3. All Our Past Times\u003cbr\u003eB4. After Midnight\u003cbr\u003eC1. Double Trouble\u003cbr\u003eC2. Setting Me Up\u003cbr\u003eC3. Blues Power\u003cbr\u003eD1. Rambling On My Mind\u003cbr\u003eD2. Cocaine\u003cbr\u003eD3. 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This is the swing era distilled, a decade of dance floors, radio broadcasts, and unforgettable melodies gathered into one generous collection that traces the arc of the big bands year by year, from 1936 through the closing days of the Second World War.\u003c\/p\u003e\n\u003cp\u003eThe set opens with a full sequence of twelve great band theme songs, the musical calling cards that once announced an orchestra before a single word was spoken. Here you will find \"I'm Gettin' Sentimental Over You\" and \"Take The 'A' Train,\" alongside \"Moonlight Serenade,\" \"Goodbye,\" \"Nightmare,\" and the shimmering \"Snowfall.\" It is a roll call of the very signatures that filled ballrooms and living rooms, the tunes that told listeners exactly which band had taken the stage.\u003c\/p\u003e\n\u003cp\u003eFrom there the collection moves through the years in themed groupings, each capturing the mood of its moment. The 1936 sides gather \"Christopher Columbus,\" \"The Music Goes Round And Round,\" and \"Moon Over Miami,\" while the 1937 selections stretch across two parts to include \"So Rare,\" \"Once In A While,\" \"Dipsy Doodle,\" and \"That Old Feeling.\" The late thirties bring \"I Let A Song Go Out Of My Heart,\" \"You Go To My Head,\" \"Heart And Soul,\" and the irresistibly nonsensical \"The Flat Foot Floogee.\"\u003c\/p\u003e\n\u003cp\u003eAs the decade turns, the anthology follows the songs that carried a nation through the war years. There are the buoyant novelties like \"Mairzy Doats (And Dozy Doats),\" \"Rum And Coca-Cola,\" and \"Deep In The Heart Of Texas,\" and the aching wartime ballads that defined an era of partings and homecomings: \"I'll Be Seeing You,\" \"It's Been A Long Long Time,\" \"There I've Said It Again,\" and the tender \"Sentimental Journey.\" \"On The Atchison, Topeka And Santa Fe\" and \"Ac-Cent-Tchu-Ate The Positive\" round out the 1945 sides with a spirit of hope and forward motion.\u003c\/p\u003e\n\u003cp\u003eWoven throughout are songs that reach back into the concert hall for their inspiration. \"My Reverie\" draws on Debussy's \"Reverie,\" \"Our Love\" is adapted from Tchaikovsky's \"Romeo and Juliet,\" and \"The Lamp Is Low\" borrows a theme from Ravel's \"Pavane,\" a reminder of how seamlessly the era's arrangers blended popular and classical traditions.\u003c\/p\u003e\n\u003cp\u003eSpanning the theme songs, the exotic hits like \"Perfidia,\" \"Frenesi,\" and \"Brazil,\" and standards such as \"It Had To Be You,\" \"The Nearness Of You,\" and \"Blueberry Hill,\" this Reader's Digest anthology is a treasured overview of the great band decade, ideal for any collector devoted to the sound of American swing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003e. 12 Great Band Theme Songs\u003cbr\u003eA1. I'm Gettin' Sentimental Over You\u003cbr\u003eA2. Take The \"A\" Train\u003cbr\u003eA3. Blossoms\u003cbr\u003eA4. Moonlight Serenade\u003cbr\u003eA5. Star Dreams\u003cbr\u003eA6. Nighty Night\u003cbr\u003eB1. Nightmare\u003cbr\u003eB2. Kaye's Melody\u003cbr\u003eB3. Goodbye\u003cbr\u003eB4. Make Believe Ballroom\u003cbr\u003eB5. Flying Home\u003cbr\u003eB6. Snowfall\u003cbr\u003e. 1936\u003cbr\u003eC1. Christopher Columbus\u003cbr\u003eC2. The Music Goes Round And Round\u003cbr\u003eC3. When Did You Leave Heaven?\u003cbr\u003eC4. All My Life\u003cbr\u003eC5. These Foolish Things Remind Me Of You\u003cbr\u003eC6. Moon Over Miami\u003cbr\u003e. 1945\u003cbr\u003eD1. On The Atchison, Topeka And Santa Fe\u003cbr\u003eD2. There I've Said It Again\u003cbr\u003eD3. Ac-Cent-Tchu-Ate The Positive\u003cbr\u003eD4. Symphony\u003cbr\u003eD5. It's Been A Long Long Time\u003cbr\u003eD6. Sentimental Journey\u003cbr\u003e. 1937 Part 1\u003cbr\u003eE1. Bob White\u003cbr\u003eE2. A Sailboat In The Moonlight\u003cbr\u003eE3. A Study In Brown\u003cbr\u003eE4. Moonlight And Shadows\u003cbr\u003eE5. Once In A While\u003cbr\u003eE6. Goodnight My Love\u003cbr\u003e. 1944 Part 2\u003cbr\u003eF1. Blue Rain\u003cbr\u003eF2. It Had To Be You\u003cbr\u003eF3. I'm Making Believe\u003cbr\u003eF4. Mairzy Doats (And Dozy Doats)\u003cbr\u003eF5. You Always Hurt The One You Love\u003cbr\u003eF6. Poinciana\u003cbr\u003e. 1937 Part 2\u003cbr\u003eG1. Dipsy Doodle\u003cbr\u003eG2. The Moon Got In My Eyes\u003cbr\u003eG3. So Rare\u003cbr\u003eG4. Afraid To Dream\u003cbr\u003eG5. Vieni, Vieni\u003cbr\u003eG6. That Old Feeling\u003cbr\u003e. 1944 Part 1\u003cbr\u003eH1. I'll Be Seeing You\u003cbr\u003eH2. There Goes That Song Again\u003cbr\u003eH3. Dance With A Dolly\u003cbr\u003eH4. I Dream Of You\u003cbr\u003eH5. Rum And Coca-Cola\u003cbr\u003eH6. San Fernando Valley\u003cbr\u003e. 1938 Part 1\u003cbr\u003eI1. Music, Maestro, Please\u003cbr\u003eI2. Bei Mir Bist Du Schon\u003cbr\u003eI3. I Let A Song Go Out Of My Heart\u003cbr\u003eI4. I Have Eyes\u003cbr\u003eI5. Heart And Soul\u003cbr\u003eI6. I've Got A Pocket Full Of Dreams\u003cbr\u003e. 1943 Part 2\u003cbr\u003eJ1. For Me And My Gal\u003cbr\u003eJ2. Manhattan Serenade\u003cbr\u003eJ3. All Or Nothing At All\u003cbr\u003eJ4. A Pink Cocktail For A Blue Lady\u003cbr\u003eJ5. Brazil\u003cbr\u003eJ6. It's Always You\u003cbr\u003e. 1938 Part 2\u003cbr\u003eK1. The Flat Foot Floogee\u003cbr\u003eK2. I Double Dare You\u003cbr\u003eK3. You Go To My Head\u003cbr\u003eK4. Says My Heart\u003cbr\u003eK5. My Reverie\u003cbr\u003eK6. You Must Have Been A Beautiful Baby\u003cbr\u003e. 1943 Part 1\u003cbr\u003eL1. Taking A Chance On Love\u003cbr\u003eL2. Moonlight Mood\u003cbr\u003eL3. Dearly Beloved\u003cbr\u003eL4. Let's Get Lost\u003cbr\u003eL5. That Old Black Magic\u003cbr\u003eL6. Warsaw Concerto\u003cbr\u003e. 1939 Part 1\u003cbr\u003eM1. Blue Orchids\u003cbr\u003eM2. Don't Worry 'Bout Me\u003cbr\u003eM3. Our Love\u003cbr\u003eM4. Scatter-Brain\u003cbr\u003eM5. Wishing\u003cbr\u003eM6. Sunrise Serenade\u003cbr\u003e. 1942 Part 2\u003cbr\u003eN1. Serenade In Blue\u003cbr\u003eN2. Jingle, Jangle, Jingle\u003cbr\u003eN3. Blues In The Night\u003cbr\u003eN4. When The Lights Go On Again\u003cbr\u003eN5. Strip Polka\u003cbr\u003eN6. Tangerine\u003cbr\u003e. 1939 Part 2\u003cbr\u003eO1. Do I Love You\u003cbr\u003eO2. And The Angels Sing\u003cbr\u003eO3. I Cried For You\u003cbr\u003eO4. Heaven Can Wait\u003cbr\u003eO5. The Lamp Is Low\u003cbr\u003eO6. The Umbrella Man\u003cbr\u003e. 1942 Part 1\u003cbr\u003eP1. I Don't Want To Walk Without You\u003cbr\u003eP2. Sleepy Lagoon\u003cbr\u003eP3. Deep In The Heart Of Texas\u003cbr\u003eP4. Skylark\u003cbr\u003eP5. Rose O'Day\u003cbr\u003eP6. Moonlight Cocktail\u003cbr\u003e. 1940 Part 1\u003cbr\u003eQ1. Blueberry Hill\u003cbr\u003eQ2. All This And Heaven Too\u003cbr\u003eQ3. We Three (My Echo, My Shadow And Me)\u003cbr\u003eQ4. Ferryboat Serenade\u003cbr\u003eQ5. Fools Rush In (Where Angels Fear To Tread)\u003cbr\u003eQ6. There I Go\u003cbr\u003e. 1941 Part 2\u003cbr\u003eR1. I Hear A Rhapsody\u003cbr\u003eR2. Daddy\u003cbr\u003eR3. Chattanooga Choo Choo\u003cbr\u003eR4. The Hut-Sut Song\u003cbr\u003eR5. I Guess I'll Have To Dream The Rest\u003cbr\u003eR6. It All Comes Back To Me Now\u003cbr\u003e. 1940 Part 2\u003cbr\u003eS1. Frenesi\u003cbr\u003eS2. The Nearness Of You\u003cbr\u003eS3. Woodpecker Song\u003cbr\u003eS4. Imagination\u003cbr\u003eS5. With The Wind And The Rain In Your Hair\u003cbr\u003eS6. Sierra Sue\u003cbr\u003e. 1941 Part 1\u003cbr\u003eT1. Perfidia\u003cbr\u003eT2. Dolores\u003cbr\u003eT3. This Time The Dreams On Me\u003cbr\u003eT4. The Things I Love\u003cbr\u003eT5. You And I\u003cbr\u003eT6. Yours (Quiereme Mucho)\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eK5 is based on Debussy's \"Reverie.\"\r\u003cbr\u003eM3 is adapted from Tchaikovsky's \"Romeo and Juliet.\"\r\u003cbr\u003eO5 is based on a theme from Ravel's \"Pavane.\"\r\u003cbr\u003e\r\u003cbr\u003eManufactured especially for READER'S DIGEST by Radio Corporation of America.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Various\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Box Set\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reader's Digest\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e RDA 25-A\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 1964\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Reader's Digest","offers":[{"title":"Default Title","offer_id":50907605106984,"sku":null,"price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/Ni02MDMwLmpwZWc.jpg?v=1762714588"},{"product_id":"all-time-broadway-hit-parade-the-120-greatest-songs-various-1966-box-set-vinyl-very-good-plus-vg","title":"All Time Broadway Hit Parade:  The 120 Greatest Songs - Various (1966) (Box Set Vinyl) - Very Good Plus (VG+)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eAll Time Broadway Hit Parade:  The 120 Greatest Songs\u003c\/strong\u003e by \u003cstrong\u003eVarious\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eTwenty sides of vinyl and one hundred and twenty songs make this collection something close to a complete education in the American musical. \"All Time Broadway Hit Parade: The 120 Greatest Songs\" gathers the standards that defined the golden age of the stage, sweeping from the brassy opener \"There's No Business Like Show Business\" out of Annie Get Your Gun all the way to the flag-waving finale of \"Give My Regards To Broadway\" from Little Johnny Jones. If you love the theater and the songwriters who built it, this box is a deep well to fall into.\u003c\/p\u003e\n\u003cp\u003eThe great catalogs are here in abundance. Rodgers and Hammerstein arrive in force, with an entire clutch of Oklahoma! favorites lined up together on side B, including \"Oh, What A Beautiful Mornin',\" \"The Surrey With The Fringe On Top,\" and \"People Will Say We're In Love,\" plus rich helpings from The King And I, South Pacific, Carousel, and a full trio from The Sound Of Music in \"The Sound Of Music,\" \"Do-Re-Mi,\" and \"My Favorite Things.\" Lerner and Loewe are represented too, from \"If Ever I Would Leave You\" out of Camelot to the My Fair Lady sequence of \"With A Little Bit Of Luck,\" \"I Could Have Danced All Night,\" and \"On The Street Where You Live.\"\u003c\/p\u003e\n\u003cp\u003eCole Porter fans will find plenty to savor, with \"You're The Top\" and \"I Get A Kick Out Of You\" from Anything Goes, \"So In Love\" and \"Wunderbar\" from Kiss Me, Kate, \"Night And Day\" from Gay Divorce, and \"My Heart Belongs To Daddy\" from Leave It To Me. Rodgers and Hart turn up again and again, threading through Pal Joey, Babes In Arms, The Boys Of Syracuse, and On Your Toes, while Gershwin numbers like \"Embraceable You,\" \"But Not For Me,\" \"Someone To Watch Over Me,\" and \"I've Got A Crush On You\" spread themselves generously across the sides.