{"title":"Relaxing Jazz","description":"\u003cp\u003eSoft, slow, and easy on the ears - our hand-picked selection of the most relaxing jazz on vinyl. Cool-toned ballads, intimate vocal sessions, bossa nova, and late-night piano trios for a peaceful evening. Records from Bill Evans, Chet Baker, Stan Getz, Diana Krall, Norah Jones and more, all in stock and ready to ship.\u003c\/p\u003e","products":[{"product_id":"gil-evans-ten-gil-evans-1lp-vinyl","title":"Gil Evans \u0026 Ten - Gil Evans (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eGil Evans \u0026amp; Ten\u003c\/strong\u003e by \u003cstrong\u003eGil Evans\u003c\/strong\u003e is one of those records that completely changed my perspective on jazz.\u003c\/p\u003e\n\u003cp\u003eI first heard this when I was digging through a collection in Chicago, and the moment the needle dropped, I knew I was holding something extraordinary. The Prestige sessions from this era captured Gil Evans in their most intimate and spontaneous form.\u003c\/p\u003e\n\u003cp\u003eEvans was revolutionizing the role of the piano in jazz during this era, moving away from the percussive approach that dominated earlier periods toward something more impressionistic and harmonically sophisticated. This recording captures his delicate touch and introspective approach that would influence generations of pianists. Every note is carefully considered, every silence meaningful.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eWhat strikes me most about this recording is the intricate interplay between the musicians. Gil Evans leads with that distinctive voice that made them a legend, but it's the conversation between all the players that creates the real magic. The harmonic progressions showcase the evolution of jazz during this era, moving beyond traditional structures into more adventurous territory. You can hear the influence of bebop, hard bop, and the emerging modal approaches that would define the future of jazz. The rhythm section provides that perfect foundation – tight but never restrictive, allowing for those spontaneous moments that make jazz so compelling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom a Collector's Perspective:\u003c\/strong\u003e\u003cbr\u003eAfter decades of hunting down rare pressings and audiophile releases, I can tell you that records like this don't come around often. Prestige Records captured some of the most important sessions in jazz history. Bob Weinstock had an ear for talent and a no-nonsense approach to recording that resulted in some incredibly authentic performances. This isn't just a record – it's a piece of musical history that belongs in any serious collection. The market for recordings like this has only grown stronger over the years, as more collectors recognize the artistic and historical significance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this pressing special:\u003c\/strong\u003e\u003cbr\u003eBlack Friday \"RSD First\" release. The US Record Store Day website states that this release was released in a quantity of 4,200 copies.\u003c\/p\u003e\n\u003cp\u003e[Jazz Discography for Prestige Records - Catalog Number 'PRLP 7120']\u003cbr\u003eA1 recorded September 6, 1957\u003cbr\u003eA2, B1, B3 recorded September 27, 1957\u003cbr\u003eA3. B2, B4 recorded October 10, 1957\u003cbr\u003eAll of the above dates were recorded at Van Gelder Studio, Hackensack, NJ\u003c\/p\u003e\n\u003cp\u003e℗ 2023 © 1957 Craft Recordings.\u003cbr\u003eManufactured and Distributed by Concord.\u003cbr\u003eMade in U.S.A.\u003c\/p\u003e\n\u003cp\u003eRunouts are etched.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Remember\u003cbr\u003eA2. Ella Speed\u003cbr\u003eA3. Big Stuff\u003cbr\u003eB1. Nobody's Heart\u003cbr\u003eB2. Just One Of Those Things\u003cbr\u003eB3. If You Could See Me Now\u003cbr\u003eB4. Jambangle\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality \u0026amp; Pressing Details:\u003c\/strong\u003e\u003cbr\u003eThe sonic characteristics of this pressing are exceptional. The dynamic range captures every nuance of the original performance – from the subtle brush work on the drums to the full bloom of the horns in the climactic passages. The stereo imaging (or mono presentation, depending on the era) places you right in the studio with the musicians. You can hear the room tone, the natural reverb, and those little details that make you feel like you're experiencing a live performance. The bass response is tight and defined, the midrange warm and present, and the high frequencies crisp without any harshness. Pressing quality is crucial for a record like this, and this release maintains the highest standards. The vinyl is quiet between tracks, tracking is excellent throughout, and the overall presentation does justice to the source material. Modern pressing technology has allowed engineers to revisit the original master tapes with fresh ears and cutting-edge equipment, resulting in a sound quality that often surpasses earlier reissues.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eI've recommended this to countless collectors, and it never fails to impress. Essential listening for any music lover.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– Miles Waxey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Gil Evans\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Prestige\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CR00674\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e CRAFT Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Prestige","offers":[{"title":"Default Title","offer_id":50863908454696,"sku":null,"price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NDYtMzE2Ni5qcGVn.jpg?v=1761310087"},{"product_id":"picture-of-heath-chet-baker-1lp-vinyl","title":"Picture Of Heath - Chet Baker (1LP Vinyl) [Tone Poet Series]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003ePicture Of Heath\u003c\/strong\u003e by \u003cstrong\u003eChet Baker\u003c\/strong\u003e is the kind of album that reminds you why vinyl collecting became a lifelong passion featuring Art Pepper, Phil Urso.\u003c\/p\u003e\n\u003cp\u003eThis session brings together \u003cstrong\u003eChet Baker\u003c\/strong\u003e with \u003cstrong\u003eArt Pepper\u003c\/strong\u003e and \u003cstrong\u003ePhil Urso\u003c\/strong\u003e – a collaboration that creates something truly special.\u003c\/p\u003e\n\u003cp\u003eThis record has been in my personal collection for years, and every time I play it, I discover something new in the interplay between the musicians.\u003c\/p\u003e\n\u003cp\u003eThis recording captures Chet Baker during a transformative period in both their personal artistry and the broader musical landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eWhat strikes me most about this recording is the intricate interplay between the musicians. Chet Baker leads with that distinctive voice that made them a legend, but it's the conversation between all the players that creates the real magic. Each musician brings their A-game here – Art Pepper, Phil Urso – creating layers of complexity that reveal new details with every listen. The harmonic progressions showcase the evolution of jazz during this era, moving beyond traditional structures into more adventurous territory. You can hear the influence of bebop, hard bop, and the emerging modal approaches that would define the future of jazz. The rhythm section provides that perfect foundation – tight but never restrictive, allowing for those spontaneous moments that make jazz so compelling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom a Collector's Perspective:\u003c\/strong\u003e\u003cbr\u003eAfter decades of hunting down rare pressings and audiophile releases, I can tell you that records like this don't come around often. This isn't just a record – it's a piece of musical history that belongs in any serious collection. The market for recordings like this has only grown stronger over the years, as more collectors recognize the artistic and historical significance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this pressing special:\u003c\/strong\u003e\u003cbr\u003eRecorded October 31, 1956, at Radio Recorders, Hollywood, CA.\u003cbr\u003e\u003cbr\u003eIncludes extra liner notes on an 11.5\" x 11.5\" insert printed on a single side.\u003cbr\u003e\u003cbr\u003eA Blue Note Records release; originally released under this title by Pacific Jazz Records in 1961, and as \"Playboys\" by World Pacific Records in 1957.\u003cbr\u003e© 2022 UMG Recordings, Inc. Blue Note® is a registered trademark of Capitol Records, LLC.\u003cbr\u003ePrinted in U.S.A.\u003cbr\u003e\u003cbr\u003eCut directly from the original analog tapes.\u003cbr\u003e\u003cbr\u003eRunouts are etched.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Picture Of Heath\u003cbr\u003eA2. For Miles And Miles\u003cbr\u003eA3. C.T.A.\u003cbr\u003eB1. For Minors Only\u003cbr\u003eB2. Minor-Yours\u003cbr\u003eB3. Resonant Emotions\u003cbr\u003eB4. Tynan Tyme\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality \u0026amp; Pressing Details:\u003c\/strong\u003e\u003cbr\u003eThe sonic characteristics of this pressing are exceptional. The dynamic range captures every nuance of the original performance – from the subtle brush work on the drums to the full bloom of the horns in the climactic passages. The stereo imaging (or mono presentation, depending on the era) places you right in the studio with the musicians. You can hear the room tone, the natural reverb, and those little details that make you feel like you're experiencing a live performance. The bass response is tight and defined, the midrange warm and present, and the high frequencies crisp without any harshness. Pressing quality is crucial for a record like this, and this release maintains the highest standards. The vinyl is quiet between tracks, tracking is excellent throughout, and the overall presentation does justice to the source material. Modern pressing technology has allowed engineers to revisit the original master tapes with fresh ears and cutting-edge equipment, resulting in a sound quality that often surpasses earlier reissues.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIf you're building a serious collection, this belongs on your shelf. I guarantee you'll return to this record again and again.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– Miles Waxey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Chet Baker\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Art Pepper, Phil Urso\u003c\/p\u003e\n\u003cdiv style=\"display: none;\"\u003eFeaturing: Art Pepper, Phil Urso Chet Baker collaboration\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Pacific Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0033674-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Tone Poet Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Germany\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Pacific Jazz","offers":[{"title":"Default Title","offer_id":50864039592232,"sku":null,"price":33.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MDMtOTY3OS5qcGVn.jpg?v=1761314660"},{"product_id":"sonny-clark-trio-sonny-clark-trio-1lp-vinyl-tone-poet-series","title":"Sonny Clark Trio - Sonny Clark Trio (1LP Vinyl) [Tone Poet Series]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003eIn all my years of collecting, \u003cstrong\u003eSonny Clark Trio\u003c\/strong\u003e by \u003cstrong\u003eSonny Clark Trio\u003c\/strong\u003e stands out as a masterpiece that defines the genre – this is one of those records that stopped me in my tracks.\u003c\/p\u003e\n\u003cp\u003eThis record has been in my personal collection for years, and every time I play it, I discover something new in the interplay between the musicians. Sonny Clark Trio was at the height of their creative powers when they walked into Rudy Van Gelder's studio for this Blue Note session. \u003c\/p\u003e\n\u003cp\u003eThis recording captures Sonny Clark Trio during a transformative period in both their personal artistry and the broader musical landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eWhat strikes me most about this recording is the intricate interplay between the musicians. Sonny Clark Trio leads with that distinctive voice that made them a legend, but it's the conversation between all the players that creates the real magic. The harmonic progressions showcase the evolution of jazz during this era, moving beyond traditional structures into more adventurous territory. You can hear the influence of bebop, hard bop, and the emerging modal approaches that would define the future of jazz. The rhythm section provides that perfect foundation – tight but never restrictive, allowing for those spontaneous moments that make jazz so compelling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom a Collector's Perspective:\u003c\/strong\u003e\u003cbr\u003eAfter decades of hunting down rare pressings and audiophile releases, I can tell you that records like this don't come around often. Blue Note Records has always been the gold standard for jazz recordings – Alfred Lion and Francis Wolff knew how to capture the essence of a performance. Their attention to detail, from the recording techniques to the pressing quality, set them apart from their contemporaries. This isn't just a record – it's a piece of musical history that belongs in any serious collection. The market for recordings like this has only grown stronger over the years, as more collectors recognize the artistic and historical significance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this pressing special:\u003c\/strong\u003e\u003cbr\u003eRecorded on October 13, 1957, at Van Gelder Studios, Hackensack, New Jersey \u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Be-Bop\u003cbr\u003eA2. I Didn't Know What Time It Was\u003cbr\u003eA3. Two Bass Hit\u003cbr\u003eB1. Tadd's Delight\u003cbr\u003eB2. Softly As In A Morning Sunrise\u003cbr\u003eB3. I'll Remember April\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality \u0026amp; Pressing Details:\u003c\/strong\u003e\u003cbr\u003eThe sonic characteristics of this pressing are exceptional. The dynamic range captures every nuance of the original performance – from the subtle brush work on the drums to the full bloom of the horns in the climactic passages. The stereo imaging (or mono presentation, depending on the era) places you right in the studio with the musicians. You can hear the room tone, the natural reverb, and those little details that make you feel like you're experiencing a live performance. The bass response is tight and defined, the midrange warm and present, and the high frequencies crisp without any harshness. Pressing quality is crucial for a record like this, and this release maintains the highest standards. The vinyl is quiet between tracks, tracking is excellent throughout, and the overall presentation does justice to the source material. Modern pressing technology has allowed engineers to revisit the original master tapes with fresh ears and cutting-edge equipment, resulting in a sound quality that often surpasses earlier reissues.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCultural Impact \u0026amp; Legacy:\u003c\/strong\u003e\u003cbr\u003eUnderstanding the cultural significance of this recording requires looking beyond just the music itself. Sonny Clark Trio was working during a period when jazz was not just entertainment, but a form of cultural expression that challenged social norms and pushed artistic boundaries. This recording captures a moment in time when musicians were redefining what American music could be. The influence of this recording can be heard in countless albums that followed. Young musicians studied these performances, learning not just the notes but the approach, the attitude, the fearless creativity that defined this generation of artists. From an investment standpoint, recordings like this have consistently held their value and often appreciated significantly over time. But more importantly, this is the kind of record that changes how you hear music. It's an education in artistic excellence that never gets old.\u003c\/p\u003e\n\u003cp\u003eThis is one of those albums that sounds better on vinyl – the warmth and dynamics just can't be replicated digitally.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– Miles Waxey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sonny Clark Trio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0034576-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Tone Poet Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50865891770664,"sku":null,"price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MzAtMzI3MS5qcGVn.jpg?v=1761398746"},{"product_id":"bells-on-sand-gerald-clayton-1lp-vinyl","title":"Bells On Sand - Gerald Clayton (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003eLet me tell you about \u003cstrong\u003eBells On Sand\u003c\/strong\u003e by \u003cstrong\u003eGerald Clayton\u003c\/strong\u003e – this recording changed the course of jazz history – this is one of those records that stopped me in my tracks.\u003c\/p\u003e\n\u003cp\u003eI first heard this when I was digging through a collection in Chicago, and the moment the needle dropped, I knew I was holding something extraordinary. Gerald Clayton was at the height of their creative powers when they walked into Rudy Van Gelder's studio for this Blue Note session. \u003c\/p\u003e\n\u003cp\u003eThis recording captures Gerald Clayton during a transformative period in both their personal artistry and the broader musical landscape.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eWhat strikes me most about this recording is the intricate interplay between the musicians. Gerald Clayton leads with that distinctive voice that made them a legend, but it's the conversation between all the players that creates the real magic. The harmonic progressions showcase the evolution of jazz during this era, moving beyond traditional structures into more adventurous territory. You can hear the influence of bebop, hard bop, and the emerging modal approaches that would define the future of jazz. The rhythm section provides that perfect foundation – tight but never restrictive, allowing for those spontaneous moments that make jazz so compelling.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrom a Collector's Perspective:\u003c\/strong\u003e\u003cbr\u003eAfter decades of hunting down rare pressings and audiophile releases, I can tell you that records like this don't come around often. Blue Note Records has always been the gold standard for jazz recordings – Alfred Lion and Francis Wolff knew how to capture the essence of a performance. Their attention to detail, from the recording techniques to the pressing quality, set them apart from their contemporaries. This isn't just a record – it's a piece of musical history that belongs in any serious collection. The market for recordings like this has only grown stronger over the years, as more collectors recognize the artistic and historical significance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWhat makes this pressing special:\u003c\/strong\u003e\u003cbr\u003eFBI Anti-Privacy Warning and logo between the Geraldclayton.com \u0026amp; Bluenote.com web addresses and the printed barcode\u003cbr\u003eIncludes liner insert sheet. \u003cbr\u003eMade In Germany sticker on the back of the shrink wrap.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Water's Edge\u003cbr\u003eA2. Elegia\u003cbr\u003eA3. Damunt De Tu Només Les Flors\u003cbr\u003eA4. My Ideal\u003cbr\u003eA5. That Roy\u003cbr\u003eA6. RIP\u003cbr\u003eB1. Just A Dream\u003cbr\u003eB2. My Ideal 2\u003cbr\u003eB3. Peace Invocation\u003cbr\u003eB4. 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The vinyl is quiet between tracks, tracking is excellent throughout, and the overall presentation does justice to the source material. Modern pressing technology has allowed engineers to revisit the original master tapes with fresh ears and cutting-edge equipment, resulting in a sound quality that often surpasses earlier reissues.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCultural Impact \u0026amp; Legacy:\u003c\/strong\u003e\u003cbr\u003eUnderstanding the cultural significance of this recording requires looking beyond just the music itself. Gerald Clayton was working during a period when jazz was not just entertainment, but a form of cultural expression that challenged social norms and pushed artistic boundaries. This recording captures a moment in time when musicians were redefining what American music could be. The influence of this recording can be heard in countless albums that followed. Young musicians studied these performances, learning not just the notes but the approach, the attitude, the fearless creativity that defined this generation of artists. From an investment standpoint, recordings like this have consistently held their value and often appreciated significantly over time. But more importantly, this is the kind of record that changes how you hear music. It's an education in artistic excellence that never gets old.\u003c\/p\u003e\n\u003cp\u003eIf you're building a serious collection, this belongs on your shelf. I guarantee you'll return to this record again and again.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e– Miles Waxey\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Gerald Clayton\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B003494001\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50865893835048,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MzktMTAwNS5qcGVn.jpg?v=1761399226"},{"product_id":"lush-life-john-coltrane-1lp-vinyl","title":"Lush Life - John Coltrane (1LP Vinyl)","description":"\u003cp\u003e\u003cstrong\u003eLush Life\u003c\/strong\u003e by \u003cstrong\u003eJohn Coltrane\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are records that announce themselves loudly, and then there are records that simply lean in close and speak. \"Lush Life\" belongs firmly to the second kind. This 2023 reissue brings John Coltrane's intimate collection back to the turntable, a set of performances that reward the listener who is willing to sit still, dim the lights, and let the horn do the talking.\u003c\/p\u003e\n\u003cp\u003eSide A opens with \"Like Someone In Love,\" a piece that finds Coltrane balancing warmth and precision, phrasing the melody as though he is thinking it through in real time. From there the mood shifts into \"I Love You,\" where the tempo picks up and the interplay tightens, giving the tenor room to stretch and turn a familiar sentiment into something searching and alive.\u003c\/p\u003e\n\u003cp\u003e\"Trane's Slow Blues\" closes the first side and gives the whole record its emotional center of gravity. The title tells you plenly what to expect, yet the playing goes deeper than any label could suggest. This is the blues taken slowly and seriously, unhurried and unforced, a reminder that Coltrane could say more with a single sustained note than most players manage in a full chorus.\u003c\/p\u003e\n\u003cp\u003eFlip to Side B and you arrive at the title track, \"Lush Life,\" one of the most demanding ballads in the entire jazz repertoire. Coltrane approaches it with a tenderness that never tips into sentimentality, following the winding contours of the melody and letting each phrase hang in the air. It is the sort of performance that makes the room feel smaller and the night feel longer.\u003c\/p\u003e\n\u003cp\u003eThe set closes with \"I Hear A Rhapsody,\" a fitting sign off that carries the mood forward while opening the sound back up. It leaves you where the best albums do, wanting to lift the needle and start the whole thing over again, hearing new detail in the familiar shapes each time.\u003c\/p\u003e\n\u003cp\u003ePressed for 2023, this reissue is an easy recommendation for anyone building a serious Coltrane shelf or simply looking for a record that lives up to its name. Lush, patient, and quietly commanding, it captures a side of the artist that trades fireworks for feeling. Drop it on the platter at Miles Waxey and let it fill the space the way it was meant to.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003e2023 Reissue\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Like Someone In Love\u003cbr\u003eA2. I Love You\u003cbr\u003eA3. Trane's Slow Blues\u003cbr\u003eB1. Lush Life\u003cbr\u003eB2. 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This is a Verve Records release, with the original 2001 recording newly presented for a 2024 pressing, distributed by Universal Music Enterprises. The set brings together lush orchestral settings and intimate small-group performances across four sides of 180 gram vinyl.\u003c\/p\u003e\n\u003cp\u003eThe album's centerpiece sessions feature the London Symphony Orchestra, recorded March 9 through 11, 2001 at the legendary Abbey Road Studios in London, with assistant engineers Chris Clark and Richard Lancaster. Additional tracks were captured January 22 through 27 at Avatar Studios in New York City, where Aya Takemura served as assistant engineer, before being mixed March 19 through 23 at Capitol Studios in Hollywood with John Hendrickson assisting. A further group of performances was recorded June 3 and 4, 2001 at Capitol Studios and mixed there June 5 through 7, giving the record its blend of sweeping strings and closer, more direct jazz intimacy.\u003c\/p\u003e\n\u003cp\u003eAcross the program you'll find the standards that made this album a modern classic, from the buoyant opener \"S'Wonderful\" through \"Love Letters\" and \"I Remember You,\" into the smoldering \"Cry Me A River\" and a languid \"Besame Mucho.\" The second half moves through \"The Night We Called It A Day,\" \"Dancing In The Dark,\" and \"I Get Along Without You Very Well,\" building toward the title track \"The Look Of Love\" and closing with \"Maybe You'll Be There.\"\u003c\/p\u003e\n\u003cp\u003eThe audiophile credentials here are serious. Reissue mastering was handled by Bernie Grundman at Bernie Grundman Mastering, working from the original analog tapes. The LPs were pressed at Quality Record Pressings (QRP) on 180 gram vinyl, and the packaging follows the series' high standard: an old-style tip-on gatefold jacket printed by Stoughton Printing on high-grade board. This copy comes as a double pocket gatefold with plain rice paper inner sleeves and a double-sided insert dedicated to the Verve Impulse! Acoustic Sounds Series.\u003c\/p\u003e\n\u003cp\u003eCollectors should note one chapter in this pressing's history. A sound quality issue was identified on the second LP, leading to a recall roughly a month after release. Buyers who obtained an affected copy from Acoustic Sounds were advised that a replacement second LP would be sent, with shipping of those replacements reportedly beginning in late February 2025.\u003c\/p\u003e\n\u003cp\u003eFor anyone drawn to Diana Krall's velvet phrasing and the orchestral grandeur of this record, this Acoustic Sounds Series edition offers a definitive analog presentation, mastered and manufactured to bring out every nuance of these sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eDouble pocket gatefold jacket with plain rice paper inner sleeves and a double-sided insert for \"Verve Impulse! Acoustic Sounds Series\".\u003c\/p\u003e\n\u003cp\u003eA sound quality issue was identified on the second LP leading to a recall around a month after release. Purchases with the issue bought from Acoustic Sounds were advised that a replacement of the second LP would be sent within 2 months but apparently they only started shipping from late February 2025.\u003c\/p\u003e\n\u003cp\u003e[Back cover and labels]\u003cbr\u003eA Verve Records release; ℗ 2001 ℗ 2024 UMG Recordings Inc.\u003cbr\u003eDistributed by Universal Music Enterprises, A division of UMG Recordings, Inc.\u003c\/p\u003e\n\u003cp\u003e[Gatefold interior]\u003cbr\u003e{A2, B1, C1 to D2} recorded January 22-27 at Avatar Studios, NYC\u003cbr\u003eAssistant engineer: Aya Takemura\u003cbr\u003eLondon Symphony Orchestra recorded March 9-11, 2001 at Abbey Road Studios, London\u003cbr\u003eAssistant engineers: Chris Clark and Richard Lancaster\u003cbr\u003eMixed March 19-23 at Capitol Studios, Hollywood\u003cbr\u003eAssistant engineer: John Hendrickson\u003cbr\u003e-\u003cbr\u003e{A1, A3, B2} recorded June 3 and 4, 2001\u003cbr\u003eat Capitol Studios, Hollywood\u003cbr\u003eMixed June 5-7, 2001 at Capitol Studios, Hollywood\u003cbr\u003e-\u003cbr\u003eReissue Mastering: Bernie Grundman, Bernie Grundman Mastering\u003cbr\u003eA Verve Records release: ℗ 2001 ℗ 2024 UMG Recordings Inc.\u003c\/p\u003e\n\u003cp\u003e['Acoustic Sounds Series' sticker]\u003cbr\u003eAudiophile vinyl reissues from the world's greatest jazz labels\u003cbr\u003e• Mastered from the original analog tapes by top mastering engineers\u003cbr\u003e• Manufactured at Quality Record Pressings (QRP) on 180 gram vinyl\u003cbr\u003e• Tip-on gatefold sleeves printed on high-grade board\u003c\/p\u003e\n\u003cp\u003e[Acoustic Sounds product page]\u003cbr\u003eMastered by Bernie Grundman from the original analog tapes\u003cbr\u003e180-gram 2LPs pressed at Quality Record Pressings!\u003cbr\u003eStoughton Printing gatefold old-style tip-on jackets\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. S'Wonderful\u003cbr\u003eA2. Love Letters\u003cbr\u003eA3. I Remember You\u003cbr\u003eB1. Cry Me A River\u003cbr\u003eB2. Besame Mucho\u003cbr\u003eC1. The Night We Called It A Day\u003cbr\u003eC2. Dancing In The Dark\u003cbr\u003eC3. I Get Along Without You Very Well\u003cbr\u003eD1. The Look Of Love\u003cbr\u003eD2. Maybe You'll Be There\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Diana Krall\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 602458986808\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Acoustic Sounds Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50870179758376,"sku":null,"price":26.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MzUtODk0Mi5qcGVn.jpg?v=1761580779"},{"product_id":"sings-and-plays-with-bud-shank-russ-freeman-and-strings-chet-baker-1lp-vinyl-tone-poet-series","title":"Sings And Plays With Bud Shank, Russ Freeman And Strings - Chet Baker (1LP Vinyl) [Tone Poet Series]","description":"\u003cp\u003e\u003cstrong\u003eSings And Plays With Bud Shank, Russ Freeman And Strings\u003c\/strong\u003e by \u003cstrong\u003eChet Baker\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are certain records that capture a moment when a young artist stood at the crossroads of pure instinct and refined craft, and Chet Baker's \"Sings And Plays With Bud Shank, Russ Freeman And Strings\" is one of them. Originally released by Pacific Jazz Records in 1955, this session finds Baker embracing both sides of his singular gift, his trumpet and his voice, framed by strings and the contributions of Bud Shank and Russ Freeman. It remains a defining document of West Coast jazz at its most intimate and romantic.\u003c\/p\u003e\n\u003cp\u003eThe program balances Baker's tender vocal readings with his warm, unhurried horn. Opening with \"Let's Get Lost,\" the record moves through a beautifully chosen sequence of standards and ballads, including \"Long Ago And Far Away,\" \"Someone To Watch Over Me,\" and \"Just Friends.\" Side B carries that same reflective spirit forward with \"I Wish I Knew,\" \"You Don't Know What Love Is,\" and the quietly evocative \"Grey December,\" before closing on the wistful \"I Remember You.\"\u003c\/p\u003e\n\u003cp\u003eMuch of the album's enduring appeal lies in its restraint. Baker never oversings and never overplays; instead he leans into the melody, letting the strings and the accompaniment carry an atmosphere of late night longing. It is a mood that has drawn listeners back to this recording for decades, a portrait of a musician trusting the song itself to do the emotional work.\u003c\/p\u003e\n\u003cp\u003eThis 2023 Blue Note reissue treats the material with the care it deserves. Cut directly from the original analog tapes and mastered by Kevin Gray at Cohearent Audio, it was manufactured at Record Technology Inc. on 180 gram vinyl, a combination long favored by collectors who want the closest possible connection to the source. The result honors the natural warmth and detail of the original session.\u003c\/p\u003e\n\u003cp\u003eA brief technical note accompanies the release: on \"This Is Always\" there is a short tape glitch that is present on the master tape itself. Rather than obscure it, the reissue preserves this small artifact of the original recording, a reminder that you are hearing the music as it was captured all those years ago.\u003c\/p\u003e\n\u003cp\u003ePresented in a deluxe tip-on jacket, this edition pairs classic Blue Note presentation with genuinely audiophile intentions. For anyone who loves the hushed romance of Chet Baker, or who wants to understand why his early Pacific Jazz work still resonates so strongly, this pressing offers a rewarding and faithful way to experience one of his most cherished sessions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003e[On hype sticker]\u003cbr\u003eCut directly from the original analog tapes\u003cbr\u003eMastered by Kevin Gray at Cohearent Audio\u003cbr\u003eManufactured at Record Technology Inc. (RTI) on 180 gram vinyl\u003cbr\u003e \u003cbr\u003e[On rear cover]\u003cbr\u003e \u003cbr\u003eTechnical note: On \"This Is Always\" there is a brief tape glitch that is present on the master tape.