\u003c\/p\u003e\n\u003cp\u003eThere is real range beyond the marquee names. Kurt Weill appears with \"September Song,\" \"Speak Low,\" and \"Mack The Knife\" from Threepenny Opera; Frank Loesser is present in \"Sit Down, You're Rockin' The Boat\" and \"Once In Love With Amy\"; and Meredith Willson's Music Man contributes \"Seventy Six Trombones\" and \"Till There Was You.\" Later shows join the parade as well, from \"Everything's Coming Up Roses\" out of Gypsy to \"People\" from Funny Girl and \"Sunrise, Sunset\" from Fiddler On The Roof.\u003c\/p\u003e\n\u003cp\u003eThe LP sides are arranged for continuous play, so the music unfolds without interruption as you work through the set. You will find the catalog number printed on the front of the box cover.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. There's No Business Like Show Business From Annie Get Your Gun\u003cbr\u003eA2. If Ever I Would Leave You From Camelot\u003cbr\u003eA3. Love Is A Simple Thing From New Faces Of 1952\u003cbr\u003eA4. Getting To Know You From The King And I\u003cbr\u003eA5. Just In Time From Bells Are Ringing\u003cbr\u003eA6. And This Is My Beloved From Kismet\u003cbr\u003eB1. Oklahoma From Oklahoma!\u003cbr\u003eB2. Oh, What A Beautiful Mornin' From Oklahoma!\u003cbr\u003eB3. The Surrey With The Fringe On Top From Oklahoma!\u003cbr\u003eB4. People Will Say We're In Love From Oklahoma!\u003cbr\u003eB5. I Love You From Mexican Hayride\u003cbr\u003eB6. Makin' Whoopee! From Whoopee\u003cbr\u003eC1. With A Little Bit Of Luck From My Fair Lady\u003cbr\u003eC2. I Could Have Danced All Night From My Fair Lady\u003cbr\u003eC3. On The Street Where You Live From My Fair Lady\u003cbr\u003eC4. I Could Write A Book From Pal Joey\u003cbr\u003eC5. September Song From Knickerbocker Holiday\u003cbr\u003eC6. The Best Things In Life Are Free From Good News\u003cbr\u003eD1. Seventy Six Trombones From The Music Man\u003cbr\u003eD2. Till There Was You From The Music Man\u003cbr\u003eD3. The Lady Is A Tramp From Babes In Arms\u003cbr\u003eD4. Where Or When From Babes In Arms\u003cbr\u003eD5. I Wish I Were In Love Again From Babes In Arms\u003cbr\u003eD6. Sit Down, You're Rockin' The Boat From Guys And Dolls\u003cbr\u003eE1. Bali Ha'i From South Pacific\u003cbr\u003eE2. Some Enchanted Evening From South Pacific\u003cbr\u003eE3. Younger Than Springtime From South Pacific\u003cbr\u003eE4. Bidin' My Time From Girl Crazy\u003cbr\u003eE5. But Not For Me From Girl Crazy\u003cbr\u003eE6. Of Thee I Sing From Of Thee I Sing\u003cbr\u003eF1. Shall We Dance? From The King And I\u003cbr\u003eF2. Hello, Young Lovers From The King And I\u003cbr\u003eF3. They Say It's Wonderful From Annie Get Your Gun\u003cbr\u003eF4. Heart From Damn Yankees\u003cbr\u003eF5. Come To Me, Bend To Me From Brigadoon\u003cbr\u003eF6. Button Up Your Overcoat From Follow Thru\u003cbr\u003eG1. June Is Bustin' Out All Over From Carousel\u003cbr\u003eG2. If I Loved You From Carousel\u003cbr\u003eG3. You And The Night And The Music From Revenge With Music\u003cbr\u003eG4. Oh, Lady Be Good From Lady, Be Good!\u003cbr\u003eG5. Speak Low From One Touch Of Venus\u003cbr\u003eG6. Mack The Knife From Threepenny Opera\u003cbr\u003eH1. Wunderbar From Kiss Me, Kate\u003cbr\u003eH2. Dancing In The Dark From The Band Wagon\u003cbr\u003eH3. Thou Swell From A Connecticut Yankee\u003cbr\u003eH4. Try To Remember From The Fantasticks\u003cbr\u003eH5. Bewitched From Pal Joey\u003cbr\u003eH6. Drums On My Heart From Through The Years\u003cbr\u003eI1. Everything's Coming Up Roses From Gypsy\u003cbr\u003eI2. Our Language Of Love From Irma La Douce\u003cbr\u003eI3. Tea For Two From No, No Nanette\u003cbr\u003eI4. Hallelujah! From Hit The Deck\u003cbr\u003eI5. Time On My Hands From Smiles\u003cbr\u003eI6. Whatever Lola Wants (Lola Gets) From Damn Yankees\u003cbr\u003eJ1. The Sound Of Music From The Sound Of Music\u003cbr\u003eJ2. Do-Re-Mi From The Sound Of Music\u003cbr\u003eJ3. My Favorite Things From The Sound Of Music\u003cbr\u003eJ4. Once In A Lifetime From Stop The World--I Want To Get Off\u003cbr\u003eJ5. Easter Parade From As Thousands Cheer\u003cbr\u003eJ6. Who Can I Turn To From The Roar Of The Greasepaint--The Smell Of The Crowd\u003cbr\u003eK1. Hello, Dolly! From Hello, Dolly!\u003cbr\u003eK2. I Didn't Know What Time It Was From Too Many Girls\u003cbr\u003eK3. I May Be Wrong, But I Think You're Wonderful From John Murray Anderson's Almanac\u003cbr\u003eK4. The Sweetest Sounds From No Strings\u003cbr\u003eK5. You Took Advantage Of Me From Present Arms\u003cbr\u003eK6. Smoke Gets In Your Eyes From Roberta\u003cbr\u003eL1. Strike Up The Band From Strike Up The Band\u003cbr\u003eL2. Something To Remember You By From Three's A Crowd\u003cbr\u003eL3. Young And Foolish From Plain And Fancy\u003cbr\u003eL4. Once In Love With Amy From Where's Charley?\u003cbr\u003eL5. Soft Lights And Sweet Music From Face The Music\u003cbr\u003eL6. I Married An Angel From I Married An Angel\u003cbr\u003eM1. A Lot Of Livin' To Do From Bye Bye Birdie\u003cbr\u003eM2. What Is This Thing Called Love From Wake Up And Dream\u003cbr\u003eM3. Heat Wave From As Thousands Cheer\u003cbr\u003eM4. I've Told Ev'ry Little Star From Music In The Air\u003cbr\u003eM5. Someone To Watch Over Me From Oh, Kay!\u003cbr\u003eM6. This Can't Be Love From The Boys Of Syracuse\u003cbr\u003eN1. There's A Small Hotel From On Your Toes\u003cbr\u003eN2. Old Devil Moon From Finian's Rainbow\u003cbr\u003eN3. Mountain Greenery From The Garrick Gaieties\u003cbr\u003eN4. They Were You From The Fantasticks\u003cbr\u003eN5. Get Happy From 9:15 Revue\u003cbr\u003eN6. All The Things You Are From Very Warm For May\u003cbr\u003eO1. Hernando's Hideaway From The Pajama Game\u003cbr\u003eO2. I've Got A Crush On You From Strike Up The Band\u003cbr\u003eO3. On A Clear Day You Can See Forever From On A Clear Day You Can See Forever\u003cbr\u003eO4. Come Back To Me From On A Clear Day You Can See Forever\u003cbr\u003eO5. The Night Was Made For Love From Cat And The Fiddle\u003cbr\u003eO6. Strange Music From Song Of Norway\u003cbr\u003eP1. Great Day From Great Day!\u003cbr\u003eP2. How Long Has This Been Going On? From Rosalie\u003cbr\u003eP3. Somebody Loves Me From George White's Scandals\u003cbr\u003eP4. The Blue Room From The Girl Friend\u003cbr\u003eP5. My Heart Belongs To Daddy From Leave It To Me\u003cbr\u003eP6. Embraceable You From Girl Crazy\u003cbr\u003eQ1. Make Someone Happy From Do Re Mi\u003cbr\u003eQ2. As Long As He Needs Me From Oliver!\u003cbr\u003eQ3. You're The Top From Anything Goes\u003cbr\u003eQ4. How Are Things In Glocca Morra? From Finian's Rainbow\u003cbr\u003eQ5. Body And Soul From Three's A Crowd\u003cbr\u003eQ6. Love Me Or Leave Me From Whoopee\u003cbr\u003eR1. Hey, Look Me Over From Wildcat\u003cbr\u003eR2. My Romance From Jumbo\u003cbr\u003eR3. Small World From Gypsy\u003cbr\u003eR4. April Showers From Bombo\u003cbr\u003eR5. Can't Help Lovin' Dat Man From Show Boat\u003cbr\u003eR6. With A Song In My Heart From Spring Is Here\u003cbr\u003eS1. Manhattan From The Garrick Gaieties\u003cbr\u003eS2. People From Funny Girl\u003cbr\u003eS3. Buckle Down, Winsocki From Best Foot Forward\u003cbr\u003eS4. Sunrise, Sunset From Fiddler On The Roof\u003cbr\u003eS5. I Get A Kick Out Of You From Anything Goes\u003cbr\u003eS6. So In Love From Kiss Me, Kate\u003cbr\u003eT1. Night And Day From Gay Divorce\u003cbr\u003eT2. Tonight From West Side Story\u003cbr\u003eT3. Somewhere From West Side Story\u003cbr\u003eT4. They Didn't Believe Me From The Girl From Utah\u003cbr\u003eT5. The Party's Over From Bells Are Ringing\u003cbr\u003eT6. Give My Regards To Broadway From Little Johnny Jones\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eCat # is found on the front of the box cover.\u003c\/p\u003e\n\u003cp\u003eLP sides are arranged for continuous play.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Various\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Box Set\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Reader's Digest\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e RDA-35A\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 1966\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Reader's Digest","offers":[{"title":"Default Title","offer_id":50907605893416,"sku":null,"price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/My03Njc4LmpwZWc.jpg?v=1762714708"},{"product_id":"million-voices-whisper-warren-haynes-2lp-vinyl","title":"Million Voices Whisper - Warren Haynes (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eMillion Voices Whisper\u003c\/strong\u003e by \u003cstrong\u003eWarren Haynes\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWarren Haynes returns with \"Million Voices Whisper,\" a sprawling double-LP statement that finds one of American music's most soulful voices reaching deep into blues, rock, and gospel-tinged introspection. Pressed on opaque canary yellow vinyl as an Indie Record Store Exclusive limited edition, this is a release built for collectors who want their music both heard and held. Issued under exclusive license to Fantasy Records, it carries the warmth and heft that Haynes fans have long treasured.\u003c\/p\u003e\n\u003cp\u003eThe album stretches across four sides, opening with the momentum of \"These Changes,\" \"Go Down Swinging,\" and \"From Here On Out\" before deepening into more searching territory. Side B centers on the extended \"Find The Cost Of Freedom \u0026gt; Day Of Reckoning,\" a segued piece that gives the players room to breathe, followed by the raw ache of \"Real, Real Love\" and \"Terrified.\" The back half moves through \"This Life As We Know It,\" the jamming trilogy of \"Lies, Lies, Lies \u0026gt; Monkey Dance \u0026gt; Lies, Lies, Lies,\" and closes with the reflective \"Hall Of Future Saints\" and \"Back Where I Started.\"\u003c\/p\u003e\n\u003cp\u003eAt the heart of this record is a remarkable reunion. Derek Trucks lends his unmistakable slide guitar throughout and shares production duties with Haynes, a partnership that colors the whole set with fluid, conversational interplay between two masters of the instrument. Haynes himself handles guitar, slide guitar, and vocals, anchoring every track with his signature grit and grace.\u003c\/p\u003e\n\u003cp\u003eThe supporting cast is equally deep. Lukas Nelson adds guitar and vocals, while Jamey Johnson brings his weathered baritone to the vocal mix and Saundra Williams contributes backing vocals. John Medeski's keyboards weave through the arrangements, and the rhythm section rotates between bassists Andy Hess and Kevin Scott alongside drummer Terence Higgins. A vivid horn section rounds out the sound, with Jenny Hill on saxophone, Buford O'Sullivan on trombone, and Pamela Fleming on trumpet, giving several tracks a rich, brassy lift.