\u003cbr\u003e \u003cbr\u003eA Blue Note Records release; originally released by Pacific Jazz Records in 1955\u003cbr\u003e© 2023 UMG Recordings, Inc. Blue Note® is a registered trademark of Capitol Records, Inc.\u003cbr\u003e \u003cbr\u003ePackaged in a deluxe tip-on jacket.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Let's Get Lost\u003cbr\u003eA2. This Is Always\u003cbr\u003eA3. Long Ago And Far Away\u003cbr\u003eA4. Someone To Watch Over Me\u003cbr\u003eA5. Just Friends\u003cbr\u003eB1. I Wish I Knew\u003cbr\u003eB2. Daybreak\u003cbr\u003eB3. You Don't Know What Love Is\u003cbr\u003eB4. Grey December\u003cbr\u003eB5. I Remember You\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Chet Baker\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Pacific Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0034169-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Tone Poet Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Germany\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e","brand":"Pacific Jazz","offers":[{"title":"Default Title","offer_id":50870653780264,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NTMtODQ1Mi5qcGVn.jpg?v=1761594295"},{"product_id":"great-jazz-standards-gil-evans-and-his-orchestra-1lp-vinyl-tone-poet-series","title":"Great Jazz Standards - Gil Evans And His Orchestra (1LP Vinyl) [Tone Poet Series]","description":"\u003cp\u003e\u003cstrong\u003eGreat Jazz Standards\u003c\/strong\u003e by \u003cstrong\u003eGil Evans And His Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew arrangers ever commanded the orchestral palette with the imagination that Gil Evans brought to the studio, and \"Great Jazz Standards\" stands as a testament to his gift for reharmonizing familiar material into something wholly his own. Recorded across early 1959 and a session dated February 5, 1959 in New York City, this collection finds Evans and his orchestra reworking a set of pieces drawn from across the jazz tradition, giving each one the depth and texture that became his signature.\u003c\/p\u003e\n\u003cp\u003eThe program moves with real breadth, opening on the vintage warmth of \"Davenport Blues\" and Thelonious Monk's \"Straight No Chaser\" before easing into the aching lyricism of \"Ballad Of The Sad Young Men\" and the bright optimism of Clifford Brown's \"Joy Spring.\" Side two carries the same range, from the stately elegance of John Lewis's \"Django\" to the wry, serpentine turns of \"Chant Of The Weed\" and the closing \"Theme.\" Together they show how thoroughly Evans could reshape a melody, coloring it with unexpected voicings and shifting shades of brass and reeds.\u003c\/p\u003e\n\u003cp\u003eThis edition arrives as part of the celebrated Blue Note Tone Poet Series, the audiophile reissue line devoted to presenting classic recordings with the utmost care. The reissue was supervised by Joe Harley and cut directly from the original analog tapes, with mastering handled by Kevin Gray at Cohearent Audio. It was manufactured at Record Technology Inc. on 180 gram vinyl, with etched runouts, the hallmark of a pressing made to be heard as its makers intended.\u003c\/p\u003e\n\u003cp\u003eThe presentation reflects the same attention to detail. The record includes an 11.5\" x 11.5\" monochrome single side printed insert, and the protective clear plastic bag carries the distinctive Blue Note Tone Poet Series hype sticker to the front. As a technical note preserved from the source, there are brief tape glitches on the master of \"Ballad Of The Sad Young Men\" and \"Chant Of The Weed,\" artifacts carried over faithfully from the original tapes rather than corrected or obscured.\u003c\/p\u003e\n\u003cp\u003eOriginally a Richard Bock Production released by World Pacific Records in 1959, \"Great Jazz Standards\" now reaches listeners once more as a Blue Note Records release, issued in 2023 by UMG Recordings, Inc. It remains a beautifully realized document of Evans at a pivotal moment in his career, an arranger reimagining the canon with wit and grandeur.\u003c\/p\u003e\n\u003cp\u003eFor collectors of Gil Evans, admirers of the Tone Poet Series, or anyone drawn to the golden age of orchestral jazz, this is an essential addition to the shelf, a record that rewards close listening every time it spins.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eComes with an 11.5\" x 11.5\" monochrome single side printed insert. With \"Blue Note Tone Poet Series\" hype sticker to the front of the protective clear plastic bag.\u003c\/p\u003e\n\u003cp\u003e[Back cover]\u003cbr\u003eRecorded on February 5, 1959 (Tracks A3, A4, B2, B3) and early 1959 (A1, A2, B1) NYC, NY.\u003cbr\u003eTechnical Note: There are brief tape glitches on the master of Ballad Of The Sad Young Men and Chant Of The Weed.\u003cbr\u003e \u003cbr\u003eA Richard Bock Production\u003cbr\u003eWorld Pacific Records ∙ A Division of Pacific Enterprises, Inc. ∙ Hollywood, California\u003cbr\u003eBlue Note® is a registered trademark of Capitol Records, LLC.\u003c\/p\u003e\n\u003cp\u003e[Back cover and labels]\u003cbr\u003eA Blue Note Records release; originally released by World-Pacific Records in 1959 © 2023 UMG Recordings, Inc.\u003c\/p\u003e\n\u003cp\u003e[Insert]\u003cbr\u003eA Blue Note Records release; © 2023 UMG Recordings, Inc.\u003c\/p\u003e\n\u003cp\u003e[Hype sticker]\u003cbr\u003eCut directly from the original analog tapes\u003cbr\u003eReissue Supervised by Joe Harley\u003cbr\u003eMastered by Kevin Gray at Cohearent Audio\u003cbr\u003eManufactured at Record Technology Inc. (RTI) on 180 gram vinyl\u003c\/p\u003e\n\u003cp\u003eRunouts are etched.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Davenport Blues\u003cbr\u003eA2. Straight No Chaser\u003cbr\u003eA3. Ballad Of The Sad Young Men\u003cbr\u003eA4. Joy Spring\u003cbr\u003eB1. Django\u003cbr\u003eB2. Chant Of The Weed\u003cbr\u003eB3. Theme\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Gil Evans And His Orchestra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Johnny Coles\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e World Pacific Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0034361-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Tone Poet Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Germany\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e","brand":"World Pacific Records","offers":[{"title":"Default Title","offer_id":50870667575592,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/81Clb3v5r0L._AC_UY436_FMwebp_QL65.webp?v=1761595286"},{"product_id":"out-of-the-cool-gil-evans-and-his-orchestra-1lp-vinyl-acoustic-sounds-series","title":"Out Of The Cool - Gil Evans And His Orchestra (1LP Vinyl) [Acoustic Sounds Series]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eOut Of The Cool\u003c\/strong\u003e by \u003cstrong\u003eGil Evans And His Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew records in the modern jazz canon carry the atmospheric weight of \"Out Of The Cool\" by Gil Evans And His Orchestra. Originally released on Impulse Records in 1961, this is a landmark of orchestral jazz arranging, a work where color, texture, and space matter as much as the notes themselves. This reissue arrives as part of the Acoustic Sound Series, a program devoted to giving classic titles the audiophile treatment they deserve.\u003c\/p\u003e\n\u003cp\u003eThe album opens on Side A with \"La Nevada,\" an expansive piece that gives the orchestra room to stretch and breathe, unfolding with the kind of patient momentum that became an Evans signature. It is followed by \"Where Flamingos Fly,\" credited here to John Benson Brooks, a moody and evocative feature that lets the ensemble sink into a slow, smoldering mood. Together the two tracks map out the emotional range of the record, from restless drive to hushed introspection.\u003c\/p\u003e\n\u003cp\u003eSide B carries the same adventurous spirit. It begins with the \"Bilbao Song,\" credited to Kurt Weill, bringing a touch of theatrical drama into the orchestral fold. \"Stratusphunk\" follows with its angular, blues-inflected swagger, and the set closes with \"Sunken Treasure,\" a title that suits the deep, resonant textures Evans coaxes from his players. Across both sides, the arrangements reward close listening, revealing new details in the interplay of horns and rhythm.\u003c\/p\u003e\n\u003cp\u003eThis 2021 pressing was mastered with real care, and the runouts are etched with \"STERLING\" stamped into the wax, a mark long associated with quality lacquer cutting. It comes housed in a single pocket gatefold jacket with a non-labeled rice paper inner sleeve, protecting the record while keeping the presentation clean and understated.\u003c\/p\u003e\n\u003cp\u003eThe packaging reflects the collectible nature of the release. The record ships in a clear poly bag bearing two stickers on its front, one reading '60 Impulse!' and the other 'Acoustic Sound Series.' Inside you will also find an 11\" x 11\" 'Acoustic Sound Series' insert, a nice touch for those who appreciate the details that come with a considered reissue.\u003c\/p\u003e\n\u003cp\u003eThe back cover and label note that this is a Verve Records release, a product of Am-Par Record Corp., printed in the U.S.A., with copyright held by UMG Recordings, Inc. and distribution handled by Universal Music Enterprises. For collectors and newcomers alike, it is a chance to hear one of Gil Evans' finest orchestral statements presented with the fidelity and packaging it warrants, a record that continues to sound as expansive and forward-looking today as it did on its first appearance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eComes in a clear poly bag with two stickers on its front - '60 Impulse!' and 'Acoustic Sound Series'. Single pocket gatefold jacket with a non-labeled rice paper inner sleeve and an 11\" x 11\" 'Acoustic Sound Series' insert.\u003c\/p\u003e\n\u003cp\u003e[Back cover]\u003cbr\u003ePrinted in U.S.A. A product of Am-Par Record Corp.\u003cbr\u003eA Verve Records release; Originally released on Impulse Records in 1961. © 2021 UMG Recordings, Inc. Distributed by Universal Music Enterprises, a Division of UMG Recordings, Inc.\u003c\/p\u003e\n\u003cp\u003e[Label]\u003cbr\u003eA product of Am-Par Record Corp.\u003cbr\u003ePrinted in U.S.A.\u003cbr\u003eA Verve Records release; Originally released on Impulse Records in 1961. © 2021 UMG Recordings, Inc.\u003cbr\u003e{Side A}\u003cbr\u003eOn 'Where Flamingos Fly' (A2) only 'John Benson Brooks' is identified as the writer.\u003cbr\u003e{Side B}\u003cbr\u003eOn 'Bilbao' (B1) only 'Kurt Weill' is identified as the writer.\u003c\/p\u003e\n\u003cp\u003e[Insert]\u003cbr\u003e© 2020 UMG Recordings, Inc.\u003c\/p\u003e\n\u003cp\u003eRunouts are etched: \"STERLING\" stamped.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. La Nevada\u003cbr\u003eA2. Where Flamingos Fly\u003cbr\u003eB1. Bilbao Song\u003cbr\u003eB2. Stratusphunk\u003cbr\u003eB3. Sunken Treasure\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Gil Evans And His Orchestra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0033211-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Acoustic Sounds Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2021\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003cp\u003eRelated: \u003ca href=\"\/blogs\/articles\/gil-evans-out-of-the-cool-the-impulse-debut-that-rewrote-the-rules-of-jazz-orchestration\"\u003eRead the full review\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":50870683861288,"sku":null,"price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MjYtMzQ5MS5qcGVn.jpg?v=1761596138"},{"product_id":"bill-evans-at-town-hall-volume-one-the-bill-evans-trio-1lp-vinyl-acoustic-sounds-series","title":"Bill Evans At Town Hall (Volume One) - The Bill Evans Trio (1LP Vinyl) [Acoustic Sounds Series]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eBill Evans At Town Hall (Volume One)\u003c\/strong\u003e by \u003cstrong\u003eThe Bill Evans Trio\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are records that document a performance, and then there are records that capture a moment when an artist lays something deeply personal onto tape. \"Bill Evans At Town Hall (Volume One)\" belongs firmly to the latter camp. Recorded at Town Hall in New York on February 21, 1966, it finds The Bill Evans Trio in a concert setting, working through a program that balances tender interpretation with quiet emotional weight.\u003c\/p\u003e\n\u003cp\u003eThe A-side opens with \"I Should Care,\" a ballad that suits Evans perfectly, all patient phrasing and unhurried touch. From there the trio moves into \"Spring Is Here,\" where Evans lets melody breathe and space do much of the talking, before closing the side with \"Who Can I Turn To (When Nobody Needs Me).\" Across these three pieces you hear the qualities that made the trio so distinctive: the interplay, the restraint, and the sense that every note has been considered rather than simply played.\u003c\/p\u003e\n\u003cp\u003eTurn the record over and the mood shifts. \"Make Someone Happy\" gives the B-side a warmer, more open feeling, the kind of standard that Evans could reshape into something entirely his own without ever overplaying his hand. It is a reminder that this trio could swing gently and lift a room while still keeping the intimacy that defines the whole set.\u003c\/p\u003e\n\u003cp\u003eThe heart of the album, though, is the extended solo piece dedicated to his father, offered in memory of Harry L. Evans, 1891 to 1966. Performed alone at the piano, it is a moving and unmistakably private statement given in a public hall. Knowing the dedication changes how you listen; the phrasing carries a grief and tenderness that no ensemble arrangement could match. It stands as one of the most personal recordings in Evans's catalog.\u003c\/p\u003e\n\u003cp\u003eThis pressing carries the hallmarks that collectors look for. The runouts are etched with the \"STERLING\" stamp, a detail that speaks to the mastering pedigree behind the disc and adds to its appeal for those who care about how a record was cut and where it came from.\u003c\/p\u003e\n\u003cp\u003eFor anyone drawn to Bill Evans, or to the art of the piano trio in general, this is an essential document. It captures a specific night in New York, a specific frame of mind, and a body of music that ranges from graceful standards to profound personal tribute. Sit with it from the first bars of \"I Should Care\" through to that closing solo, and you have a portrait of an artist at his most expressive and most human.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRecorded at Town Hall, New York on February 21, 1966.\u003c\/p\u003e\n\u003cp\u003eRunouts are etched: \"STERLING\" stamped.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. I Should Care\u003cbr\u003eA2. Spring Is Here\u003cbr\u003eA3. Who Can I Turn To (When Nobody Needs Me)\u003cbr\u003eB1. Make Someone Happy\u003cbr\u003e. Solo - In Memory Of His Father, Harry L. Evans, 1891-1966\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e The Bill Evans Trio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0033781-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Acoustic Sounds Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50870684451112,"sku":null,"price":31.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NjUtMzI2MC5qcGVn.jpg?v=1761596193"},{"product_id":"out-of-the-cool-gil-evans-and-his-orchestra-1lp-vinyl-vital-vinyl","title":"Out Of The Cool - Gil Evans And His Orchestra (1LP Vinyl) [Vital Vinyl]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eOut Of The Cool\u003c\/strong\u003e by \u003cstrong\u003eGil Evans And His Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew records in the modern jazz canon capture the sound of an orchestra breathing as one quite like this Gil Evans session. Evans, one of the great architects of ensemble color, assembled a body of work here that moves with patience and depth, letting space and texture do as much of the talking as the soloists themselves. This is music built for immersion, rewarding the listener who is willing to sit with it and let the arrangements unfold.\u003c\/p\u003e\n\u003cp\u003eSide A opens with \"La Nevada,\" a long, simmering piece that shows exactly what Evans could do with a groove and a canvas of time. It settles into a hypnotic pulse and lets the horns wander and return, an object lesson in the art of the extended jazz form. It is followed by \"Where Flamingos Fly,\" a slower, more introspective statement that trades momentum for mood, wrapping the ensemble around a haunting central melody.