\u003c\/p\u003e\n\u003cp\u003eCare was taken at every stage of production. The recordings were captured by a team including Bobby Tis, Evan Bakke, Josh Grenko, and T.W. Cargile, with Greg Calbi and Steve Fallone handling the mastering. Stefani Scamardo served as executive producer, and the package design by Paul Moore is paired with photography from Shervin Lainez, giving the release a cohesive visual identity to match its musical ambition.\u003c\/p\u003e\n\u003cp\u003eMade in the U.S.A. and released in 2024, this canary yellow pressing is a standout addition to any collection of contemporary blues and roots rock. For fans of Haynes, Trucks, and the broader jam and Southern soul tradition, \"Million Voices Whisper\" is an essential document of players at the top of their craft.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. These Changes\u003cbr\u003eA2. Go Down Swinging\u003cbr\u003eA3. From Here On Out\u003cbr\u003eB1. Find The Cost Of Freedom \u0026gt; Day Of Reckoning (Extended Version) \u003cbr\u003eB2. Real, Real Love\u003cbr\u003eB3. Terrified\u003cbr\u003eC1. This Life As We Know It\u003cbr\u003eC2. Lies, Lies, Lies\u0026gt; Monkey Dance \u0026gt; Lies, Lies, Lies\u003cbr\u003eC3. Till The Sun Comes Shining Through\u003cbr\u003eD1. You Ain’t Above Me\u003cbr\u003eD2. Hall Of Future Saints\u003cbr\u003eD3. Back Where I Started \u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eSaundra Williams - Backing Vocals\u003cbr\u003eAndy Hess - Bass\u003cbr\u003eKevin Scott (2) - Bass\u003cbr\u003ePaul Moore (2) - Design [Package]\u003cbr\u003eTerence Higgins - Drums\u003cbr\u003eTrevor Okonuk - Engineer [Assistant]\u003cbr\u003eStefani Scamardo - Executive-Producer\u003cbr\u003eDerek Trucks - Guitar, Slide Guitar\u003cbr\u003eLukas Nelson - Guitar, Vocals\u003cbr\u003eWarren Haynes - Guitar, Vocals\u003cbr\u003eJohn Medeski - Keyboards\u003cbr\u003eHard Head Management - Management\u003cbr\u003eGreg Calbi - Mastered By\u003cbr\u003eSteve Fallone - Mastered By\u003cbr\u003eShervin Lainez - Photography By\u003cbr\u003eDerek Trucks - Producer\u003cbr\u003eWarren Haynes - Producer\u003cbr\u003eBobby Tis - Recorded By\u003cbr\u003eEvan Bakke - Recorded By\u003cbr\u003eJosh Grenko - Recorded By\u003cbr\u003eT.W. Cargile - Recorded By\u003cbr\u003eJenny Hill (4) - Saxophone [Sax]\u003cbr\u003eWarren Haynes - Slide Guitar\u003cbr\u003eBuford O'Sullivan - Trombone\u003cbr\u003ePamela Fleming - Trumpet\u003cbr\u003eJamey Johnson - Vocals\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003e℗ \u0026amp; © 2024 Warren Haynes, Under exclusive license to Fantasy Records.\u003c\/p\u003e\n\u003cp\u003eThis album is dedicated to [a299766]\u003c\/p\u003e\n\u003cp\u003eMade in U.S.A.\u003c\/p\u003e\n\u003cp\u003eIndie Record Store Exclusive.  \"Limited Edition\" Opaque Canary Yellow.\u003c\/p\u003e\n\u003cp\u003eAlbum cover\/jacket refer to UPC 888072651838, Fantasy FAN02721.\u003cbr\u003eRelease specific hype sticker and UPC sticker refer to UPC 888072655584 and Fantasy FAN02724.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Warren Haynes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Blues\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e FAN02721\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fantasy","offers":[{"title":"Default Title","offer_id":50951087325480,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NTctODIyMC5qcGVn.jpg?v=1762952104"},{"product_id":"swingin-live-at-the-church-in-tulsa-taj-mahal-sextet-2lp-vinyl","title":"Swingin' Live At The Church In Tulsa - Taj Mahal Sextet (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eSwingin' Live At The Church In Tulsa\u003c\/strong\u003e by \u003cstrong\u003eTaj Mahal Sextet\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are live records, and then there are records that carry the weight of a room, the ghosts in its walls, and the friendships that made it possible. Swingin' Live at the Church in Tulsa, released on March 8, 2024 via Lightning Rod Records, is unmistakably the latter. Recorded at the Tulsa studio best known as the home base of the late, great Leon Russell, this set finds legendary roots star Taj Mahal returning to a space steeped in the spirit of a huge influence and personal friend. You can practically hear the history in the boards.\u003c\/p\u003e\n\u003cp\u003eThe ten songs gathered here reach across the many genres Taj has explored across his incomparable career, from deep country blues to swaggering swing and the sun-warmed island textures he has long made his own. Side A opens with \"Betty And Dupree\" before rolling through \"Mailbox Blues\" and \"Queen Bee,\" while the second side brings \"Lovin' In My Baby's Eyes,\" \"Waiting For My Papa To Come Home,\" and \"Slow Drag.\" It is a program that never sits still, moving from the intimate to the raucous with the ease of a master who has nothing left to prove.\u003c\/p\u003e\n\u003cp\u003eFlip to the back half and the range only widens. \"Sitting On Top Of The World\" and the gorgeous \"Twilight In Hawaii\" showcase two very different corners of Taj's musical world, and the closing pair, \"Corrina\" and \"Mean Old World,\" land with the kind of lived-in authority that only comes from decades on the bandstand. Across all of it, Taj himself is a one-man orchestra, credited on vocals, guitar, banjo, ukulele, and piano, reminding you just how much ground a single artist can cover.\u003c\/p\u003e\n\u003cp\u003eThe billing here is The Taj Mahal Sextet, and the lineup is a joy. Taj's long-time core, bassist Bill Rich, drummer Kester Smith, and guitarist and Hawaiian lap steel player Bobby Ingano, is augmented beautifully by dobro player Rob Ickes and guitarist and vocalist Trey Hensley, who also brings acoustic guitar into the mix. Ingano's lap steel and electric work weaves through the songs alongside Ickes' dobro, giving the whole set a shimmering, conversational quality that suits a live setting perfectly.\u003c\/p\u003e\n\u003cp\u003eThis particular offering is the \"Splattered Tri-Color\" variant, limited to just 500 copies, making it a genuine prize for collectors of Taj's later work and for anyone drawn to small-run pressings with real character. Of that run, 100 copies were autographed by Taj and sold directly through his Bandcamp, so a signed piece is scarcer still.\u003c\/p\u003e\n\u003cp\u003eFor fans of American roots music at its warmest and most generous, this is a record to live with, a document of a great artist swinging freely in a room full of memory and friendship.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Betty And Dupree\u003cbr\u003eA2. Mailbox Blues\u003cbr\u003eA3. Queen Bee\u003cbr\u003eB1. Lovin’ In My Baby’s Eyes\u003cbr\u003eB2. Waiting For My Papa To Come Home\u003cbr\u003eB3. Slow Drag\u003cbr\u003eC1. Sitting On Top Of The World\u003cbr\u003eC2. Twilight In Hawaii\u003cbr\u003eD1. Corrina\u003cbr\u003eD2. Mean Old World\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eBill Rich - Bass\u003cbr\u003eRob Ickes - Dobro\u003cbr\u003eKester Smith - Drums\u003cbr\u003eBobby Ingano - Lap Steel Guitar, Electric Guitar\u003cbr\u003eTrey Hensley - Vocals, Acoustic Guitar\u003cbr\u003eTaj Mahal - Vocals, Guitar, Banjo, Ukulele, Piano\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003e\"Splattered Tri-Color\" variant limited to 500 copies. 100 copies were autographed by Taj and sold directly on his Bandcamp. \u003c\/p\u003e\n\u003cp\u003eLegendary roots star Taj Mahal announced the release of Swingin’ Live at the Church in Tulsa, released on March 8 2024 via Lightning Rod records. His latest project is an extraordinary set recorded live at the Tulsa studio best known as the home base of the late, great Leon Russell, a huge influence and personal friend of Taj. The ten songs reach across multiple genres that he has explored in his incomparable career, and feature “The Taj Mahal Sextet,” which includes Taj’s long-time quartet—bassist Bill Rich, drummer Kester Smith, and guitarist\/Hawaiian lap steel player Bobby Ingano—augmented by dobro player Rob Ickes and guitarist and vocalist Trey Hensley.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Taj Mahal Sextet\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Blues\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Lightning Rod Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e LRR7039\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Lightning Rod Records","offers":[{"title":"Default Title","offer_id":51134466687272,"sku":null,"price":28.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/tajmahaltrio1.webp?v=1764695754"},{"product_id":"peace-like-a-river-govt-mule-2lp-vinyl","title":"Peace...Like A River - Gov't Mule (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003ePeace...Like A River\u003c\/strong\u003e by \u003cstrong\u003eGov't Mule\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eGov't Mule's \"Peace...Like A River\" arrives as a generous double LP, spread across four sides that give the music room to breathe. Housed in a gatefold sleeve with an accompanying insert, this is a release designed to be lived with, the kind of record you flip and re-flip across an afternoon while the light changes.\u003c\/p\u003e\n\u003cp\u003eThe journey opens with \"Same As It Ever Was,\" a title that hints at the band's long history even as it leans forward, followed by \"Shake Our Way Out\" and the searching \"Peace I Need.\" From the very first groove, the sequencing establishes the tension between weariness and resolve that runs through the whole set, a push and pull between letting go and holding on.\u003c\/p\u003e\n\u003cp\u003eSide B keeps the thread with \"Made My Peace,\" \"Your Only Friend,\" and \"Dreaming Out Loud,\" while side C opens up into heavier weather with \"Head Full Of Thunder,\" the philosophical \"The River Only Flows One Way,\" and the exhale of \"After The Storm.\" There is a real arc here, storm clouds gathering and breaking, that rewards listening in order rather than dipping in and out.\u003c\/p\u003e\n\u003cp\u003eThe final side brings the water imagery home, moving from \"Just Across The River\" through \"Long Time Coming\" and closing on \"Gone Too Long.\" Across these twelve tracks the album earns its title, tracing peace as something worked toward rather than simply found, a current that keeps moving in one direction whether you are ready or not.