\u003c\/p\u003e\n\u003cp\u003eFlip to Side B and the program broadens further. \"Bilbao Song,\" drawn from the Kurt Weill songbook, brings a theatrical, almost cabaret swagger that Evans reshapes into something distinctly his own. \"Stratusphunk\" follows with a knottier, more angular character, a piece that lets the orchestra dig into rhythm and tension. The set closes on \"Sunken Treasure,\" a fitting title for a record so concerned with depth and atmosphere, drawing the listening experience to a quietly considered finish.\u003c\/p\u003e\n\u003cp\u003eWhat makes \"Out Of The Cool\" endure is the way Evans treats the orchestra as a single expressive instrument. Rather than lining up soloist after soloist over a rhythm section, he layers voices and colors so that the ensemble itself becomes the star. The five pieces here give that approach room to develop, ranging from the expansive to the intimate and offering a complete portrait of Evans as both composer and conductor.\u003c\/p\u003e\n\u003cp\u003eThis pressing comes complete with a double-sided innersleeve that carries the liner notes, full credits, and a photo, giving you the context and detail that these recordings deserve. The front of the album carries a \"Vital Vinyl\" sticker on the shrinkwrap, while the back features a \"Made in Czech Republic\" sticker, marking its origins for collectors who track such details.\u003c\/p\u003e\n\u003cp\u003eFor anyone building a serious jazz collection, this is an essential Gil Evans document, a record that sits comfortably alongside his more celebrated collaborations while standing entirely on its own merits. It is a set that rewards repeated listening, revealing new textures and inner voices with each spin, and it belongs on the shelf of anyone drawn to the orchestral side of the music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eFront album contains \"Vital Vinyl\" sticker on shrinkwrap, back has \"Made in Czech Republic\" sticker.\u003c\/p\u003e\n\u003cp\u003eIncludes double-sided innersleeve with liner notes, credits and photo.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. La Nevada\u003cbr\u003eA2. Where Flamingos Fly\u003cbr\u003eB1. Bilbao Song\u003cbr\u003eB2. Stratusphunk\u003cbr\u003eB3. Sunken Treasure\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Gil Evans And His Orchestra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 00602577464294\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Vital Vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2019\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":50870692544808,"sku":null,"price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MTMtMzc4Ni5qcGVn.jpg?v=1761596806"},{"product_id":"duke-ellington-meets-coleman-hawkins-duke-ellington-1lp-vinyl-acoustic-sounds-series","title":"Duke Ellington Meets Coleman Hawkins - Duke Ellington (1LP Vinyl) [Acoustic Sounds Series]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eDuke Ellington Meets Coleman Hawkins\u003c\/strong\u003e by \u003cstrong\u003eDuke Ellington\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eWhen two titans of American music share a studio, the results speak for themselves. Recorded on August 18, 1962, this meeting between Duke Ellington and the great tenor saxophonist Coleman Hawkins captures a moment of genuine mutual respect, with Ellington's compositional world opening its doors to the man they called \"the Bean.\" Originally issued in 1963 on Impulse! Records, the album has long stood as a highlight in both leaders' extensive catalogs.\u003c\/p\u003e\n\u003cp\u003eThe program moves with the easy confidence of masters at play. It opens with the loose, Latin sway of \"Limbo Jazz\" before settling into one of Ellington's most beloved statements, \"Mood Indigo,\" a piece whose smoky elegance takes on new color in Hawkins's hands. \"Ray Charles' Place\" and \"Wanderlust\" round out the first side, offering a mix of blues feeling and swinging invention.\u003c\/p\u003e\n\u003cp\u003eThe second side keeps the conversation flowing, from the bluesy \"You Dirty Dog\" to the tender, unhurried \"Self Portrait (Of The Bean),\" a feature that lets Hawkins muse in his own reflective language. \"The Jeep Is Jumpin'\" brings back the buoyant Ellington swing, and \"The Ricitic\" closes the set on a spirited note. Across all eight tracks, the pairing feels natural, two distinct voices finding common ground in the shared vocabulary of jazz.\u003c\/p\u003e\n\u003cp\u003eThis 2022 reissue arrives as part of the acclaimed Acoustic Sounds Series, a program devoted to audiophile pressings drawn from the world's greatest jazz labels. Mastered from the original analog tapes and pressed on 180 gram vinyl at Quality Record Pressings, it is presented under reissue supervisor Chad Kassem of Acoustic Sounds. The Sterling mastering stamp appears in the runout among the etched markings, a small but telling detail for collectors who value provenance.\u003c\/p\u003e\n\u003cp\u003ePresentation matches the care taken with the sound. The album comes in a tip-on gatefold sleeve printed on high-grade board, with the opening along the back outer edge, and the vinyl is housed in a non-branded rice paper inner sleeve. An 11 by 11 inch Acoustic Sounds Series insert is included to complete the package.\u003c\/p\u003e\n\u003cp\u003eIssued as a Verve Records release under the Impulse! banner and distributed by Universal Music Enterprises, this pressing was manufactured in the U.S.A. For anyone drawn to the deep well of Ellingtonia or the timeless warmth of Hawkins's tenor, this reissue offers a definitive way to experience their historic collaboration, honoring the original 1963 session with the fidelity and craftsmanship the music deserves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eReleased in a gatefold sleeve with one opening on the back outer edge. Vinyl comes in a non-branded rice paper inner sleeve. An 11\"x11\" insert for 'Acoustic Sounds Series' is included.\u003c\/p\u003e\n\u003cp\u003e[From back cover]\u003cbr\u003ePrinted In U.S.A.\u003cbr\u003eA Verve Records release. Originally released in 1963 on Impulse! Records\u003cbr\u003e© 2022 UMG Recordings Inc.\u003cbr\u003eDistributed by Universal Music Enterprises, A Division of UMG Recordings.\u003c\/p\u003e\n\u003cp\u003e[From gatefold interior]\u003cbr\u003eMade in U.S.A.\u003cbr\u003eThe recording took place August 18, 1962\u003cbr\u003eReissue Supervisor: Chad Kassem, Acoustic Sounds\u003c\/p\u003e\n\u003cp\u003e[From labels]\u003cbr\u003ePrinted In U.S.A.\u003cbr\u003eA Verve Records release. Originally released in 1963 on Impulse! Records © 2022 UMG Recordings Inc.\u003c\/p\u003e\n\u003cp\u003e[From 1st sticker (Acoustic Sound Series)]\u003cbr\u003eAudiophile vinyl reissues from the world's greatest jazz labels\u003cbr\u003e• Mastered from the original analog tapes by top mastering engineers\u003cbr\u003e• Manufactured at Quality Record Pressings (QRP) on 180 gram vinyl\u003cbr\u003e• Tip-On gatefold sleeves printed on high-grade board\u003cbr\u003eSTDACOUST2\u003c\/p\u003e\n\u003cp\u003e[From 2nd sticker]\u003cbr\u003e60\u003cbr\u003eimpulse!\u003cbr\u003eSTDIMP60LP\u003c\/p\u003e\n\u003cp\u003eRunouts are etched except 'STERLING' is stamped.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Limbo Jazz\u003cbr\u003eA2. Mood Indigo\u003cbr\u003eA3. Ray Charles' Place\u003cbr\u003eA4. Wanderlust\u003cbr\u003eB1. You Dirty Dog\u003cbr\u003eB2. Self Portrait (Of The Bean)\u003cbr\u003eB3. The Jeep Is Jumpin'\u003cbr\u003eB4. The Ricitic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Duke Ellington\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Coleman Hawkins\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Impulse!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0033795-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Acoustic Sounds Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Impulse!","offers":[{"title":"Default Title","offer_id":50870693232936,"sku":null,"price":27.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NjItOTY5NC5qcGVn.jpg?v=1761596924"},{"product_id":"valentine-bill-frisell-2lp-vinyl","title":"Valentine - Bill Frisell (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eValentine\u003c\/strong\u003e by \u003cstrong\u003eBill Frisell\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eBill Frisell's \u003cem\u003eValentine\u003c\/em\u003e arrives on Blue Note Records as a warm, wide-ranging document of one of the guitar's most distinctive voices. Spread across four sides and housed in a handsome gatefold sleeve, this 2020 release gathers original compositions, standards, and traditional material into a single, unhurried statement. It is a record that rewards patience, unfolding its ideas the way Frisell has always favored, with space, texture, and a quiet sense of discovery.\u003c\/p\u003e\n\u003cp\u003eThe program opens with \"Baba Drame,\" published by Label Bleu, before settling into a run of Frisell originals that form the backbone of the album. \"Hour Glass,\" the title track \"Valentine,\" and \"Levees\" showcase his gift for melody as space, while side B continues with \"Winter Always Turns To Spring\" and \"Keep Your Eyes Open.\" These pieces, published through Frizz-Tone Music, carry the unmistakable Frisell signature: tunes that feel both freshly composed and somehow long remembered.\u003c\/p\u003e\n\u003cp\u003eInterpretation has always been central to Frisell's art, and \u003cem\u003eValentine\u003c\/em\u003e leans into that instinct with care. Billy Strayhorn's \"A Flower Is A Lovesome Thing\" appears on side B, published by Tempo Music, a nod to the great American songbook tradition that runs beneath so much of Frisell's playing. Side D reaches toward Burt Bacharach and Hal David with \"What The World Needs Now Is Love,\" a choice that feels tender rather than nostalgic, its message resonating clearly in the hands of a trio unafraid of directness.\u003c\/p\u003e\n\u003cp\u003eThe traditional and public domain material gives the album its emotional anchor. \"Wagon Wheels\" on side C and the closing \"We Shall Overcome\" on side D root the record in something older and communal, the kind of shared songbook that Frisell has long treated as sacred ground. Placed alongside originals like \"Electricity,\" \"Aunt Mary,\" and \"Where Do We Go?,\" these pieces expand the album's reach, connecting personal invention to a broader American vernacular.\u003c\/p\u003e\n\u003cp\u003eThe sound of the pressing matters here, and \u003cem\u003eValentine\u003c\/em\u003e was recorded and mixed at Flora Recording \u0026amp; Playback in Portland, Oregon, then mastered at Sterling Sound in Edgewater, New Jersey. That pairing lends the music a natural, roomy presence, letting every string and cymbal breathe across the grooves. Released under Blue Note Records with a 2020 UMG copyright, it is a session built for careful listening on a good system.\u003c\/p\u003e\n\u003cp\u003eFor collectors and listeners drawn to Frisell's singular blend of jazz, folk, and Americana, \u003cem\u003eValentine\u003c\/em\u003e stands as an essential entry in his catalog. It is a generous, deeply felt record, one that treats melody as an act of affection and invites you to return to it again and again.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eGatefold sleeve.\u003c\/p\u003e\n\u003cp\u003eTrack A1: Published by Label Bleu (SACEM)\u003cbr\u003eTracks A2, A3, A4, B1, B2, C1, C3, D2: Published by Frizz-Tone Music (BMI)\u003cbr\u003eTrack B3: Published by Tempo Music (ASCAP)\u003cbr\u003eTracks C2, D3: Public Domain\u003cbr\u003eTrack D1: Published by Hidden Valley Music (ASCAP), Casa David (ASCAP)\u003c\/p\u003e\n\u003cp\u003eAll songs recorded and mixed by (...) and assisted by (...) at Flora Recording \u0026amp; Playback, Portland, OR.\u003cbr\u003eMastered by (...) at Sterling Sound, Edgewater, NJ.\u003c\/p\u003e\n\u003cp\u003eBlue Note Records; ℗© 2020 UMG Recordings, Inc.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Baba Drame\u003cbr\u003eA2. Hour Glass\u003cbr\u003eA3. Valentine\u003cbr\u003eA4. Levees\u003cbr\u003eB1. Winter Always Turns To Spring\u003cbr\u003eB2. Keep Your Eyes Open\u003cbr\u003eB3. A Flower Is A Lovesome Thing\u003cbr\u003eC1. Electricity\u003cbr\u003eC2. Wagon Wheels\u003cbr\u003eC3. Aunt Mary\u003cbr\u003eD1. What The World Needs Now Is Love\u003cbr\u003eD2. Where Do We Go?\u003cbr\u003eD3. We Shall Overcome\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Bill Frisell\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 60250899210\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50870694740264,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OTUtNDI1MS5qcGVn.jpg?v=1761597069"},{"product_id":"portrait-of-art-farmer-art-farmer-1lp-vinyl-craft-recordings","title":"Portrait Of Art Farmer - Art Farmer (1LP Vinyl) [CRAFT Recordings]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003ePortrait Of Art Farmer\u003c\/strong\u003e by \u003cstrong\u003eArt Farmer\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew trumpeters ever balanced fire and elegance the way Art Farmer did, and this reissue of \"Portrait Of Art Farmer\" captures him at a moment of quiet mastery. Recorded in New York City on April 19 and May 1, 1958, under the supervision of Nat Hentoff, the album finds Farmer moving through a program that swings hard, sings softly, and lingers wherever a ballad calls for restraint.\u003c\/p\u003e\n\u003cp\u003eThe record opens with \"Back In The Cage\" before easing into \"Stablemates\" and the tender \"The Very Thought Of You,\" a side that closes with \"And Now....\" Turn it over and you find \"Nita,\" \"By Myself,\" \"Too Late Now,\" and \"Earth,\" a stretch that shows off Farmer's warmth of tone and his instinct for melody. Together the eight titles form a genuine portrait, one that lets Farmer's phrasing breathe across up-tempo lines and slow, considered readings alike.\u003c\/p\u003e\n\u003cp\u003eCraft Recordings has treated this edition with the care the music deserves. Issued in association with Contemporary Records, it carries the ℗ 2023 and © 1958 dates, manufactured and distributed by Concord and made in the U.S.A. This is a reissue built for listeners who want the session presented honestly and completely, without gloss or gimmick.\u003c\/p\u003e\n\u003cp\u003eThe audiophile credentials run deep. This is an all analog (AAA) production, with lacquers cut directly from the original master tapes by the legendary Bernie Grundman. Pressed on 180-gram vinyl at QRP, one of the finest plants operating today, it delivers the kind of clarity and depth that make a 1958 date feel present in the room. The runouts are etched, a small detail collectors will appreciate.\u003c\/p\u003e\n\u003cp\u003eOne quirk worth noting for the completists: the credits on tracks B1 and B2 are incorrectly reversed between the rear cover and the labels. It is the sort of pressing footnote that gives a record its character, and a talking point that any serious collector will recognize and enjoy.\u003c\/p\u003e\n\u003cp\u003eFor anyone building a shelf of late 1950s jazz, or simply looking for an evening of trumpet playing that rewards close attention, \"Portrait Of Art Farmer\" is an easy record to love. Farmer never overplays; he lets each line unfold with taste and confidence, and this pressing lets you hear every bit of it. Drop the needle on \"Stablemates\" or sit with \"The Very Thought Of You,\" and the portrait comes fully into focus.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRecorded in New York City April 19 \u0026amp; May 1, 1958 under the supervision of Nat Hentoff.\u003c\/p\u003e\n\u003cp\u003e℗ 2023 \u0026amp; © 1958 Craft Recordings. Manufactured and Distributed by Concord.\u003cbr\u003eMade in U.S.A.\u003c\/p\u003e\n\u003cp\u003eIn Association with Contemporary Records\u003c\/p\u003e\n\u003cp\u003e(AAA) Lacquers cut from the original master tapes by Bernie Grundman\u003cbr\u003ePressed on 180-gram vinyl at QRP\u003c\/p\u003e\n\u003cp\u003eThe credits on tracks B1 and B2 are incorrectly reversed between rear covers and labels.\u003c\/p\u003e\n\u003cp\u003eRunouts are etched.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Back In The Cage\u003cbr\u003eA2. Stablemates\u003cbr\u003eA3. The Very Thought Of You\u003cbr\u003eA4. And Now...\u003cbr\u003eB1. Nita\u003cbr\u003eB2. By Myself\u003cbr\u003eB3. Too Late Now\u003cbr\u003eB4. Earth\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Art Farmer\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CR00605\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e CRAFT Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":50870699589928,"sku":null,"price":19.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MzctNjMxMC5qcGVn.jpg?v=1761597492"},{"product_id":"the-poll-winners-the-poll-winners-1lp-vinyl-craft-recordings","title":"The Poll Winners - The Poll Winners (1LP Vinyl) [CRAFT Recordings]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe Poll Winners\u003c\/strong\u003e by \u003cstrong\u003eThe Poll Winners\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are records that document a band, and there are records that document a conversation. \"The Poll Winners\" belongs firmly in the second camp, a session built around the simple, irresistible premise of putting the finest players of the moment in a room together and letting them talk. Captured over two days on March 18 and 19, 1957, it carries the easy confidence of musicians who have nothing left to prove and everything left to say.\u003c\/p\u003e\n\u003cp\u003eThe program is a beautifully balanced mix of standards and originals, and it opens with a statement of intent. \"Jordu\" arrives first, all forward motion and interlocking rhythm, before the mood softens into the sly elegance of \"Satin Doll.\" From there the record moves through the tender, unhurried romance of \"It Could Happen To You\" and the lightly swinging ache of \"Mean To Me,\" closing out the first side with a sense of shape and pacing that never feels accidental.\u003c\/p\u003e\n\u003cp\u003eTurn it over and the conversation deepens. \"Don't Worry 'Bout Me\" sets a reflective tone, followed by the shimmering, much loved changes of \"Green Dolphin Street,\" a vehicle that gives everyone room to stretch and reason together. \"You Go To My Head\" lingers in that late night, after hours space where a ballad becomes something closer to a confession, phrased with patience and restraint.\u003c\/p\u003e\n\u003cp\u003eThe final stretch shows off the group's range and its sense of humor. \"Minor Mood\" leans into a cooler, more introspective color, a study in understatement, before \"Nagasaki\" sends the whole thing off with a bright, spirited flourish, the kind of closer that leaves you reaching to play the side again. It is a sequence that rewards listening straight through, each track setting up the next.\u003c\/p\u003e\n\u003cp\u003eThis pressing treats the music with the respect it deserves. Cut with all-analog mastering directly from the original tapes, it preserves the warmth, air, and dynamic detail of the 1957 sessions without any digital detour in the chain. The result is a presentation that lets the interplay breathe, keeping the players present and dimensional in the room with you.\u003c\/p\u003e\n\u003cp\u003ePressed on 180g vinyl and made in the U.S.A., with etched runouts in the dead wax, it is the kind of edition collectors and listeners return to again and again. For anyone drawn to the golden age of small group jazz, when taste and technique met in equal measure, \"The Poll Winners\" remains an essential and endlessly replayable document, and this careful reissue is a fitting way to bring it home.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRecorded March 18 and 19, 1957.\u003c\/p\u003e\n\u003cp\u003eAll-analog mastering from the original tapes, and pressed on 180g vinyl.\u003c\/p\u003e\n\u003cp\u003eMade in U.S.A.\u003c\/p\u003e\n\u003cp\u003eRunouts are etched.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Jordu\u003cbr\u003eA2. Satin Doll\u003cbr\u003eA3. It Could Happen To You\u003cbr\u003eA4. Mean To Me\u003cbr\u003eB1. Don't Worry 'Bout Me\u003cbr\u003eB2. Green Dolphin Street\u003cbr\u003eB3. You Go To My Head\u003cbr\u003eB4. Minor Mood\u003cbr\u003eB5. Nagasaki\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e The Poll Winners\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Stereo Records (4)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CR00386\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e CRAFT Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Germany\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Stereo Records (4)","offers":[{"title":"Default Title","offer_id":50870702407976,"sku":null,"price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OTctNjUyNC5qcGVn.jpg?v=1761597780"},{"product_id":"smokin-at-the-half-note-wynton-kelly-trio-1lp-vinyl-acoustic-sounds-series","title":"Smokin' At The Half Note - Wynton Kelly Trio (1LP Vinyl) [Acoustic Sounds Series]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eSmokin' At The Half Note\u003c\/strong\u003e by \u003cstrong\u003eWynton Kelly Trio\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew records capture the electricity of live jazz quite like this one. Recorded in June 1965 at the Half Note in New York City, this album finds the Wynton Kelly Trio in their natural element, working through a set of material before an audience that could feel the swing and interplay unfolding in real time. There is a looseness and immediacy to these performances that only a club setting can produce, the kind of atmosphere where a band stretches out and lets the music breathe.\u003c\/p\u003e\n\u003cp\u003eThe set opens with \"No Blues,\" a piece that gives the trio ample room to dig in and explore, followed by the tender ballad \"If You Could See Me Now,\" where Kelly's touch at the keyboard shows a lyrical, unhurried grace. It is a fine reminder that this group could turn on a dime from hard swinging momentum to quiet introspection without ever losing the thread.\u003c\/p\u003e\n\u003cp\u003eThe second side keeps the energy high with \"Unit 7\" and \"Four On Six,\" two vehicles built for spirited soloing and tight ensemble work. The trio locks into a groove that feels both effortless and deeply considered, the mark of players who know each other's instincts well. The program closes with \"What's New?,\" a standard that lets the band bring the session home on a reflective, warmly melodic note.\u003c\/p\u003e\n\u003cp\u003eBeyond the Half Note dates, the record also draws on a September 22, 1965 session at Rudy Van Gelder's legendary studio in Englewood Cliffs, New Jersey. That name alone carries weight for collectors and listeners alike, as Van Gelder's rooms were responsible for shaping the sound of so many essential jazz recordings of the era. The combination of live club fire and studio clarity gives this release a distinctive character.\u003c\/p\u003e\n\u003cp\u003eOriginally issued in 1965 on Verve Records, this is a title that has long held a place in the conversation about the finest jazz trio recordings of its decade. This edition comes courtesy of Universal Music Enterprises, a division of UMG Recordings, Inc., a Universal Music Company, keeping the music in circulation for a new generation of listeners drawn to its swing and sophistication.\u003c\/p\u003e\n\u003cp\u003eA closer look at the pressing reveals the kind of detail that collectors appreciate, with the runouts etched into the wax and the word \"STERLING\" stamped, a small but telling signature of the mastering pedigree behind this release. It is the sort of touch that rewards those who care about how a record was made as much as what it holds. Spin it, and let the Half Note come alive again.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRecorded June 1965 at the Half Note, New York City; and September 22, 1965 at Van Gelder Studio, Englewood Cliffs, New Jersey.\u003c\/p\u003e\n\u003cp\u003eA Verve Records release; Originally released in 1965 on Verve Records © 2023 UMG Recordings, Inc.\u003cbr\u003eDistributed by Universal Music Enterprises, A Division of UMG Recordings, Inc.\u003cbr\u003eA Universal Music Company\u003c\/p\u003e\n\u003cp\u003eRunouts are etched except \"STERLING\" is stamped.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. No Blues\u003cbr\u003eA2. If You Could See Me Now\u003cbr\u003eB1. Unit 7\u003cbr\u003eB2. Four On Six\u003cbr\u003eB3. What's New?\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Wynton Kelly Trio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Wes Montgomery\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0036829-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Acoustic Sounds Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50870710534440,"sku":null,"price":36.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NTktMTU2NC5qcGVn.jpg?v=1761597913"},{"product_id":"this-dream-of-you-diana-krall-2lp-vinyl","title":"This Dream Of You - Diana Krall (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eThis Dream Of You\u003c\/strong\u003e by \u003cstrong\u003eDiana Krall\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere is a particular kind of magic that happens when Diana Krall settles into a song, and \"This Dream Of You\" is a collection built to let that magic breathe. Spread across four sides of vinyl, this is an album that unfolds slowly, invites you to linger, and rewards the patient listener who lets the needle carry them from one track to the next without hurry.\u003c\/p\u003e\n\u003cp\u003eThis edition arrives as a Barnes \u0026amp; Noble Exclusive Limited Edition pressed on clear vinyl, a striking format that suits the shimmering, late-night quality of the music itself. The clear wax is housed in a handsome gatefold sleeve, giving the release the presentational weight that a project like this deserves. You will also notice a sticker bearing a second barcode placed over the original sleeve barcode, a small detail that marks this out as the exclusive variant.\u003c\/p\u003e\n\u003cp\u003eThe sequencing rewards a full listen. Side A opens with the tender \"But Beautiful,\" moving into \"That's All\" and the wistful \"Autumn In New York,\" setting a tone of elegance and unhurried romance. Side B keeps the momentum with \"Almost Like Being In Love,\" \"More Than You Know,\" the playful \"Just You, Just Me,\" and \"There's No You,\" a run that balances warmth and swing with quieter, more reflective moments.\u003c\/p\u003e\n\u003cp\u003eTurn to the second disc and the mood deepens. Side C pairs the smoky intimacy of \"Don't Smoke In Bed\" with the album's title track, \"This Dream Of You,\" a centerpiece that gives the whole collection its name and its dreamlike character. It is the kind of song that seems to slow time down, and hearing it on clear vinyl only heightens the sense of occasion.\u003c\/p\u003e\n\u003cp\u003eSide D closes the set beautifully, with \"I Wished On The Moon,\" \"How Deep Is The Ocean,\" and a graceful reading of \"Singing In The Rain\" to send you off. Together these final three songs draw a natural arc to the record, ending on a note that feels both familiar and freshly interpreted through Krall's phrasing and touch.\u003c\/p\u003e\n\u003cp\u003eFor collectors and jazz lovers alike, this is a release that works on every level: a thoughtfully chosen program of standards, a voice and a sensibility perfectly matched to the material, and a limited pressing that turns a great album into a genuine keepsake. The gatefold, the clear vinyl, and the exclusive marking all combine to make this a copy worth owning, spinning often, and returning to whenever you need that unhurried, after-hours atmosphere that Diana Krall does so well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eBarnes \u0026amp; Nobles Exclusive Limited Edition Clear Vinyl.\u003c\/p\u003e\n\u003cp\u003eIt comes with a sticker with a second barcode on top of the original sleeve barcode.\u003c\/p\u003e\n\u003cp\u003eGatefold\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. But Beautiful\u003cbr\u003eA2. That's All\u003cbr\u003eA3. Autumn In New York\u003cbr\u003eB1. Almost Like Being In Love\u003cbr\u003eB2. More Than You Know\u003cbr\u003eB3. Just You, Just Me\u003cbr\u003eB4. There's No You\u003cbr\u003eC1. Don't Smoke In Bed\u003cbr\u003eC2. This Dream Of You\u003cbr\u003eD1. I Wished On The Moon\u003cbr\u003eD2. How Deep Is The Ocean\u003cbr\u003eD3. Singing In The Rain\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Diana Krall\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0032704-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50870711058728,"sku":null,"price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NDEtNzI5NS5qcGVn.jpg?v=1761597981"},{"product_id":"wallflower-diana-krall-2lp-vinyl","title":"Wallflower - Diana Krall (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eWallflower\u003c\/strong\u003e by \u003cstrong\u003eDiana Krall\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eDiana Krall steps away from the standards songbook that made her name and turns instead toward the pop and rock touchstones that shaped a generation. \"Wallflower\" gathers a set of familiar melodies and reimagines them through her unmistakable phrasing, that low, unhurried voice easing into songs many listeners already carry in their memory. It is an album built on recognition, on the pleasure of hearing something you know rendered in an entirely new mood.\u003c\/p\u003e\n\u003cp\u003eThe program opens with \"Californian Dreaming,\" a gentle reframing that sets the tone for everything that follows, before moving into the wounded swagger of \"Desperado\" and the aching devotion of \"Superstar.\" From the first side, the record signals its intentions: these are songs about longing, distance, and quiet reckoning, drawn together by an interpreter who understands how to let a lyric breathe.\u003c\/p\u003e\n\u003cp\u003eThe middle of the collection deepens that emotional thread. \"Alone Again\" and the title track \"Wallflower\" sit at the heart of the album, followed by \"If I Take You Home Tonight,\" each one leaning into intimacy rather than spectacle. Krall's approach favors restraint, trusting the strength of the melody and the weight of a well placed pause over any need to embellish.\u003c\/p\u003e\n\u003cp\u003eSide three carries some of the most beloved material here, beginning with \"I Can't Tell You Why\" and moving through \"Sorry Seems to Be the Hardest Word,\" a song practically built for her sensibility, all regret and hushed confession. \"Operator\" rounds out the side, giving the sequence a touch of narrative warmth amid the ballads.\u003c\/p\u003e\n\u003cp\u003eThe final side closes the album on a reflective note. \"I'm Not in Love\" unfolds with cool detachment, \"Feels Like Home\" offers a moment of settled comfort, and \"Don't Dream It's Over\" brings the collection to a hopeful, open ended finish. Spread across four sides, the pacing gives each song room to land, rewarding the kind of attentive, front to back listening that vinyl invites.\u003c\/p\u003e\n\u003cp\u003eFor collectors and casual listeners alike, \"Wallflower\" holds a distinctive place in Diana Krall's catalog, a departure from her jazz standards work that reveals another dimension of her artistry. It is an album for late evenings and quiet rooms, best heard the way it was meant to be, one side at a time, with the needle tracing songs you thought you knew until they arrived sounding new.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Californian Dreaming\u003cbr\u003eA2. Desperado\u003cbr\u003eA3. Superstar\u003cbr\u003eB1. Alone Again\u003cbr\u003eB2. Wallflower\u003cbr\u003eB3. If I take you home tonight\u003cbr\u003eC1. I can't tell you why\u003cbr\u003eC2. Sorry seems to be the hardest word\u003cbr\u003eC3. Operator\u003cbr\u003eD1. I'm not in love\u003cbr\u003eD2. Feels like home\u003cbr\u003eD3. Don't dream its over\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Diana Krall\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Universal Music\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 00602458206159\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Import\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Universal Music","offers":[{"title":"Default Title","offer_id":50870714564904,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NDktMzg5NC5qcGVn.jpg?v=1761598166"},{"product_id":"from-this-moment-on-diana-krall-2lp-vinyl","title":"From This Moment On - Diana Krall (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eFrom This Moment On\u003c\/strong\u003e by \u003cstrong\u003eDiana Krall\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere is a particular kind of pleasure in hearing Diana Krall lean into a standard, and \"From This Moment On\" spreads that pleasure generously across four sides of wax. This German pressing gives the music room to breathe, letting Krall's phrasing and touch unfold at the unhurried pace they deserve. It is a record built for the long listen, the sort of album you put on and let run while the evening settles.\u003c\/p\u003e\n\u003cp\u003eSide A opens with \"It Could Happen To You,\" an invitation that sets the tone before easing into the gentle sway of \"Isn't This A Lovely Day.