\u003c\/p\u003e\n\u003cp\u003ePressed and made in the EU, this edition was cut from lacquers by Daniel Krieger, whose work shapes the depth and presence that make a double LP like this worth owning on wax. The runouts are etched and the pressing plant numbers are stamped, small physical details that collectors will appreciate when the record is in hand.\u003c\/p\u003e\n\u003cp\u003eFor anyone who follows Gov't Mule's blend of blues muscle and jazz-minded exploration, this pressing is an easy one to reach for. Spread generously across four sides, wrapped in a gatefold with its insert intact, \"Peace...Like A River\" is a record that asks for your full attention and gives plenty back in return.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Same As It Ever Was\u003cbr\u003eA2. Shake Our Way Out\u003cbr\u003eA3. Peace I Need\u003cbr\u003eB1. Made My Peace\u003cbr\u003eB2. Your Only Friend\u003cbr\u003eB3. Dreaming Out Loud\u003cbr\u003eC1. Head Full Of Thunder\u003cbr\u003eC2. The River Only Flows One Way\u003cbr\u003eC3. After The Storm\u003cbr\u003eD1. Just Across The River\u003cbr\u003eD2. Long Time Coming\u003cbr\u003eD3. Gone Too Long\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eDaniel Krieger - Lacquer Cut By\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eGatefold sleeve includes insert.\u003cbr\u003eMade in the EU.\u003cbr\u003eRunouts are etched, pressing plant numbers are stamped.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Gov't Mule\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Blues\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Fantasy\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 00888072447585\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003cp\u003eRelated: \u003ca href=\"\/blogs\/articles\/govt-mule-2lp-vinyl-peace-like-a-river\"\u003eRead the full review\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Fantasy","offers":[{"title":"Default Title","offer_id":51135340282152,"sku":null,"price":27.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NzQtMjkzMC5qcGVn.jpg?v=1764713851"},{"product_id":"go-west-the-contemporary-records-albums-sonny-rollins-1lp-vinyl-craft-recordings","title":"Go West! The Contemporary Records Albums - Sonny Rollins (3LP box set Vinyl) [CRAFT Recordings]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eGo West! The Contemporary Records Albums\u003c\/strong\u003e by \u003cstrong\u003eSonny Rollins\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eSonny Rollins heading west proved to be one of the great creative decisions in modern jazz, and \"Go West! The Contemporary Records Albums\" gathers the fruit of those sessions into a single, sweeping collection. Produced by Lester Koenig for Contemporary and recorded by the legendary engineer Roy DuNann, this set captures the tenor saxophonist at a moment of fearless invention, stretching standards and originals across a canvas that feels both intimate and expansive.\u003c\/p\u003e\n\u003cp\u003eAt the heart of the collection sits the immortal \"Way Out West,\" the drummerless-yet-driving trio date with Rollins joined by Ray Brown on bass and Shelly Manne on drums. It opens with the wry, high-stepping \"I'm An Old Cowhand,\" a cowboy tune reimagined as a swaggering vehicle for Rollins' humor and thematic ingenuity, before moving through the tender ballad \"Solitude,\" the original \"Come, Gone,\" and a spacious title track that has become a touchstone for saxophone trio playing. \"Wagon Wheels\" and \"There Is No Greater Love\" round out a program that turns unlikely source material into something quintessentially Rollins.\u003c\/p\u003e\n\u003cp\u003eThe set continues with \"Sonny Rollins And The Contemporary Leaders,\" a warmer, fuller-bodied session that surrounds the saxophonist with a stellar West Coast cast. Here Leroy Vinnegar anchors the bass, Barney Kessel's guitar and Victor Feldman's vibraphone add shimmer and swing, and Hampton Hawes brings his singing piano lines to the fold. Across \"I've Told Ev'ry Little Star,\" \"How High The Moon,\" \"Alone Together,\" and \"The Song Is You,\" Rollins glides through the Great American Songbook with generosity and wit, including a joyous romp through \"Rock-A-Bye Your Baby With A Dixie Melody.\"\u003c\/p\u003e\n\u003cp\u003eFor the devoted listener, the real treasure may be the wealth of alternate takes that fill out the collection. Alternate readings of \"I'm An Old Cowhand,\" \"Come, Gone,\" and \"Way Out West\" reveal how Rollins approached these tunes as living things, reshaping phrases and reordering ideas from take to take. Further alternates of \"The Song Is You,\" \"You,\" and \"I've Found A New Baby\" offer a rare window into his working process, a chance to hear a master craftsman thinking aloud.\u003c\/p\u003e\n\u003cp\u003eThis reissue has been treated with the care such music deserves. Bernie Grundman handled the transfer, mastering, remastering, and lacquer cut, bringing his renowned ear to Roy DuNann's original recordings and letting the natural warmth and presence of these sessions breathe.\u003c\/p\u003e\n\u003cp\u003eCompleting the package is an expanded booklet featuring new liner notes and an interview conducted by GRAMMY Award-winning music historian Ashley Kahn, adding rich context to a chapter that helped define Rollins' enduring legacy. A definitive document of Sonny Rollins on the West Coast, and an essential addition to any serious jazz collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003e. Way Out West\u003cbr\u003eA1. I'm An Old Cowhand\u003cbr\u003eA2. Solitude\u003cbr\u003eA3. Come, Gone\u003cbr\u003eB1. Wagon Wheels\u003cbr\u003eB2. There Is No Greater Love\u003cbr\u003eB3. Way Out West\u003cbr\u003e. Sonny Rollins And The Contemporary Leaders\u003cbr\u003eC1. I've Told Ev'ry Little Star\u003cbr\u003eC2. Rock-A-Bye Your Baby With A Dixie Melody\u003cbr\u003eC3. How High The Moon\u003cbr\u003eC4. You\u003cbr\u003eD1. I've Found A New Baby\u003cbr\u003eD2. Alone Together\u003cbr\u003eD3. In The Chapel In The Moonlight\u003cbr\u003eD4. The Song Is You\u003cbr\u003e. Alternate Takes\u003cbr\u003eE1. I'm An Old Cowhand (Alternate Take)\u003cbr\u003eE2. Come, Gone (Alternate Take)\u003cbr\u003eF1. Way Out West (Alternate Take)\u003cbr\u003eF2. The Song Is You (Alternate Take)\u003cbr\u003eF3. You (Alternate Take)\u003cbr\u003eF4. I've Found A New Baby (Alternate Take)\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eLeroy Vinnegar - Bass\u003cbr\u003eRay Brown - Bass\u003cbr\u003eShelly Manne - Drums\u003cbr\u003eBarney Kessel - Guitar\u003cbr\u003eBernie Grundman - Lacquer Cut By\u003cbr\u003eHampton Hawes - Piano\u003cbr\u003eLester Koenig - Producer\u003cbr\u003eRoy DuNann - Recorded By [Recording Engineer]\u003cbr\u003eBernie Grundman - Remastered By\u003cbr\u003eSonny Rollins - Tenor Saxophone\u003cbr\u003eBernie Grundman - Transferred By, Mastered By\u003cbr\u003eVictor Feldman - Vibraphone\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eIncludes an expanded booklet with new liner notes and an interview by GRAMMY Award-winning music historian Ashley Kahn.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sonny Rollins\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CR00434\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e CRAFT Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":51135385010472,"sku":null,"price":46.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NTQtMzEwMS5qcGVn.jpg?v=1764714718"},{"product_id":"gene-norman-presents-just-jazz-concerts-1947-49-various-1984-3lp-vinyl-near-mint-nm","title":"Gene Norman Presents Just Jazz Concerts (1947-49) - Various (1984) (3LP Vinyl) - Near Mint (NM)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eGene Norman Presents Just Jazz Concerts (1947-49)\u003c\/strong\u003e by \u003cstrong\u003eVarious\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThis three-record set gathers a remarkable run of live performances captured by producer Gene Norman under his Just Jazz banner, documenting concerts staged between 1947 and 1949 at some of Southern California's most storied halls. Pressed in Japan by GNP Crescendo Records, it collects an ambitious cross section of bebop, swing, and boogie woogie, with a roster that reads like a who's who of the era's finest players.\u003c\/p\u003e\n\u003cp\u003eThe earliest sessions, recorded at the Civic Auditorium in Pasadena on April 29, 1947, open the set with combustible energy. Benny Carter, Charlie Barnet, Chuck Peterson, Vic Dickenson, and Dodo Marmarosa power through \"Just You, Just Me\" and \"Perdido,\" while a bebop-charged unit featuring Sonny Criss, Wardell Gray, and Howard McGhee tears into \"Groovin' High,\" \"Be Bop,\" and \"Hot House.\" Erroll Garner steps in for \"Lover,\" and the ensembles trade brilliance across \"Blue Lou\" and \"One O'Clock Jump,\" with Willie Smith, Irving Ashby, Red Callender, and Jackie Mills anchoring the proceedings.\u003c\/p\u003e\n\u003cp\u003eA true centerpiece arrives on sides C and D with a stellar gathering: Nat King Cole at the piano, joined by Charlie Shavers, Stan Getz, Red Norvo on vibraphone, Oscar Moore, Johnny Miller, and Louis Bellson. Together they light up \"How High The Moon,\" \"Body And Soul,\" and \"I Got Rhythm,\" a lineup that captures Cole in a rare and thrilling small group jazz context alongside some of the most gifted soloists of the moment.\u003c\/p\u003e\n\u003cp\u003eSides E and part of F draw from the Shrine Auditorium concert of December 27, 1947, where Wardell Gray, Vido Musso, Howard McGhee, Arnold Ross, Barney Kessel, Harry Babasin, and Don Lamond dig into \"Sweet Georgia Brown,\" \"C Jam Blues,\" and a fiery \"Just You, Just Me (Just Bop).\" Pete Johnson then takes command for a run of boogie woogie showpieces, rolling through \"Yancey Special,\" \"Swanee River Boogie,\" \"St. Louis Blues,\" and \"Just Jazz Boogie\" with the kind of two-fisted drive that defined the style.\u003c\/p\u003e\n\u003cp\u003eThe final stretch turns to the blues, drawn from Pasadena dates in July 1948 and May 1948. Vocalist Jimmy Witherspoon fronts a group with Donald Hill, Gene Gilbeaux, Oscar Moore, and shifting rhythm players including Herman Washington, Nelson Boyd, Henry Tucker Green, and Teddy Stewart, delivering \"Just You, Just Me,\" \"Big Fine Girl,\" \"No Rollin' Blues,\" \"Falling By Degrees,\" and \"New Orleans Woman.\"\u003c\/p\u003e\n\u003cp\u003eHoused in a package illustrated by Hisamitsu Noguchi with photography by Michio Mikami, and supervised by Akira Yamato, this Japanese pressing carries catalog number K18P 6259~61. It stands as a generous document of a golden moment in American jazz, spanning bebop, swing, boogie, and blues across six sides.