\" From there, \"How Insensitive\" draws the mood inward, its bossa lilt carrying a quiet, contemplative weight that shows how comfortably Krall moves between the buoyant and the reflective.\u003c\/p\u003e\n\u003cp\u003eSide B brings the title track into focus, with \"From This Moment On\" nestled between the swinging \"Exactly Like You\" and the warm confidence of \"I Was Doing Alright.\" This is Krall in fine form, treating each of these standards with the care of someone who clearly loves the material, never rushing a line, never overplaying a phrase.\u003c\/p\u003e\n\u003cp\u003eTurn to Side C and the emotional temperature deepens. \"Little Girl Blue\" aches in the way only that song can, while \"Day In Day Out\" picks the energy back up before \"Willow Weep For Me\" closes the side on a note of tender melancholy. It is a beautifully sequenced stretch, one that rewards close attention and a good pair of speakers.\u003c\/p\u003e\n\u003cp\u003eThe final side sends things off in style, with \"Come Dance With Me\" ushering in a lighter, more celebratory feel before the record signs off with the pairing of \"It Was A Beautiful Day In August\" and \"You Can Depend On Me.\" Spread across a double album, these eleven pieces make a persuasive case for the enduring appeal of the songbook tradition, delivered by a voice and a piano that understand restraint.\u003c\/p\u003e\n\u003cp\u003eFor collectors who appreciate a well made European pressing, this is a satisfying addition to the shelf, an album that captures Diana Krall doing what she does best across a generous run of standards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eMade in Germany.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. It Could Happen To You\u003cbr\u003eA2. Isn't This A Lovely Day\u003cbr\u003eA3. How Insensitive\u003cbr\u003eB1. Exactly Like You\u003cbr\u003eB2. From This Moment On\u003cbr\u003eB3. I Was Doing Alright\u003cbr\u003eC1. Little Girl Blue\u003cbr\u003eC2. Day In Day Out\u003cbr\u003eC3. Willow Weep For Me\u003cbr\u003eD1. Come Dance With Me\u003cbr\u003eD2. It Was A Beautiful Day In August \/ You Can Depend On Me\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Diana Krall\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Universal Music Group International\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 602547376893\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2016\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Import\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Universal Music Group International","offers":[{"title":"Default Title","offer_id":50870717350184,"sku":null,"price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MS04MzUwLmpwZWc.jpg?v=1761598302"},{"product_id":"seasons-pete-jolly-1lp-vinyl","title":"Seasons - Pete Jolly (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eSeasons\u003c\/strong\u003e by \u003cstrong\u003ePete Jolly\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eLong buried in the A\u0026amp;M vaults since its original 1970 release, \"Seasons\" by Pete Jolly finally arrives on vinyl again, marking the first ever reissue of this quietly cherished session. For collectors who have chased the original pressing for years, this new edition represents a rare chance to bring the album home in a form worthy of its reputation.\u003c\/p\u003e\n\u003cp\u003eThis is a record built around the passage of time and the turning of the natural world, and the track listing reflects that from the very first groove. Side A opens with \"Leaves\" before drifting through \"Younger Than Springtime,\" \"Bees,\" \"Rainbows,\" \"Plummer Park,\" and \"Springs,\" a suite of pieces that move like weather across an afternoon. Side B carries the mood forward with the title track \"Seasons,\" followed by \"Sand Storm,\" \"Autumn Festival,\" \"Prairie Road,\" \"The Indian's Summer,\" and a closing tune bearing the pianist's own name, \"Pete Jolly.\"\u003c\/p\u003e\n\u003cp\u003eThe sound here has been given the care it deserves. Kevin Gray remastered the album at Cohearent Audio directly from the original analog tapes, preserving the warmth and immediacy of the source while bringing new clarity to Jolly's playing. The pressing was handled at RTI, long regarded as one of the finest plants for audiophile work, ensuring that the transfer from tape to wax loses none of its detail.\u003c\/p\u003e\n\u003cp\u003eAdding to the appeal, this edition is pressed on clear light green wax, a fitting visual companion to an album so concerned with the shifting hues of the seasons. Held to the light, it carries the kind of quiet beauty that makes a record as much an object to admire as a document to hear.\u003c\/p\u003e\n\u003cp\u003eThe package is rounded out with new liner notes by Dave Segal, who sat down with Herb Alpert and Chuck Berghofer to revisit the album's history and place it back in context. Their reflections offer fresh insight into how \"Seasons\" came together and why it has endured in the memories of those who first encountered it.\u003c\/p\u003e\n\u003cp\u003eTaken as a whole, this reissue is a thoughtful restoration of a jazz album that has spent far too long out of reach. From the analog remaster to the striking colored pressing and the newly gathered voices in the liner notes, it treats Pete Jolly's work with the seriousness and affection it has always merited. For anyone drawn to warm, melodic piano jazz and the small treasures that time nearly forgets, \"Seasons\" is a welcome return.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eFrom front sticker:\u003cbr\u003e- Pressed on clear light green wax\u003cbr\u003e- First ever vinyl reissue\u003cbr\u003e- Remastered from the original analog tapes by Kevin Gray at Cohearent Audio\u003cbr\u003e- Includes new liner notes by Dave Segal interviewing Herb Alpert and Chuck Berghofer.\u003cbr\u003e- Pressed at RTI\u003cbr\u003e- Originally released on A\u0026amp;M in 1970\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Leaves\u003cbr\u003eA2. Younger Than Springtime\u003cbr\u003eA3. Bees\u003cbr\u003eA4. Rainbows\u003cbr\u003eA5. Plummer Park\u003cbr\u003eA6. Springs\u003cbr\u003eB1. Seasons\u003cbr\u003eB2. Sand Storm\u003cbr\u003eB3. Autumn Festival\u003cbr\u003eB4. Prairie Road\u003cbr\u003eB5. The Indian's Summer\u003cbr\u003eB6. Pete Jolly\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Pete Jolly\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Future Days Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e FDR 636\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Future Days Recordings","offers":[{"title":"Default Title","offer_id":50870739435816,"sku":null,"price":22.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MzktMTE1OC5qcGVn.jpg?v=1761598966"},{"product_id":"entre-eux-deux-melody-gardot-1lp-vinyl","title":"Entre Eux Deux - Melody Gardot (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eEntre Eux Deux\u003c\/strong\u003e by \u003cstrong\u003eMelody Gardot\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eMelody Gardot's \"Entre Eux Deux\" arrives in a matte gatefold sleeve, a quietly elegant presentation that suits the intimate, close-quarters spirit of the music inside. This is a record built for candlelit listening, an album whose title, meaning \"between the two of them,\" hints at the hushed dialogue at its heart.\u003c\/p\u003e\n\u003cp\u003eThe A side opens with \"This Foolish Heart Could Love You,\" setting a mood of tender confession before drifting into \"What Of Your Eyes\" and the French-language \"Plus Fort Que Nous.\" From there, \"À La Tour Eiffel\" and \"Fleurs Du Dimanche\" carry you deeper into a Parisian reverie, blurring the line between the American songbook and the chanson tradition Gardot has long embraced.\u003c\/p\u003e\n\u003cp\u003eTurn the record over and the second side widens the palette. \"Samba Em Prelúdio (Un Jour Sans Toi)\" brings a Brazilian lilt reimagined through a French lens, followed by \"Perhaps You'll Wonder Why.\" The instrumental \"Recitativo\" offers a spare, contemplative interlude before the album closes with \"Ode To Every Man\" and \"Darling Fare Thee Well,\" a farewell that lingers long after the needle lifts.\u003c\/p\u003e\n\u003cp\u003eAcross both sides, Gardot's phrasing moves fluidly between English, French, and Portuguese, a reminder of the cosmopolitan, borderless sensibility that has defined her work. The songs favor space over spectacle, giving her voice room to breathe and every subtle inflection its due weight.\u003c\/p\u003e\n\u003cp\u003ePressed and made in the EU, this edition carries the ℗ \u0026amp; © 2022 Universal Music Operations Limited. B.V. markings on the back cover and identifies itself as a Universal Music Company release. The labels note ℗ \u0026amp; © 2021 Melody Gardot, under exclusive license to Decca, a division of Universal Music Operations Limited, with the copyright in the sound recording owned by Gardot herself. The catalog number 3892150 and LC 00171 appear on the labels, confirming its Decca provenance.\u003c\/p\u003e\n\u003cp\u003eFor collectors of contemporary jazz vocal records and admirers of Gardot's singular, cross-cultural artistry, \"Entre Eux Deux\" is a rewarding addition, a beautifully sequenced set that rewards patient, attentive listening from the first foolish heart to the final fare thee well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eReleased with a matte gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003eIndicators on back cover:\u003cbr\u003e℗ \u0026amp; © 2022 Universal Music Operations Limited. B.V.\u003cbr\u003eMade in the EU\u003cbr\u003eA Universal Music Company.\u003c\/p\u003e\n\u003cp\u003eIndicators on labels:\u003cbr\u003e℗ \u0026amp; © 2021 Melody Gardot, under exclusive license to Decca, a division of Universal Music Operations Limited.\u003cbr\u003eThe Copyright in this sound recording is owned by Melody Gardot, under exclusive license to Decca, a division of Universal Music Operations Limited.\u003cbr\u003eMade in the EU. 3892150 - LC 00171\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. This Foolish Heart Could Love You\u003cbr\u003eA2. What Of Your Eyes\u003cbr\u003eA3. Plus Fort Que Nous\u003cbr\u003eA4. À La Tour Eiffel\u003cbr\u003eA5. Fleurs Du Dimanche\u003cbr\u003eB1. Samba Em Prelúdio (Un Jour Sans Toi)\u003cbr\u003eB2. Perhaps You'll Wonder Why\u003cbr\u003eB3. Recitativo (Instrumental)\u003cbr\u003eB4. Ode To Every Man\u003cbr\u003eB5. Darling Fare Thee Well\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Melody Gardot\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Philippe Baden Powell\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Decca\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 3892150\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Import\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Decca","offers":[{"title":"Default Title","offer_id":50873522913576,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/ODItOTk4NS5qcGVn.jpg?v=1761685626"},{"product_id":"worrisome-heart-melody-gardot-1lp-vinyl","title":"Worrisome Heart - Melody Gardot (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eWorrisome Heart\u003c\/strong\u003e by \u003cstrong\u003eMelody Gardot\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew debut albums arrive with the kind of quiet confidence found in Melody Gardot's \"Worrisome Heart,\" a record that established her as one of the most distinctive voices to emerge in contemporary jazz and blues. Now presented as a limited 15th Anniversary Edition on striking pink vinyl, this pressing invites a new generation of listeners to discover the intimacy and understated craft that made the album such a treasured entry in her catalog.\u003c\/p\u003e\n\u003cp\u003eThe record opens with its title track, \"Worrisome Heart,\" setting a tone of hushed vulnerability that carries through the entire first side. From there, \"All That I Need Is Love\" and \"Gone\" deepen the mood, while \"Sweet Memory\" and \"Some Lessons\" round out the A-side with the sort of restrained, smoky phrasing that has become Gardot's signature. There is a conversational quality here, a sense of a singer letting you lean in close.\u003c\/p\u003e\n\u003cp\u003eFlip to the B-side and the spell continues. \"Quiet Fire\" and \"One Day\" carry the album's emotional current forward before it reaches \"Love Me Like A River Does,\" a standout that has long resonated with listeners drawn to Gardot's blend of jazz sensibility and bluesy ache. The closing pair, \"Goodnite\" and \"Twilight,\" bring the set to a gentle, contemplative finish, the kind of ending that leaves you reaching to play the whole thing again.\u003c\/p\u003e\n\u003cp\u003eThis 15th Anniversary Edition celebrates a milestone for an album that has aged beautifully, its ten songs proving as affecting today as when they first appeared. The pink vinyl gives the release a collectible visual identity that suits the warmth and softness of the music pressed into its grooves, making it as appealing on the shelf as it is on the turntable.\u003c\/p\u003e\n\u003cp\u003eCare has been taken in the presentation, with the record housed in a polylined inner sleeve to help protect the surface and preserve the listening experience over time. Pressed and made in the EU, this edition comes under exclusive license to Universal Music Classics and Jazz, a division of Universal Music Operations Limited, carrying a 2023 copyright.\u003c\/p\u003e\n\u003cp\u003eFor collectors of modern vocal jazz, blues, and singer-songwriter fare, \"Worrisome Heart\" remains an essential document of an artist finding her voice. Whether you are revisiting an old favorite or hearing Melody Gardot for the first time, this limited anniversary pressing offers a lovely way to own a record that rewards close, unhurried listening. It is a fitting addition to any collection at Miles Waxey, where character and quality always take center stage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003e℗ \u0026amp; © 2023 Melody Gardot. Under exclusive license to Universal Music Classics \u0026amp; Jazz, a division of Universal Music Operations Limited.\u003cbr\u003eMade in the EU. \u003c\/p\u003e\n\u003cp\u003eLimited 15th Anniversary Edition Pink Vinyl.\u003cbr\u003eComes with polylined inner sleeve.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Worrisome Heart\u003cbr\u003eA2. All That I Need Is Love\u003cbr\u003eA3. Gone\u003cbr\u003eA4. Sweet Memory\u003cbr\u003eA5. Some Lessons\u003cbr\u003eB1. Quiet Fire\u003cbr\u003eB2. One Day\u003cbr\u003eB3. Love Me Like A River Does\u003cbr\u003eB4. Goodnite\u003cbr\u003eB5. Twilight\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Melody Gardot\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e UCJ Music\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 5582714\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Import\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"UCJ Music","offers":[{"title":"Default Title","offer_id":50873525928232,"sku":null,"price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MTktNDAxNi5qcGVn.jpg?v=1761685767"},{"product_id":"jazz-samba-stan-getz-1lp-vinyl-acoustic-sounds-series","title":"Jazz Samba - Stan Getz (1LP Vinyl) [Acoustic Sounds Series]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eJazz Samba\u003c\/strong\u003e by \u003cstrong\u003eStan Getz\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew records ever captured a moment quite like this one. Stan Getz stepped into the studio and helped ignite a craze that would sweep across dance floors and living rooms alike, blending the cool, breathy phrasing of his tenor saxophone with the gentle sway of Brazilian rhythm. The result is an album that feels effortless yet endlessly detailed, a conversation between two musical worlds that fit together as if they had always belonged.\u003c\/p\u003e\n\u003cp\u003eSide A opens with \"Desafinado,\" the track that became the calling card for the entire movement. Getz glides through the melody with that unmistakable warmth, letting each phrase breathe before easing into the next. From there the mood shifts through \"Samba Dees Days\" and the playful \"O Pato,\" before settling into the wistful sway of \"Samba Triste.\" It is a first side that moves like a slow tide, drawing you deeper with every turn.\u003c\/p\u003e\n\u003cp\u003eFlip to Side B and the spell continues with \"Samba De Uma Nota So,\" a study in restraint where a single repeated note becomes the anchor for something quietly hypnotic. \"E Luxo So\" follows with its own understated elegance, and the record closes on \"Baia,\" a fitting send-off that lingers long after the needle lifts. Across both sides, the pacing rewards patient listening; nothing is rushed, nothing is overstated.\u003c\/p\u003e\n\u003cp\u003eWhat makes this album endure is the way Getz never crowds the music. His tone does the heavy lifting, floating over the samba pulse rather than fighting it, and the space he leaves is as expressive as the notes he plays. It is the sound of an artist trusting the groove, letting the rhythm carry the tune while he decorates the edges with easy, singing lines.\u003c\/p\u003e\n\u003cp\u003eFor collectors, the pressing carries its own quiet detail in the runouts, which are etched by hand with the exception of the stamped \"STERLING\" mark. That small distinction speaks to the care taken at the mastering stage, a fingerprint in the dead wax that connects this copy to the craft behind it.\u003c\/p\u003e\n\u003cp\u003ePlay it late in the evening and you will understand why this music refuses to age. Seven tracks, no wasted gesture, and a mood that hangs in the air like warm smoke. It belongs in any collection that values the meeting point of jazz and Brazilian song, a record that helped define a sound and still sounds like a discovery every time it spins.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRunouts are etched except \"STERLING\" is stamped.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Desafinado\u003cbr\u003eA2. Samba Dees Days \u003cbr\u003eA3. O Pato\u003cbr\u003eA4. Samba Triste\u003cbr\u003eB1. Samba De Uma Nota So\u003cbr\u003eB2. E Luxo So\u003cbr\u003eB3. Baia\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Stan Getz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Charlie Byrd\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0036830-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Acoustic Sounds Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50873527664936,"sku":null,"price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NjEtOTYwMy5qcGVn.jpg?v=1761685876"},{"product_id":"jazz-samba-stan-getz-1lp-vinyl-vital-vinyl","title":"Jazz Samba - Stan Getz (1LP Vinyl) [Vital Vinyl]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eJazz Samba\u003c\/strong\u003e by \u003cstrong\u003eStan Getz\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew records capture a moment of musical transformation quite like this one. \"Jazz Samba\" by Stan Getz stands as a landmark meeting of American jazz sensibility and Brazilian rhythm, a session where the cool phrasing of the tenor saxophone found a new home atop the gentle sway of samba. It is a record that invites you to lean back and let the music breathe.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"Desafinado,\" a track whose very title translates to \"off key,\" yet the performance is anything but. Getz glides through the melody with an unhurried warmth, his tone rounded and conversational, letting each phrase unfold as though he has all the time in the world. It sets the tone for everything that follows, a masterclass in restraint and lyricism.\u003c\/p\u003e\n\u003cp\u003eFrom there the first side moves through \"Samba Dees Jays,\" \"O Pato,\" and \"Samba Triste,\" each offering a slightly different shade of the Brazilian palette. \"O Pato,\" playful and light on its feet, provides a bright contrast, while \"Samba Triste\" leans into the bittersweet undercurrent that runs through so much of this music. Getz never overplays; he floats above the rhythm, coaxing feeling from the simplest of lines.\u003c\/p\u003e\n\u003cp\u003eSide two carries the mood forward with \"Samba De Uma Nota So,\" known in English as the \"one note samba,\" a piece built on a deceptively simple idea that reveals surprising depth in the hands of these players. The insistent, hypnotic pulse gives Getz room to explore, and he responds with playing that is both economical and richly expressive.\u003c\/p\u003e\n\u003cp\u003eThe closing stretch, \"E Luxo So\" and \"Baia,\" rounds out the collection with a sense of easy elegance. By the time the final notes fade, the album has taken you on a complete journey, from the shimmering opening of \"Desafinado\" to a graceful farewell. It is a record that rewards repeated listening, each spin revealing another small detail in the interplay between saxophone and rhythm.\u003c\/p\u003e\n\u003cp\u003eFor collectors of jazz and Brazilian music alike, this is an essential document of a genuine crossover moment, the sound of two traditions discovering one another and creating something entirely fresh. Few albums have proven so influential or so enduringly listenable, and its appeal has never faded. Drop the needle, and the room fills with a warmth that feels timeless.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Desafinado\u003cbr\u003eA2. Samba Dees Jays\u003cbr\u003eA3. O Pato\u003cbr\u003eA4. Samba Triste\u003cbr\u003eB1. Samba De Uma Nota So\u003cbr\u003eB2. E Luxo So\u003cbr\u003eB3. Baia\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Stan Getz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Charlie Byrd\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 00602577089602\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Vital Vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2019\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003cp\u003eRelated: \u003ca href=\"\/blogs\/articles\/stan-getz-jazz-samba-the-25-record-that-invented-a-craze\"\u003eRead the full review\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50873528811816,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MjktNDQwNy5qcGVn.jpg?v=1761685934"},{"product_id":"idle-moments-grant-green-1lp-vinyl","title":"Idle Moments - Grant Green (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eIdle Moments\u003c\/strong\u003e by \u003cstrong\u003eGrant Green\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eSome records reward patience, and this is one of them. Grant Green's guitar has always been about space and clarity, the sense of a musician who knows exactly which notes matter and which ones can be left unsaid. Across these four sides, that restraint becomes its own kind of eloquence, an unhurried conversation that trusts the listener to lean in.\u003c\/p\u003e\n\u003cp\u003eThe title track sets the tone and never lets go. \"Idle Moments\" unfolds slowly, a long and dreamlike theme that seems to stretch time itself, giving Green room to phrase each line as if he had all evening to say it. There is a hushed, late-hours quality here, the kind of atmosphere that turns a room quiet and holds it that way. It is the emotional center of the album, and it justifies the record's reputation on its own.\u003c\/p\u003e\n\u003cp\u003eFrom there, \"Jean De Fleur\" brings a brighter, more buoyant swing. Green's lines turn nimble and conversational, tracing the melody with an easy confidence that keeps things moving without ever rushing. It is a fine counterweight to the reverie of the opener, a reminder that this is a guitarist who can dance as gracefully as he can dream.\u003c\/p\u003e\n\u003cp\u003eSide B opens with \"Django,\" the beloved tribute that has become a touchstone for so many jazz players. In Green's hands it carries a gentle gravity, the theme sung out with warmth and care before the solos ease it forward. It is a piece that invites reflection, and this reading treats it with the tenderness it deserves.\u003c\/p\u003e\n\u003cp\u003e\"Nomad\" closes the set with a wandering, searching spirit that lives up to its name. There is a restlessness in the way the melody moves, a sense of travel and open horizons, and it brings the album to a satisfying resolution while leaving just enough mystery to send you back to the needle drop and the first track once more.\u003c\/p\u003e\n\u003cp\u003eIssued here as an indie exclusive, this pressing is a natural cornerstone for any serious jazz shelf. \"Idle Moments\" endures because it captures a mood few records can, a blend of quiet intensity and effortless grace that only deepens with repeated listening. Drop the needle, dim the lights, and let it work.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eIndie exclusive \u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Idle Moments\u003cbr\u003eA2. Jean De Fleur\u003cbr\u003eB1. Django\u003cbr\u003eB2. Nomad\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Grant Green\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 602465117455\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50873529991464,"sku":null,"price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OTYtMTE1MS5qcGVn.jpg?v=1761686089"},{"product_id":"getz-gilberto-stan-getz-1lp-vinyl","title":"Getz \/ Gilberto - Stan Getz (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eGetz \/ Gilberto\u003c\/strong\u003e by \u003cstrong\u003eStan Getz\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew records have shaped the sound of a genre as decisively as this collaboration, a meeting of jazz sophistication and Brazilian rhythm that helped bring bossa nova to a worldwide audience. From the very first bars, it announces itself as something warm, intimate, and unhurried, an album that trades flash for feeling and rewards the listener who leans in close.\u003c\/p\u003e\n\u003cp\u003eSide A opens with \"The Girl From Ipanema,\" one of the most recognizable pieces in the entire jazz canon. It is the kind of track that seems to slow time, its gentle sway and understated phrasing setting the tone for everything that follows. From there the record eases into \"Doralice\" and the tender \"P'ra Machucar Meu Coração (To Hurt My Heart),\" before \"Desafinado\" closes out the first half with its supple melody and knowing charm.\u003c\/p\u003e\n\u003cp\u003eTurn the record over and the spell only deepens. \"Corcovado\" drifts in with quiet longing, followed by the brighter, more playful pulse of \"Só Danço Samba (Jazz Samba).\" The closing pair, \"O Grande Amor\" and \"Vivo Sonhando,\" carry the album out on a note of romantic reflection, leaving behind the sense that you have spent time somewhere sunlit and far away.\u003c\/p\u003e\n\u003cp\u003eWhat makes this music endure is its restraint. Nothing is forced, nothing overplayed; the tenor saxophone breathes alongside the rhythm rather than dominating it, and the songs are allowed room to unfold at their own pace. It is an album built for repeated listening, revealing new textures and small conversational exchanges each time the needle drops.\u003c\/p\u003e\n\u003cp\u003eThis particular edition is a limited pressing that was sold originally only through The Sound Of Vinyl, making it a distinctive addition to any collection. For the collector who values both the music and the object, it represents a chance to own a landmark recording in a form that carries a story of its own.\u003c\/p\u003e\n\u003cp\u003eWhether you are a longtime devotee of bossa nova or discovering these songs for the first time, this is a record that belongs on the shelf and, more importantly, on the turntable. Pour something slow, drop the needle, and let \"The Girl From Ipanema\" carry you into one of the great listening experiences in modern music.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eLimited pressing sold [originally] only through The Sound Of Vinyl\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. The Girl From Ipanema\u003cbr\u003eA2. Doralice\u003cbr\u003eA3. P'ra Machucar Meu Coração (To Hurt My Heart)\u003cbr\u003eA4. Desafinado\u003cbr\u003eB1. Corcovado\u003cbr\u003eB2. Só Danço Samba (Jazz Samba)\u003cbr\u003eB3. O Grande Amor\u003cbr\u003eB4. Vivo Sonhando\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Stan Getz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e João Gilberto, Antonio Carlos Jobim\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 5355156\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50873531400488,"sku":null,"price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MjEtOTQ1OS5qcGVn.jpg?v=1761686207"},{"product_id":"cafe-montmartre-stan-getz-1lp-vinyl","title":"Café Montmartre - Stan Getz (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eCafé Montmartre\u003c\/strong\u003e by \u003cstrong\u003eStan Getz\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere is a particular intimacy to hearing Stan Getz in an environment like this one, where the tenor saxophone breathes and lingers rather than races. \"Café Montmartre\" gathers a set of performances that lean into space, melody, and the kind of unhurried lyricism that defined Getz across his long career. From the opening bars, this is a record that asks you to settle in and listen closely.\u003c\/p\u003e\n\u003cp\u003eThe album is bookended by moments that feel drawn from different chapters of the same story. \"People Time\" opens side A, while the sessions themselves span a remarkable stretch, with \"Blood Count\" and \"I Can't Get Started\" captured on July 6, 1987, and the remaining tracks recorded years later on March 3 and 6, 1991. That gap gives the collection an unusual texture, joining performances separated by time yet unified by a single, unmistakable voice.\u003c\/p\u003e\n\u003cp\u003e\"Blood Count\" is among the most affecting things Getz ever committed to tape, a piece that carries an aching weight in every phrase. Paired with the standard \"I Can't Get Started,\" these earlier recordings show a player fully in command of tone and pacing, letting notes hang in the air and resolve on their own terms. There is no rush here, only the patient shaping of a melody.\u003c\/p\u003e\n\u003cp\u003eSide B moves through material that highlights the tender, reflective side of Getz's playing. \"Soul Eyes\" and \"I'm Okay\" sit comfortably alongside \"First Song (For Ruth),\" a closing statement that feels like a quiet farewell. Across these tracks, the emphasis stays on warmth and clarity, the saxophone singing rather than shouting, drawing the listener into a close and personal conversation.\u003c\/p\u003e\n\u003cp\u003eWhat makes this pressing worth seeking out is the way it captures Getz at his most expressive and human. The music rewards repeated listening, revealing small inflections and shifts in phrasing that only surface when you give it your full attention. This is jazz meant for a dimmed room and a good pair of speakers, the sort of record that fills a space without ever demanding it.\u003c\/p\u003e\n\u003cp\u003eFor collectors and newcomers alike, \"Café Montmartre\" offers a rewarding window into one of the great voices of the tenor saxophone. It is a record built on feeling, on the beauty of a well held note, and on the conversations that unfold when a master simply plays what the moment calls for. Place it on the turntable, let the needle drop, and let Getz do the rest.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eA2, A3 recorded July 6, 1987; all others recorded March 3 \u0026amp; 6, 1991\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. People Time\u003cbr\u003eA2. Blood Count\u003cbr\u003eA3. I Can't Get Started\u003cbr\u003eB1. Soul Eyes\u003cbr\u003eB2. I'm Okay\u003cbr\u003eB3. First Song (For Ruth)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Stan Getz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Decca\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 538 336-4\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2018\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Import\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Decca","offers":[{"title":"Default Title","offer_id":50873532973352,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MTMtNTc5Ny5qcGVn.jpg?v=1761686368"},{"product_id":"maiden-voyage-herbie-hancock-1lp-vinyl","title":"Maiden Voyage - Herbie Hancock (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eMaiden Voyage\u003c\/strong\u003e by \u003cstrong\u003eHerbie Hancock\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew albums capture the shimmering, open-water feeling of mid-sixties jazz quite like Herbie Hancock's \"Maiden Voyage.\" This is music that seems to drift and breathe, unfolding with a patience and elegance that rewards repeated listening. From its opening notes, the record establishes a mood of exploration and discovery, an aquatic suite of sound that has become one of the most beloved statements in the entire Blue Note catalog.\u003c\/p\u003e\n\u003cp\u003eThe title track, \"Maiden Voyage,\" opens Side A and sets the tone for everything that follows. Built on gently rocking harmonies and a rhythm that suggests the sway of a ship on calm seas, it is a composition of remarkable restraint and grace. \"The Eye Of The Hurricane\" follows with a sharper, more urgent energy, pushing the tempo and giving the players room to stretch out before \"Little One\" closes the first side with a delicate, introspective beauty.