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Just You, Just Me\u003cbr\u003eA2. Perdido\u003cbr\u003eB1. Groovin' High\u003cbr\u003eB2. Be Bop\u003cbr\u003eB3. Hot House\u003cbr\u003eB4. Lover\u003cbr\u003eC1. Blue Lou\u003cbr\u003eC2. One O'Clock Jump\u003cbr\u003eD1. How High The Moon\u003cbr\u003eD2. Body And Soul\u003cbr\u003eD3. I Got Rhythm\u003cbr\u003eE1. Sweet Georgia Brown\u003cbr\u003eE2. C Jam Blues\u003cbr\u003eE3. Just You, Just Me (Just Bop)\u003cbr\u003eF1. Yancey Special\u003cbr\u003eF2. Swanee River Boogie\u003cbr\u003eF3. St. Louis Blues\u003cbr\u003eF4. Just Jazz Boogie\u003cbr\u003eF5. Just You, Just Me\u003cbr\u003eF6. Big Fine Girl\u003cbr\u003eF7. No Rollin' Blues\u003cbr\u003eF8. Falling By Degrees\u003cbr\u003eF9. New Orleans Woman\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eBenny Carter - Alto Saxophone (A1, A2, C2)\u003cbr\u003eDonald Hill (3) - Alto Saxophone (F5 to F9)\u003cbr\u003eSonny Criss - Alto Saxophone (B1 to B3)\u003cbr\u003eWillie Smith (2) - Alto Saxophone (C2)\u003cbr\u003eHarry Babasin - Bass (E1 to  F4)\u003cbr\u003eHerman Washington - Bass (F5 to F9)\u003cbr\u003eJohnny Miller (2) - Bass (D1 to D3)\u003cbr\u003eNelson Boyd - Bass (F5)\u003cbr\u003eRed Callender - Bass (A1 to C2)\u003cbr\u003eDon Lamond - Drums (E1 to F4)\u003cbr\u003eHenry Tucker Green - Drums (F5 to F9)\u003cbr\u003eJackie Mills - Drums (A1 to C2)\u003cbr\u003eLouis Bellson - Drums (D1 to D3)\u003cbr\u003eTeddy Stewart - Drums (F5)\u003cbr\u003eBarney Kessel - Guitar (E1 to F4)\u003cbr\u003eIrving Ashby - Guitar (A1, A2, B4 to C2)\u003cbr\u003eOscar Moore - Guitar (D1 to D3. F5)\u003cbr\u003eHisamitsu Noguchi - Illustration\u003cbr\u003eMichio Mikami - Photography By\u003cbr\u003eArnold Ross - Piano (E1 to E3)\u003cbr\u003eDodo Marmarosa - Piano (A1 to B3)\u003cbr\u003eErroll Garner - Piano (B4 to C2, E5)\u003cbr\u003eGene Gilbeaux - Piano (F5 to F9)\u003cbr\u003eNat King Cole - Piano (D1 to D3)\u003cbr\u003ePete Johnson - Piano (F1 to F4)\u003cbr\u003eGene Norman - Producer [Produced By]\u003cbr\u003eAkira Yamato - Supervised By\u003cbr\u003eCharlie Barnet - Tenor Saxophone (A1, A2)\u003cbr\u003eStan Getz - Tenor Saxophone (D1 to D3)\u003cbr\u003eVido Musso - Tenor Saxophone (E1 to E3)\u003cbr\u003eWardell Gray - Tenor Saxophone (B1 to B3, C1, C2, E1 to E3)\u003cbr\u003eVic Dickenson - Trombone (A1, A2, C2)\u003cbr\u003eCharlie Shavers - Trumpet (D1 to D3)\u003cbr\u003eChuck Peterson - Trumpet (A1, A2)\u003cbr\u003eHoward McGhee - Trumpet (B1 to B3, C2, E1 to E3)\u003cbr\u003eRed Norvo - Vibraphone (D1 to D3)\u003cbr\u003eJimmy Witherspoon - Vocals (F5 to F9)\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003e℗ 1947 GNP Crescendo Records.\u003c\/p\u003e\n\u003cp\u003e# A1 to D5: Recorded at Civic Auditorium. Pasadena, California - April 29, 1947\u003cbr\u003e# E1 to F4: Recorded at Shrine Auditorium, Los Angeles - December 27, 1947\u003cbr\u003e# F5: Recorded at Civic Auditorium. Pasadena, California - July 26, 1948\u003cbr\u003e# F6 to F9: Recorded at Civic Auditorium. Pasadena, California - May 9, 1948\u003c\/p\u003e\n\u003cp\u003eMade in Japan.\u003c\/p\u003e\n\u003cp\u003eCat #  variations\u003cbr\u003e- Spine \u0026amp; Obi: K18P 6259~61\u003cbr\u003e- Front Cover: :K18P 6259 \/ 61\u003cbr\u003e- Center labels: K18P 6259-61 Ⓜ\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Various\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 3LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e GNP Crescendo\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e K18P 6259 \/ 61\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 1984\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Japan\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Near Mint (NM)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Near Mint (NM)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"GNP Crescendo","offers":[{"title":"Default Title","offer_id":51151521349928,"sku":null,"price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MjQtNTQwNS5qcGVn.jpg?v=1764998267"},{"product_id":"giants-of-jazz-henry-red-allen-henry-red-allen-1980-3lp-vinyl-near-mint-nm","title":"Giants Of Jazz: Henry \"Red\" Allen - Henry \"Red\" Allen (1980) (3LP Vinyl) - Near Mint (NM)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eGiants Of Jazz: Henry \"Red\" Allen\u003c\/strong\u003e by \u003cstrong\u003eHenry \"Red\" Allen\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew trumpet players carried the fire and personality of Henry \"Red\" Allen, and this generous set traces his path across three decades of American music. Spanning six sides, it gathers recordings that begin in the summer of 1929 and stretch all the way to the end of the 1950s, offering a panoramic view of a musician who was always pushing at the edges of his horn.\u003c\/p\u003e\n\u003cp\u003eThe earliest material puts you right in New York in July 1929, with \"It Should Be You\" and \"Biff'ly Blues\" cut for Victor, followed quickly by \"Feeling Drowsy\" and \"Swing Out.\" From there the collection rolls through a remarkable run of late 1920s and early 1930s dates, including \"The New Call Of The Freaks,\" \"Jersey Lightning,\" and \"Saratoga Shout,\" sides that first appeared on labels like OKeh and Victor and that capture Allen at a moment of tremendous creative momentum.\u003c\/p\u003e\n\u003cp\u003eThe second and third sides deepen the story with titles such as \"Give Me Your Telephone Number,\" \"Sugar Hill Function,\" \"Louisiana Swing,\" and \"Patrol Wagon Blues,\" alongside a rousing \"Panama\" and the aptly named \"Stingaree Blues.\" As the timeline moves into 1931, 1932, and 1933, you get \"Shakin' The African,\" \"Bugle Call Rag,\" \"Margie,\" \"King Porter Stomp,\" and \"Queer Notions,\" drawn from an array of period labels including Brunswick, Romeo, Columbia, Decca, and Vocalion.\u003c\/p\u003e\n\u003cp\u003eThe middle of the set catches Allen in the swing era proper. \"The Gold Digger's Song,\" \"Hocus Pocus,\" \"Rug Cutter's Swing,\" and \"Down South Camp Meeting\" show him thriving in the hard-charging arrangements of the mid 1930s, while \"Rosetta\" and a superb \"Body And Soul\" from April 1935 reveal his ballad sensibility. \"Ride, Red, Ride,\" \"Isn't This A Lovely Day,\" and \"Algiers Stomp\" carry the momentum forward through 1935 and 1936, with \"The Miller's Daughter, Marianne\" and \"Sweet Substitute\" rounding out the later 1930s.\u003c\/p\u003e\n\u003cp\u003eThe final side brings the journey into new territory. \"Down In The Jungle Town,\" \"Slippin' And Slidin',\" and \"The Crawl\" come from 1940 and 1941 sessions for Decca and Victor, and then the collection leaps ahead to two remarkable later performances: \"I Cover The Waterfront,\" recorded for Victor in May 1957, and \"I Got Rhythm,\" cut in Los Angeles in July 1959 for Verve. These closing tracks show that Allen's voice on the trumpet lost none of its warmth or invention as the years passed.\u003c\/p\u003e\n\u003cp\u003eAssembled as a US pressing under the \"Giants Of Jazz\" banner, this is a substantial retrospective for anyone who wants to hear how one player grew and adapted while never surrendering his singular sound. From the hot New York sessions of 1929 to the West Coast date of 1959, it is a fitting tribute to a true giant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. It Should Be You\u003cbr\u003eA2. Biff'ly Blues\u003cbr\u003eA3. Feeling Drowsy\u003cbr\u003eA4. Swing Out\u003cbr\u003eA5. The New Call Of The Freaks\u003cbr\u003eA6. Jersey Lightning\u003cbr\u003eA7. Saratoga Shout\u003cbr\u003eB1. Give Me Your Telephone Number\u003cbr\u003eB2. Sugar Hill Function\u003cbr\u003eB3. Louisiana Swing\u003cbr\u003eB4. Roamin'\u003cbr\u003eB5. Patrol Wagon Blues\u003cbr\u003eB6. Panama\u003cbr\u003eB7. Stingaree Blues\u003cbr\u003eC1. Shakin' The African\u003cbr\u003eC2. Bugle Call Rag\u003cbr\u003eC3. Oh Peter\u003cbr\u003eC4. Margie\u003cbr\u003eC5. Sweet Sorrow Blues\u003cbr\u003eC6. King Porter Stomp\u003cbr\u003eC7. Queer Notions\u003cbr\u003eD1. The Gold Digger's Song\u003cbr\u003eD2. Hocus Pocus\u003cbr\u003eD3. There's A House In Harlem For Sale\u003cbr\u003eD4. Rug Cutter's Swing\u003cbr\u003eD5. Down South Camp Meeting\u003cbr\u003eD6. Believe It Beloved\u003cbr\u003eD7. Rosetta\u003cbr\u003eE1. Body And Soul\u003cbr\u003eE2. Ride, Red, Ride\u003cbr\u003eE3. Isn't This A Lovely Day\u003cbr\u003eE4. Lost\u003cbr\u003eE5. Algiers Stomp\u003cbr\u003eE6. The Miller's Daughter, Marianne\u003cbr\u003eE7. Sweet Substitute\u003cbr\u003eF1. Down In The Jungle Town\u003cbr\u003eF2. Slippin' And Slidin'\u003cbr\u003eF3. The Crawl\u003cbr\u003eF4. I Cover The Waterfront\u003cbr\u003eF5. I Got Rhythm\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eHenry \"Red\" Allen - Trumpet\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eUS version.\u003c\/p\u003e\n\u003cp\u003eRecording places, dates \u0026amp; original issues:\u003cbr\u003eA1, A2: New York, July 16, 1929; Victor V-38073\u003cbr\u003eA3, A4: New York, July 17, 1929; Victor V-38080\u003cbr\u003eA5, A6: New York, Sept. 6, 1929; OKeh 8734\u003cbr\u003eA7: New York, Jan. 24, 1930; OKeh 8780\u003cbr\u003eB1: New York, Feb. 5, 1930; OKeh 8772\u003cbr\u003eB2: New York, Feb. 18, 1930; Victor V-38140\u003cbr\u003eB3: New York, May 29, 1930; OKeh 8811\u003cbr\u003eB4, B5: New York, July 15, 1930; Victor 23006\u003cbr\u003eB6: New York, Sept. 5, 1930; OKeh 8849\u003cbr\u003eB7: New York, Sept. 10, 1930; Victor 23009\u003cbr\u003eC1: New York, Oct. 15, 1931; Brunswick 6211\u003cbr\u003eC2: New York, April 18, 1932; Romeo 1856\u003cbr\u003eC3: New York, April 18, 1932; Columbia 35841\u003cbr\u003eC4: New York, April 18, 1932; Romeo 1861\u003cbr\u003eC5: New York, May 18, 1933; Decca F-5101\u003cbr\u003eC6: New York, August 18, 1933; Vocalion 2527\u003cbr\u003eC7: New York, August 18, 1933; Vocalion 2583\u003cbr\u003eD1: New York, Feb. 23, 1934; Columbia 2924-D\u003cbr\u003eD2: New York, March 6, 1934; RCA Victor LPV-556\u003cbr\u003eD3, D4: New York, July 28, 1934; Banner 33178\u003cbr\u003eD5: New York, Sept. 12, 1934; Decca 213\u003cbr\u003eD6: New York, Jan. 23, 1935; Epic LN 3252\u003cbr\u003eD7, E1: New York, April 29, 1935; Vocalion 2965\u003cbr\u003eE2: New York, July 2, 1935; Columbia 3057-D\u003cbr\u003eE3: New York, August 2, 1935; Vocalion 3006\u003cbr\u003eE4: New York, April 1, 1936; Vocalion 3214\u003cbr\u003eE5: New York, August 5, 1935; Vocalion 3302\u003cbr\u003eE6: New York, June 19, 1937; Vocalion 3607\u003cbr\u003eE7: New York, Jan. 4, 1940; General 1703\u003cbr\u003eF1: New York, May 18, 1940; Decca 18092\u003cbr\u003eF2: New York, Jan. 8, 1941; Victor 27337\u003cbr\u003eF3: New York, Jan. 14, 1941; Victor 20-1813\u003cbr\u003eF4: New York, May 27, 1957; Victor LPM 1509\u003cbr\u003eF5: Los Angeles, July 19, 1959; Verve MGC 1020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Henry \"Red\" Allen\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 3LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Time Life Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e STL-J16\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 1980\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Near Mint (NM)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Time Life Records","offers":[{"title":"Default Title","offer_id":51259447345448,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OTktMzE5My5qcGVn.jpg?v=1765588663"},{"product_id":"atlantic-rhythm-blues-1947-1974-volume-6-1966-1969-various-1985-2lp-vinyl-near-mint-nm","title":"Atlantic Rhythm \u0026 Blues 1947-1974 (Volume 6 1966-1969)  (1985, 2LP Vinyl) - Near Mint (NM)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Near Mint (NM)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Notes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"condition-details\"\u003e\u003cp\u003eExcellent condition for both LPs. Minor corner wear on the cover\u003c\/p\u003e\u003c\/div\u003e\n\u003chr style=\"margin: 15px 0; border: none; border-top: 1px solid #ccc;\"\u003e\n\u003cp\u003e\u003cstrong\u003eAtlantic Rhythm \u0026amp; Blues 1947-1974 (Volume 6 1966-1969)\u003c\/strong\u003e by \u003cstrong\u003eVarious\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are compilations, and then there are compilations that feel like a guided tour through the very heart of a record label's golden age. This sixth volume of Atlantic's monumental \"Rhythm \u0026amp; Blues 1947-1974\" series narrows its focus to the years 1966 through 1969, a stretch when Southern soul reached its absolute peak and Atlantic sat squarely at the center of it all. Spread across four sides and twenty-eight tracks, it captures the sound of a label firing on every cylinder.\u003c\/p\u003e\n\u003cp\u003eSide A alone reads like a soul revue you would pay serious money to witness. Wilson Pickett's \"Land Of 1000 Dances\" and \"Mustang Sally\" bring the swagger, Eddie Floyd's \"Knock On Wood\" delivers the tension and release, and Otis Redding's \"Try A Little Tenderness\" builds from a whisper to a storm. Add Arthur Conley's \"Sweet Soul Music\" and Sam \u0026amp; Dave's \"Soul Man,\" and you have a run of records that defined an era.\u003c\/p\u003e\n\u003cp\u003eThe collection leans heavily and rightly on the Queen of Soul, gathering \"I Never Loved A Man (The Way I Love You),\" \"Respect,\" \"(You Make Me Feel Like) A Natural Woman,\" \"Baby I Love You,\" \"Chain Of Fools,\" and \"Think.\" Together they trace Aretha Franklin's ascent in real time. Alongside them sit instrumental gems like Booker T. \u0026amp; the M.G.'s \"Hip Hug-Her,\" the Bar-Kays' \"Soul Finger,\" and King Curtis's \"Memphis Soul Stew,\" reminders that the players were every bit as vital as the singers.\u003c\/p\u003e\n\u003cp\u003eThe final side carries some of the most enduring soul ballads ever committed to tape. Otis Redding's \"(Sittin' On) The Dock Of The Bay\" opens it, followed by Percy Sledge's \"Slip Away,\" Roberta Flack's \"The First Time Ever I Saw Your Face,\" and Brook Benton's smoky \"Rainy Night In Georgia.\" Archie Bell \u0026amp; the Drells' \"Tighten Up\" keeps the dancers moving. It is a fitting close to a set that never lets up.\u003c\/p\u003e\n\u003cp\u003eThis 1985 pressing was assembled with genuine care. Compilation producers Aziz Goksel and Bob Porter shaped the sequencing, with Ahmet Ertegun serving as executive producer and contributing liner notes alongside Robert Pruter. The audio was digitally remastered from both mono and true stereo originals, with the superior take chosen in every instance; Elliott Federman handled the digital mastering and cut the lacquer, while Bobby Warner and Jimmy Douglass managed the digital transfers.\u003c\/p\u003e\n\u003cp\u003eHoused in a gatefold sleeve with cover artwork by Fred Otnes and art direction from Bob Defrin, the package carries catalog number 81298-1-F, manufactured by Atlantic Recording Corporation and pressed by RCA Music Service under license. For anyone building a serious soul library, this is essential Atlantic history in a single volume.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Land Of 1000 Dances\u003cbr\u003eA2. Knock On Wood\u003cbr\u003eA3. Try A Little Tenderness\u003cbr\u003eA4. Mustang Sally\u003cbr\u003eA5. When Something Is Wrong With My Baby\u003cbr\u003eA6. Sweet Soul Music\u003cbr\u003eA7. Soul Man\u003cbr\u003eB1. I Never Loved A Man (The Way I Love You)\u003cbr\u003eB2. Do Right Woman - Do Right Man\u003cbr\u003eB3. Show Me\u003cbr\u003eB4. Tramp\u003cbr\u003eB5. Funky Broadway\u003cbr\u003eB6. Hip Hug-Her\u003cbr\u003eB7. Respect\u003cbr\u003eC1. (You Make Me Feel Like) A Natural Woman\u003cbr\u003eC2. Soul Finger\u003cbr\u003eC3. Baby I Love You\u003cbr\u003eC4. Skinny Legs And All\u003cbr\u003eC5. Chain Of Fools\u003cbr\u003eC6. I'm In Love\u003cbr\u003eC7. Memphis Soul Stew\u003cbr\u003eD1. (Sittin' On) The Dock Of The Bay\u003cbr\u003eD2. Tighten Up\u003cbr\u003eD3. Slip Away\u003cbr\u003eD4. Think\u003cbr\u003eD5. The First Time Ever I Saw Your Face\u003cbr\u003eD6. Take A Letter, Maria\u003cbr\u003eD7. Rainy Night In Georgia\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eBob Defrin - Art Direction\u003cbr\u003eFred Otnes - Artwork [Cover]\u003cbr\u003eAziz Goksel - Compilation Producer\u003cbr\u003eBob Porter - Compilation Producer\u003cbr\u003eElliott Federman - Engineer [Digital Mastering]\u003cbr\u003eBobby Warner - Engineer [Digital Transfer]\u003cbr\u003eJimmy Douglass - Engineer [Digital Transfer]\u003cbr\u003eAhmet Ertegun - Executive-Producer\u003cbr\u003eElliott Federman - Lacquer Cut By\u003cbr\u003eAhmet Ertegun - Liner Notes\u003cbr\u003eRobert Pruter - Liner Notes\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eCatalog number 7 81298-1-F on spine, catalog number 81298-1-F on labels and back cover.\u003c\/p\u003e\n\u003cp\u003eMfd. by RCA Music Service under License on jacket back, with catalog number # R-250375.\u003cbr\u003eCatalog number R 250375 appears on labels.\u003c\/p\u003e\n\u003cp\u003eMfg. by Atlantic Recording Corp., a Warner Communications Company.\u003cbr\u003e℗ 1985 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.\u003cbr\u003e© 1985 Atlantic Recording Corporation.\u003c\/p\u003e\n\u003cp\u003ePrinted in U.S.A.\u003c\/p\u003e\n\u003cp\u003eGatefold sleeve.\u003c\/p\u003e\n\u003cp\u003eDigitally remastered from mono and true stereo originals. When both mono and stereo masters exist, the take providing superior audio has been used in all cases.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Various\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Atlantic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 81298-1-F\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 1985\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Atlantic","offers":[{"title":"Default Title","offer_id":51334674448680,"sku":null,"price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/1768083856388-631205421.jpg?v=1768083877"},{"product_id":"unforgettable-with-love-natalie-cole-2lp-vinyl","title":"Unforgettable With Love - Natalie Cole (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003chr style=\"margin: 15px 0; border: none; border-top: 1px solid #ccc;\"\u003e\n\u003cp\u003e\u003cstrong\u003eUnforgettable With Love\u003c\/strong\u003e by \u003cstrong\u003eNatalie Cole\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are tribute albums, and then there is \u003cem\u003eUnforgettable With Love\u003c\/em\u003e, Natalie Cole's radiant embrace of the songbook her father made famous. Across four sides of music, she steps into the standards of Nat King Cole not as a mere imitator but as a daughter in conversation with her legacy, bringing warmth, poise, and a voice utterly her own to material that has shaped American popular song for generations.\u003c\/p\u003e\n\u003cp\u003eThe sequencing rewards a long, unhurried listen. Side A opens with the tender sway of \"The Very Thought Of You\" before easing into the playful lilt of \"Paper Moon\" and the rolling swing of \"Route 66.\" \"Mona Lisa\" and \"L-O-V-E\" follow, songs so deeply tied to the Cole name that hearing Natalie deliver them feels like a passing of the torch. By the time \"This Can't Be Love\" closes the side, the album's blend of romance and buoyant charm is fully established.\u003c\/p\u003e\n\u003cp\u003eThe heart of the collection lies in its ballads and its ambition. \"Smile\" and the haunting \"Lush Life\" showcase Natalie's ability to hold a lyric with quiet gravity, while \"Orange Colored Sky\" bursts with color and mischief. A gorgeous medley weaving \"For Sentimental Reasons,\" \"Tenderly,\" and \"Autumn Leaves\" gathers three beloved standards into a single flowing statement, a highlight that lingers long after the needle lifts.\u003c\/p\u003e\n\u003cp\u003eSides C and D keep the momentum, moving from the finger snapping fun of \"Straighten Up And Fly Right\" and \"Avalon\" through the mellow ache of \"Don't Get Around Much Anymore\" and the wistful \"Too Young.\" \"Nature Boy\" arrives with its mysterious, almost hymnlike air, and the multilingual charm of \"Darling, Je Vous Aime Beaucoup\" and \"Non Dimenticar\" adds a cosmopolitan sparkle. The final stretch, from \"Almost Like Being In Love\" and \"Thou Swell\" to \"Our Love Is Here To Stay,\" builds toward the inevitable and unforgettable title track that gives the album its name and its emotional center.\u003c\/p\u003e\n\u003cp\u003eThe care behind this pressing matches the music. Executive produced by Natalie Cole and Tommy LiPuma, the album has been remastered by Bill Inglot and Dan Hersch, with lacquers cut by the legendary Bernie Grundman. That lineage of craftsmanship translates to a listening experience where the vocals sit forward and the arrangements breathe with clarity and depth.\u003c\/p\u003e\n\u003cp\u003eThis particular edition is a Target Exclusive pressed on striking opaque pink vinyl, a collectible variant that makes it stand out on any shelf. For lovers of vocal jazz and the great American songbook, it is a beautifully realized package that honors a timeless catalog while celebrating one of its finest interpreters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. The Very Thought Of You\u003cbr\u003eA2. Paper Moon\u003cbr\u003eA3. Route 66\u003cbr\u003eA4. Mona Lisa\u003cbr\u003eA5. L-O-V-E\u003cbr\u003eA6. This Can't Be Love\u003cbr\u003eB1. Smile\u003cbr\u003eB2. Lush Life\u003cbr\u003eB3. That Sunday That Summer\u003cbr\u003eB4. Orange Colored Sky\u003cbr\u003e. A Medley Of: For Sentimental Reasons, Tenderly \u0026amp; Autumn Leaves\u003cbr\u003eC1. Straighten Up And Fly Right\u003cbr\u003eC2. Avalon\u003cbr\u003eC3. Don't Get Around Much Anymore\u003cbr\u003eC4. Too Young\u003cbr\u003eC5. Nature Boy\u003cbr\u003eC6. Darling, Je Vous Aime Beaucoup\u003cbr\u003eD1. Almost Like Being In Love\u003cbr\u003eD2. Thou Swell\u003cbr\u003eD3. Non Dimenticar\u003cbr\u003eD4. Our Love Is Here To Stay\u003cbr\u003eD5. Unforgettable\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eNatalie Cole - Executive Producer\u003cbr\u003eTommy LiPuma - Executive-Producer\u003cbr\u003eBernie Grundman - Lacquer Cut By\u003cbr\u003eBill Inglot - Remastered By\u003cbr\u003eDan Hersch - Remastered By\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eOpaque Pink - Target Exclusive\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Natalie Cole\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CR00206\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":51410440192296,"sku":null,"price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MDgtMjgxMy5qcGVn.jpg?v=1770689765"},{"product_id":"satchmo-at-symphony-hall-louis-armstrong-and-his-all-stars-1951-2lp-vinyl-very-good-plus-vg","title":"Satchmo At Symphony Hall - Louis Armstrong And His All-Stars (1951) (2LP Vinyl) - Very Good Plus (VG+)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Very Good (VG) (Spot on disk 1 side 1 which has no effect on play. )\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Notes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"condition-details\"\u003e\n\u003cp\u003eDisks are truly near mint. Cover has corner wear(rip) see photos.\u003c\/p\u003e\n\u003cp\u003eGreat deal on this 2 LP gem of a set!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003chr style=\"margin: 15px 0; border: none; border-top: 1px solid #ccc;\"\u003e\n\u003cp\u003e\u003cstrong\u003eSatchmo At Symphony Hall\u003c\/strong\u003e by \u003cstrong\u003eLouis Armstrong And His All-Stars\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew live jazz documents capture the electricity of a working band quite like this one. Louis Armstrong And His All-Stars stretch across four sides here, moving from the muscular swing of \"King Porter Stomp\" to the tender ache of \"(What Did I Do To Be So) Black And Blue,\" a program that shows just how much range this ensemble could summon in a single evening at Symphony Hall.\u003c\/p\u003e\n\u003cp\u003eThe lineup reads like a summit of mid-century talent. Armstrong leads on trumpet and vocals, with Jack Teagarden alongside him on trombone and vocals, their voices and horns trading warmth throughout. Barney Bigard's clarinet weaves through the front line, while the rhythm section of Dick Cary on piano, Arvell Shaw on bass, and Sidney Catlett on drums keeps the whole thing propulsive and loose. Velma Middleton lends her vocals to the mix, adding another dimension to a band that never sounds like it is coasting.\u003c\/p\u003e\n\u003cp\u003eThe repertoire balances standards and showpieces with real care. There are ballads and torch songs like \"Body And Soul,\" \"That's My Desire,\" and \"Since I Fell For You,\" each one a chance to hear Armstrong and company slow down and lean into feeling. Then the tempo lifts again for \"Royal Garden Blues,\" \"Tea For Two,\" and \"How High The Moon,\" where the soloists get room to run and the crowd's energy is palpable in the grooves.\u003c\/p\u003e\n\u003cp\u003eCertain tracks stand as pure highlights of the set. \"Steak Face\" gives Catlett a feature that reminds you why he was so revered behind the kit, while \"Muskrat Ramble\" and \"High Society\" reach back into the New Orleans tradition that Armstrong carried with him wherever he played. \"On The Sunny Side Of The Street\" arrives like an old friend, and closers like \"Baby, Won't You Please Come Home\" and \"Boff Boff\" send the evening out on a spirited note.\u003c\/p\u003e\n\u003cp\u003eThe release itself is presented as a gatefold in a 78-style cardboard sleeve, gathering volumes one and two together in a single package. It is a design that nods to the era the music comes from, giving the whole thing the feel of an album meant to be held and studied rather than simply played and shelved. Peter Frutchey served as recording supervisor, capturing the performance for posterity.\u003c\/p\u003e\n\u003cp\u003eBound into the gatefold are program notes, the kind of supplementary reading that turns a listening session into something closer to an occasion. For collectors and newcomers alike, this is a generous portrait of Armstrong's All-Stars at full stride, a live record that documents both the fire and the tenderness of one of the great touring bands in jazz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. King Porter Stomp\u003cbr\u003eA2. (What Did I Do To Be So) Black And Blue\u003cbr\u003eA3. Royal Garden Blues\u003cbr\u003eA4. Lover\u003cbr\u003eA5. Stars Fell On Alabama\u003cbr\u003eB1. I Cried For You\u003cbr\u003eB2. Since I Fell For You\u003cbr\u003eB3. Tea For Two\u003cbr\u003eB4. Body And Soul\u003cbr\u003eB5. Muskrat Ramble\u003cbr\u003eC1. Steak Face\u003cbr\u003eC2. On The Sunny SIde Of The Street\u003cbr\u003eC3. High Society\u003cbr\u003eC4. That's My Desire\u003cbr\u003eD1. \"C\" Jam Blues\u003cbr\u003eD2. Baby, Won't You Please Come Home\u003cbr\u003eD3. How HIgh The Moon\u003cbr\u003eD4. 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This is a various-artists collection built for the listener who wants the essentials in one place, moving from raw electric swagger to the moody, late-night meditations that define the genre. It is a record designed to be lived in, side after side.\u003c\/p\u003e\n\u003cp\u003eSide A comes charging out of the gate with \"Boom Boom,\" a slice of insistent, hypnotic rhythm, before easing into the elegant heartbreak of \"Three O'Clock Blues.\" The mood shifts and swaggers through \"Good Morning Little School Girl,\" the strutting confidence of \"Mannish Boy,\" and the rolling piano warmth of \"Blueberry Hill.\" By the time you reach \"First Time I Met The Blues\" and the ominous stomp of \"I Ain't Superstitious,\" the tone of the whole set is firmly established: bold, physical, and full of character.\u003c\/p\u003e\n\u003cp\u003eThe second side keeps the variety flowing, opening with \"Mr. Charles' Blues\" and the theatrical menace of \"Put A Spell On You.\" There is room to breathe on \"You Don't Know What Love Is\" and \"T-Bone Blues,\" while \"I'm A Man\" answers the earlier swagger with a defiant strut of its own. \"Home Of The Blues\" and the sly, prowling \"I'm A King Bee\" round out a sequence that balances tenderness and grit in equal measure.\u003c\/p\u003e\n\u003cp\u003eSide C leans into the deeper, more reflective corners of the tradition. \"I'll Take Care Of You\" and the haunting folk of \"Where Did You Sleep Last Night\" sit alongside the earthy conjure of \"Mojo Hand.\" Tracks like \"Don't Throw Your Love On Me Strong,\" \"Four Little Boys,\" and \"Carrying On The Torch Of The Blues\" show how wide the emotional territory of the blues really is, from pleading intimacy to quiet resolve.\u003c\/p\u003e\n\u003cp\u003eThe closing side gathers some of the most enduring cornerstones of the form. \"Driftin' Blues\" and \"Rosie\" set a contemplative pace before \"Smokestack Lightnin'\" arrives with its unmistakable, howling groove. A second reading of the \"Good Morning, School Girl\" theme leads into the immortal \"Sweet Home Chicago,\" the anxious energy of \"Double Trouble,\" and a definitive turn through \"Dust My Broom.\" It is a fitting finale, closing the collection on some of the most quoted and covered songs in the entire catalog.\u003c\/p\u003e\n\u003cp\u003eWith twenty-seven tracks in total, this is a genuine anthology, a broad and generous listen that carries you from the electric city to the crossroads and back. For anyone building a foundation in the blues, or simply craving a full evening of it, this set delivers in abundance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Boom Boom\u003cbr\u003eA2. Three O'Clock Blues\u003cbr\u003eA3. Good Morning Little School Girl\u003cbr\u003eA4. Mannish Boy\u003cbr\u003eA5. Blueberry Hill\u003cbr\u003eA6. First Time I Met The Blues\u003cbr\u003eA7. 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Spanning eighteen tracks, it offers a wide window into an artist equally at home coaxing smoke from a ballad and lighting up a dance floor, all delivered with that unmistakable warmth of tone and effortless phrasing.\u003c\/p\u003e\n\u003cp\u003eSide A opens with immediate momentum, \"Turn Your Love Around\" setting a polished, radio ready groove before \"Love All The Hurt Away\" and the shimmering \"Give Me The Night\" carry the mood forward. The inclusion of \"Cast Your Fate To The Wind\" rounds out the opening stretch, hinting at the breadth to come and reminding you that Benson never lets a melody go unloved.\u003c\/p\u003e\n\u003cp\u003eThe second side leans into some of his most beloved crossover moments. \"Never Give Up On A Good Thing\" and a swinging take on \"On Broadway\" showcase his gift for turning a vocal line into something both intimate and celebratory. Then comes the surprise of \"White Rabbit,\" a bold reimagining, before \"This Masquerade\" closes the side with the kind of sophisticated, understated storytelling that became a signature.\u003c\/p\u003e\n\u003cp\u003eSides C and D dig deeper into the range that defines this collection. \"Love Ballad\" and \"Nature Boy\" find him in tender, contemplative territory, while a spirited reading of \"Last Train To Clarksville\" and \"Livin' Inside Your Love\" keep the energy varied and alive. There is a real pleasure in hearing Benson move so fluidly between covers and material tailored to his voice and guitar.\u003c\/p\u003e\n\u003cp\u003eThe final side is a treasure of familiar melodies given fresh life. \"Here Comes The Sun\" glows, and the instrumental \"Breezin'\" remains a cornerstone of his sound, all silk and swing. \"Moody's Mood\" and \"We Got The Love\" keep the momentum before the set closes with \"The Greatest Love Of All,\" a soaring finish that leaves the listener in no doubt about the emotional reach of this music.\u003c\/p\u003e\n\u003cp\u003eAssembled as a comprehensive career overview, this set is an ideal entry point for newcomers and a satisfying anchor for longtime admirers alike. It captures Benson at his most versatile, a player and singer who could hold a room with a whisper or fill it with joy, and it deserves a proud place in any collection built around great jazz and the players who carried it into wider audiences.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Turn Your Love Around\u003cbr\u003eA2. Love All The Hurt Away\u003cbr\u003eA3. Give Me The Night\u003cbr\u003eA4. Cast Your Fate To The Wind\u003cbr\u003eB1. Never Give Up On A Good Thing\u003cbr\u003eB2. On Broadway\u003cbr\u003eB3. White Rabbit\u003cbr\u003eB4. This Masquerade\u003cbr\u003eC1. Love Ballad\u003cbr\u003eC2. Nature Boy\u003cbr\u003eC3. Last Train To Clarksville\u003cbr\u003eC4. Livin' Inside Your Love\u003cbr\u003eD1. Here Comes The Sun\u003cbr\u003eD2. Breezin'\u003cbr\u003eD3. Moody's Mood\u003cbr\u003eD4. We Got The Love\u003cbr\u003eD5. The Greatest Love Of All\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e George Benson\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Warner Bros. Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 2HW 3577\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 1981\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Warner Bros. Records","offers":[{"title":"Default Title","offer_id":51992609620264,"sku":null,"price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/1781884527430-443806343.jpg?v=1781884574"},{"product_id":"the-koln-concert-keith-jarrett-1978-2lp-vinyl-very-good-vg","title":"The Köln Concert - Keith Jarrett (1978) (2LP Vinyl) - Very Good (VG)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Very Good (VG) (Scuffs and some scratches. Nothing that can be felt)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003chr style=\"margin: 15px 0; border: none; border-top: 1px solid #ccc;\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe Köln Concert\u003c\/strong\u003e by \u003cstrong\u003eKeith Jarrett\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eKeith Jarrett navigated jazz fusion's emergence while staying true to artistic vision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eKeith Jarrett leads with distinctive artistry, creating intricate interplay between musicians. The harmonic progressions and rhythm section showcase the evolution of jazz with spontaneous brilliance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlbum Story:\u003c\/strong\u003e\u003cbr\u003e\"The Köln Concert,\" recorded live in January 1975, stands as a monumental achievement in the realm of jazz and classical music. Keith Jarrett’s extraordinary solo piano performance, captured at the Cologne Opera House, transcends the traditional boundaries of genre, weaving together improvisation, classical influences, and jazz harmonies. What sets this album apart is Jarrett's spontaneous creativity; he crafted this stunningly intricate concert on the spot, with no prior preparation, embodying a unique blend of emotions that range from serene beauty to intense passion. The audience at the concert was treated to an electrifying experience, where every note seemed to breathe life, inviting listeners to feel an intimate connection with the music and the artist himself.\u003c\/p\u003e\n\u003cp\u003eThis album has not only become one of the best-selling jazz recordings of all time but also serves as a testament to the power of improvisation and authenticity. Jarrett's captivating playing style and profound emotional expression resonate deeply, evoking a sense of pure, unfiltered artistry that is rarely\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA. KÖLN, January 24, 1975 Part I\u003cbr\u003eB. KÖLN, January 24, 1975 Part II A\u003cbr\u003eC. KÖLN, January 24, 1975 Part II B\u003cbr\u003eD. KÖLN, January 24, 1975 Part II C\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eB \u0026amp; B Wojirsch - Design [Cover Design]\u003cbr\u003eMartin Wieland - Engineer\u003cbr\u003eGreg Fulginiti - Lacquer Cut By\u003cbr\u003eJohn Bittner - Lacquer Cut By\u003cbr\u003eWolfgang Frankenstein - Photography By\u003cbr\u003eKeith Jarrett - Piano, Composed By\u003cbr\u003eManfred Eicher - Producer\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eRecorded live at the opera in Köln, Germany, January 24, 1975.\u003cbr\u003e(P)(C) 1975 ECM Records GmbH. Manufactured and distributed by Warner Bros. Records Inc. Printed in U.S.A.\u003cbr\u003eRelease is in a double album, Gatefold cover.\u003cbr\u003eReissue. Released sometime between 1978 and 1984 when WB had the US distribution rights and ECM used this label design.\u003cbr\u003ePressing by Wakefield Mfg. identified by the etched tulip in the runouts.\u003c\/p\u003e\n\u003cp\u003eRunouts are etched except for the [l367883] Tulip symbol which is stamped\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality:\u003c\/strong\u003e\u003cbr\u003eExceptional dynamic range captures every nuance – tight bass, warm midrange, crisp highs. High-quality pressing with excellent tracking and quiet surfaces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCollector's Notes:\u003c\/strong\u003e\u003cbr\u003eEssential for serious collectors – a piece of musical history with lasting value.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Keith Jarrett\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ECM Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e ECM 2-1064\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 1978\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ECM Records","offers":[{"title":"Default Title","offer_id":52132087300392,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NC01MjY1LmpwZWc.jpg?v=1784376994"},{"product_id":"glenn-miller-a-memorial-1944-1969-glenn-miller-and-his-orchestra-1969-2lp-vinyl-very-good-plus-vg","title":"Glenn Miller - A Memorial 1944-1969 - Glenn Miller And His Orchestra (1969) (2LP Vinyl) - Very Good Plus (VG+)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition Notes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"condition-details\"\u003e\u003cp\u003eClean copy\u003c\/p\u003e\u003c\/div\u003e\n\u003chr style=\"margin: 15px 0; border: none; border-top: 1px solid #ccc;\"\u003e\n\u003cp\u003e\u003cstrong\u003eGlenn Miller - A Memorial 1944-1969\u003c\/strong\u003e by \u003cstrong\u003eGlenn Miller And His Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eReleased in 1969 on RCA Victor, this memorial collection gathers the sound of Glenn Miller And His Orchestra at the very height of its powers, drawing on recordings made across a remarkable stretch from April 1939 through the summer of 1942. Assembled a quarter-century after the bandleader's wartime disappearance, it stands as a considered tribute — even carrying its own Library of Congress Card Number (75-750827) — that traces the orchestra's golden run in the years when its music defined an era.\u003c\/p\u003e\n\u003cp\u003eWhat gives these sides their enduring warmth is the singing woven through the band's polished ensemble sound. Ray Eberle handles the bulk of the vocal duties across all four sides, his smooth balladeer's touch anchoring the orchestra, while Tex Beneke brings a brighter, more rhythmic swing to his features. Marion Hutton adds her spirited vocals, and The Modernaires lend the tight, close-harmony group singing that became a signature of the Miller sound, layering their voices over the orchestra's precise, glowing arrangements.\u003c\/p\u003e\n\u003cp\u003eListening straight through, you get a full portrait of a band that balanced romance and rhythm with unmistakable craftsmanship. For the collector, this is a properly documented RCA pressing of foundational big-band jazz, its recording dates and personnel carefully noted — a handsome, historically grounded set that rewards repeated spins and holds a firm place in any serious swing-era collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Moonlight Serenade\u003cbr\u003eA2. Sunrise Serenade\u003cbr\u003eA3. Little Brown Jug\u003cbr\u003eA4. To You\u003cbr\u003eA5. Stairway To The Stars (Melody Based On A Theme From \"Park Avenue Fantasy\")\u003cbr\u003eA6. In The Mood\u003cbr\u003eA7. My Prayer\u003cbr\u003eA8. Johnson Rag\u003cbr\u003eB1. Indian Summer\u003cbr\u003eB2. Star Dust\u003cbr\u003eB3. Tuxedo Junction\u003cbr\u003eB4. Danny Boy (Londonderry Air)\u003cbr\u003eB5. Pennsylvania Six-Five Thousand\u003cbr\u003eB6. Anvil Chorus (From \"Il Trovatore\")\u003cbr\u003eB7. Song Of The Volga Boatmen (Russian Folk Song)\u003cbr\u003eB8. Perfidia\u003cbr\u003eC1. Chattanooga Choo Choo\u003cbr\u003eC2. Adios\u003cbr\u003eC3. Elmer's Tune\u003cbr\u003eC4. A String Of Pearls\u003cbr\u003eC5. Moonlight Cocktail\u003cbr\u003eC6. Skylark\u003cbr\u003eC7. Don't Sit Under The Apple Tree (With Anyone Else But Me)\u003cbr\u003eD1. American Patrol\u003cbr\u003eD2. At Last\u003cbr\u003eD3. I've Got A Gal In Kalamazoo\u003cbr\u003eD4. Serenade In Blue\u003cbr\u003eD5. Juke Box Saturday Night\u003cbr\u003eD6. That Old Black Magic\u003cbr\u003eD7. St. Louis Blues March\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eMarion Hutton - Vocals (C7, D3, D5)\u003cbr\u003eRay Eberle - Vocals (A4, A7, B1, C3, C5, C6, D2, D4)\u003cbr\u003eTex Beneke - Vocals (C1, C7, D3, D5)\u003cbr\u003eThe Modernaires - Vocals (B8, C1, C3, C5, C7, D3 to D6)\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eLibrary of Congress Card Number 75-750827 applies to this recording. \u003cbr\u003e\u003cbr\u003eRecording dates: \u003cbr\u003eA1: 4\/4 1939 \u003cbr\u003eA2: 10\/4 1939 \u003cbr\u003eA3: 10\/4 1939 \u003cbr\u003eA4: 9\/5 1939 \u003cbr\u003eA5: 9\/5 1939 \u003cbr\u003eA6: 1\/8 1939 \u003cbr\u003eA7: 18\/8 1939 \u003cbr\u003eA8: 5\/11 1939 \u003cbr\u003e\u003cbr\u003eB1: 5\/11 1939 \u003cbr\u003eB2: 29\/1 1940 \u003cbr\u003eB3: 5\/2 1940 \u003cbr\u003eB4: 5\/2 1940 \u003cbr\u003eB5: 28\/4 1940 \u003cbr\u003eB6: 13\/12 1940 \u003cbr\u003eB7: 17\/1 1941 \u003cbr\u003eB8: 19\/2 1941 \u003cbr\u003e\u003cbr\u003eC1: 7\/5 1941 \u003cbr\u003eC2: 25\/6 1941 \u003cbr\u003eC3: 11\/8 1941 \u003cbr\u003eC4: 3\/11 1941 \u003cbr\u003eC5: 8\/12 1941 \u003cbr\u003eC6: 8\/1 1942 \u003cbr\u003eC7: 18\/2 1942 \u003cbr\u003e\u003cbr\u003eD1: 2\/4 1942 \u003cbr\u003eD2: 20\/5 1942 \u003cbr\u003eD3: 20\/5 1942 \u003cbr\u003eD4: 20\/5 1942 \u003cbr\u003eD5: 15\/7 1942 \u003cbr\u003eD6: 15\/7 1942 \u003cbr\u003eD7: Date unknown \u003cbr\u003e\u003cbr\u003eTMK(S) ® by RCA Corporation \u003cbr\u003e© 1969, RCA Records, New York, N.Y. - Printed in U.S.A.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Glenn Miller And His Orchestra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e RCA Victor\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e VPM-6019\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 1969\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003c\/div\u003e","brand":"RCA Victor","offers":[{"title":"Default Title","offer_id":52191571116328,"sku":null,"price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/IMG-2190.jpg?v=1785925545"}],"url":"https:\/\/mileswaxey.com\/collections\/box-sets.oembed?page=2","provider":"Miles Waxey","version":"1.0","type":"link"}