\u003c\/p\u003e\n\u003cp\u003eFlip to Side B and the journey continues with \"Survival Of The Fittest,\" the most adventurous and turbulent piece on the record. It churns with tension and release, showcasing the group's willingness to push into freer, more exploratory territory. The album then comes to rest with \"Dolphin Dance,\" a closing statement of such warmth and lyricism that it has become a standard, endlessly studied and admired by generations of musicians.\u003c\/p\u003e\n\u003cp\u003eWhat makes this record endure is the balance it strikes between accessibility and depth. The melodies are immediate and memorable, yet the interplay between the musicians reveals new detail with each spin. Hancock's writing gives every performer space to contribute, and the result is a session that feels less like a collection of tunes and more like a unified voyage across a single body of water, each track a different point along the journey.\u003c\/p\u003e\n\u003cp\u003eThis pressing arrives on 180 gram blue colored vinyl, a fitting visual match for the oceanic themes at the heart of the music. The heavyweight vinyl offers a substantial, stable playback surface, while the striking blue color makes it a genuine showpiece for any collection. Held up to the light, it becomes an object as evocative as the sounds pressed into its grooves.\u003c\/p\u003e\n\u003cp\u003eFor newcomers and longtime devotees alike, \"Maiden Voyage\" remains an essential cornerstone of any serious jazz collection. It is a record to return to again and again, whether for late-night listening or focused study of its compositional craft. On blue vinyl, it is both a listening pleasure and a collectible worthy of pride of place on your shelf.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003ePressed on 180 gram blue colored vinyl.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Maiden Voyage\u003cbr\u003eA2. The Eye Of The Hurricane\u003cbr\u003eA3. Little One\u003cbr\u003eB1. Survival Of The Fittest\u003cbr\u003eB2. Dolphin Dance\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Herbie Hancock\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 84195\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50873536184616,"sku":null,"price":28.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MzItODUzOS5qcGVn.jpg?v=1761686605"},{"product_id":"bill-henderson-with-the-oscar-peterson-trio-bill-henderson-3-1lp-vinyl-verve-by-request","title":"Bill Henderson With The Oscar Peterson Trio - Bill Henderson (3) (1LP Vinyl) [Verve by Request]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eBill Henderson With The Oscar Peterson Trio\u003c\/strong\u003e by \u003cstrong\u003eBill Henderson (3)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are certain jazz vocal records that reward patience, and this 1963 MGM release pairing Bill Henderson with the Oscar Peterson Trio is one of them. Henderson was a singer's singer, admired by his peers for the clarity of his phrasing and the warmth he brought to a lyric, and here he steps into the company of one of the most formidable rhythm sections in the music. The result is a session that balances intimacy with swing, letting the words breathe while the trio keeps everything moving.\u003c\/p\u003e\n\u003cp\u003eThe program opens with a knowing reinvention of \"You Are My Sunshine,\" a tune most listeners know in a far simpler guise, before easing into the gentle romance of \"The Lamp Is Low\" and a searching reading of \"All Or Nothing At All.\" From there the album moves into \"I Wish You Love\" and the buoyant \"Gravy Waltz,\" giving the first side a shape that runs from tenderness to genuine lift. Henderson closes the side with \"A Lot Of Livin' To Do,\" a number that lets him show off his sense of momentum and his easy rapport with the band.\u003c\/p\u003e\n\u003cp\u003eSide two leans into the standards that define this kind of vocal date. \"I See Your Face Before Me\" and \"I've Got A Crush On You\" find Henderson relaxed and conversational, while \"At Long Last Love\" gives the trio room to push. The set makes space for the wistful \"The Folks Who Live On The Hill,\" one of the great songs about lasting devotion, and then turns to the unexpected charm of \"Baby Mine\" before wrapping up with the sweeping \"Wild Is Love.\"\u003c\/p\u003e\n\u003cp\u003eMuch of the pleasure here comes from the interplay between voice and piano. Oscar Peterson was never merely an accompanist; his trio brought a precision and drive that could carry a singer without ever crowding the vocal line. Across these twelve songs the group listens closely, answering Henderson's phrases and setting up his entrances with the kind of instinct that only comes from serious musicians who trust one another.\u003c\/p\u003e\n\u003cp\u003eThe sleeve notes are in English, and the record carries the pedigree of an original 1963 MGM pressing, a document of a moment when a gifted vocalist and a celebrated trio met in the studio and simply played. For collectors of jazz vocals, this is a title that captures Henderson at a high point, framed by musicians who understood exactly how to serve a song.\u003c\/p\u003e\n\u003cp\u003eIt remains a rewarding listen for anyone drawn to the meeting of a distinctive voice and a first rate trio, a quietly essential entry in the catalog of postwar jazz singing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eSleeve notes in English\u003cbr\u003eOriginally released in 1963 on MGM Records\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. You Are My Sunshine\u003cbr\u003eA2. The Lamp Is Low\u003cbr\u003eA3. All Or Nothing At All\u003cbr\u003eA4. I Wish You Love\u003cbr\u003eA5. Gravy Waltz\u003cbr\u003eA6. A Lot Of Livin' To Do\u003cbr\u003eB1. I See Your Face Before Me\u003cbr\u003eB2. I've Got A Crush On You\u003cbr\u003eB3. At Long Last Love\u003cbr\u003eB4. The Folks Who Live On The Hill\u003cbr\u003eB5. Baby Mine\u003cbr\u003eB6. Wild Is Love\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Bill Henderson (3)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e The Oscar Peterson Trio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Verve Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e SE 4128\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Verve by Request\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2025\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Verve Records","offers":[{"title":"Default Title","offer_id":50873536971048,"sku":null,"price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MDItMzY0Ny5qcGVn.jpg?v=1761686646"},{"product_id":"home-jan-gunnar-hoff-1lp-vinyl","title":"Home - Jan Gunnar Hoff (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eHome\u003c\/strong\u003e by \u003cstrong\u003eJan Gunnar Hoff\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere is a particular kind of stillness that comes from a room built for sound, and you can hear it all over \"Home\" by Jan Gunnar Hoff. Recorded in Stormen konserthus in Bodø, Norway, during August 2021, this is a record that carries the quiet grandeur of its surroundings. The concert hall becomes something close to an instrument itself, giving each note room to breathe, decay, and settle into silence before the next one arrives.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"What Miight Have Been,\" a title that sets the reflective, searching tone that runs through the whole first side. From there, \"Hike\" and \"Magma\" move through contrasting moods, one suggesting motion and open air, the other something warmer and more elemental. \"Barndomsminne Fra Nordland,\" a memory of childhood in Nordland, roots the music firmly in the northern Norwegian landscape where it was captured, before \"Kanskje\" closes the side with a sense of gentle uncertainty.\u003c\/p\u003e\n\u003cp\u003eSide B turns toward the familiar and reimagines it. Hoff takes on \"Summertime\" and \"Moon River,\" two of the most beloved melodies in the American songbook, and lets them unfold with the same unhurried care that shapes his original writing. These are pieces most listeners will already know by heart, which makes it all the more rewarding to hear them approached with such patience and personal phrasing.\u003c\/p\u003e\n\u003cp\u003eThe second half also returns to Norwegian tradition with \"Bruremarsj Fra Beiarn,\" a bridal march from Beiarn, sitting comfortably beside originals like \"Free Flow\" and the closing \"Meditatutus.\" That pairing of local folk material with jazz sensibility and standards is the heart of what makes \"Home\" so fitting a title. The record moves easily between borrowed songs and remembered places, treating all of them as part of one continuous emotional language.\u003c\/p\u003e\n\u003cp\u003eThe recording itself was handled by Lindberg Lyd AS, an engineering outfit well regarded for capturing acoustic music with clarity and depth, and it shows in the way the piano sits in space here. Plating was carried out at Stamper Discs. Everything about the production favors transparency, letting the natural resonance of the performance come through without heavy studio intervention.\u003c\/p\u003e\n\u003cp\u003eFor collectors drawn to contemporary European jazz, to solo and small ensemble piano work, or simply to beautifully recorded acoustic albums, \"Home\" offers a great deal to return to. It rewards close listening in a quiet room, but it also works as a companion for slower hours, a set of pieces that feel both introspective and generous. Few records make their sense of place this audible, and fewer still make it sound this welcoming.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRecorded in Stormen konserthus Bodø, Norway in August 2021, by Lindberg Lyd AS.\u003c\/p\u003e\n\u003cp\u003eMastered At Stamper Discs stands for a Plated At role.\u003cbr\u003eThis uncredited company is derived from a Youtube video.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. What Miight Have Been\u003cbr\u003eA2. Hike\u003cbr\u003eA3. Magma\u003cbr\u003eA4. Barndomsminne Fra Nordland\u003cbr\u003eA5. Kanskje\u003cbr\u003eB1. Summertime\u003cbr\u003eB2. Moon River\u003cbr\u003eB3. Bruremarsj Fra Beiarn\u003cbr\u003eB4. Free Flow\u003cbr\u003eB5. Meditatutus\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Jan Gunnar Hoff\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e 2L\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 2L-168\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Import\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"2L","offers":[{"title":"Default Title","offer_id":50873538216232,"sku":null,"price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OTYtNDcyMC5qcGVn.jpg?v=1761686776"},{"product_id":"trios-chapel-charles-lloyd-1lp-vinyl","title":"Trios: Chapel - Charles Lloyd (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eTrios: Chapel\u003c\/strong\u003e by \u003cstrong\u003eCharles Lloyd\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eOn December 4, 2018, Charles Lloyd walked into the Elizabeth Huth Coates Chapel at the Southwest School of Art in San Antonio, Texas, and turned a room of quiet acoustics into a vessel for one of the most intimate statements of his late career. \"Trios: Chapel\" captures that evening as it happened, a live recording that feels less like a performance and more like a conversation carried on in whispers and open spaces. The chapel setting is not incidental; you can sense the architecture in the sound, the way each phrase is allowed room to breathe and dissolve.\u003c\/p\u003e\n\u003cp\u003eThe album opens with \"Blood Count,\" a piece that unfolds with the kind of tenderness that only comes when a musician has nothing left to prove. From there the record moves through \"Song My Lady Sings\" and \"Ay Amor\" on the first side, before turning to \"Beyond Darkness\" and closing with \"Dorotea's Studio.\" Five pieces, unhurried, each given the space to reveal itself. This is Lloyd in trio form, a setting that strips music down to its essential dialogue and rewards close, attentive listening.\u003c\/p\u003e\n\u003cp\u003eIssued by Blue Note Records, the label that has long served as a home for jazz of both fire and reflection, this pressing arrives as part of Lloyd's ongoing relationship with one of the most storied names in the music. The release is credited ℗© 2022 Charles Lloyd under exclusive license to UMG Recordings Inc., and the record was made in Germany, presented in a handsome gatefold jacket that opens the listening experience out into something you can hold and study.\u003c\/p\u003e\n\u003cp\u003eThe dedication printed on the rear cover carries real weight. This trio of trio recordings is dedicated to Phil Schaap, the beloved jazz historian and broadcaster whose devotion to the music shaped generations of listeners. Special thanks are extended to Charles Parrish and Bradley Kayser, who produced the concert with love and vision, a phrase that says a great deal about the spirit in which the evening was conceived and preserved.\u003c\/p\u003e\n\u003cp\u003eFor collectors who care about the details, the runouts are etched with \"-59613-\" stamped into the deadwax, a small mark of provenance for anyone who likes to trace a record back to its source. The publishing credits reflect the album's blend of standards and original writing, drawing on Tempo Music Inc., Forest Farm Music administered by Wixen Music, and Hadem Music Corp.\u003c\/p\u003e\n\u003cp\u003eThis is a record to sit with rather than one to play in the background. Bring the lights down, let the chapel come to you, and give Charles Lloyd the room he asks for.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRecorded live at Elizabeth Huth Coates Chapel, Southwest School of Art, San Antonio, TX, on December 4, 2018.\u003c\/p\u003e\n\u003cp\u003eBlue Note Records. ℗© 2022 Charles Lloyd under exclusive license to UMG Recordings Inc.\u003cbr\u003eMade in Gerrmany.\u003c\/p\u003e\n\u003cp\u003e[On rear cover]\u003cbr\u003e\"This trio of trio recordings is dedicated to Phil Schaap. Special thanks to Charles Parrish\u003cbr\u003eand Bradley Kayser who produced the concert with love and vision...\"\u003c\/p\u003e\n\u003cp\u003ePublishers:\u003cbr\u003eA1: Tempo Music Inc. (ASCAP)\u003cbr\u003eA2, B1, B2: Forest Farm Music (BMI) Administered by Wixen Music\u003cbr\u003eA3: Hadem Music Corp. (ASCAP)\u003c\/p\u003e\n\u003cp\u003eGatefold jacket.\u003cbr\u003eRunouts are etched, \"-59613-\" stamped.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Blood Count\u003cbr\u003eA2. Song My Lady Sings\u003cbr\u003eA3. Ay Amor\u003cbr\u003eB1. Beyond Darkness\u003cbr\u003eB2. Dorotea's Studio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Charles Lloyd\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B003492701\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50873847152936,"sku":null,"price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/ODgtOTExMi5qcGVn.jpg?v=1761702205"},{"product_id":"tone-poem-charles-lloyd-the-marvels-2lp-vinyl-tone-poet-series","title":"Tone Poem - Charles Lloyd \u0026 The Marvels (2LP Vinyl) [Tone Poet Series]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eTone Poem\u003c\/strong\u003e by \u003cstrong\u003eCharles Lloyd \u0026amp; The Marvels\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eCharles Lloyd and The Marvels arrive here with a record that stretches across studios and stages, gathering songs into a single unbroken statement. Issued in a handsome gatefold cover, \"Tone Poem\" carries the ℗ © 2021 mark of Charles Lloyd under exclusive license to UMG Recordings, Inc., a release that speaks to a saxophonist and bandleader still restlessly exploring at this late, luminous stage of his journey.\u003c\/p\u003e\n\u003cp\u003eThe bulk of the album was captured at East West Studios in Los Angeles, the room that shaped tracks A1 through C1 and D1. From the opening \"Peace\" and \"Ramblin',\" through \"Anthem,\" \"Dismal Swamp,\" the title piece \"Tone Poem,\" and \"Monk's Mood,\" you can hear a group settling into the natural acoustics of a legendary space, letting the music breathe without hurry or gloss.\u003c\/p\u003e\n\u003cp\u003eThe set widens its horizon with \"Ay Amor,\" recorded live at Noches del Botánico in Madrid, Spain. That single concert cut brings the open air and the crowd into the record, a moment of Spanish night woven into an otherwise studio-anchored sequence. It gives the album a change of texture and light, a reminder that these songs live and travel far beyond any one room.\u003c\/p\u003e\n\u003cp\u003eTo close, \"Prayer\" was taped at Santa Barbara Sound Design in Santa Barbara, adding a third location and a fitting sense of quiet resolution. Across these venues, the sequencing moves with intention, ending on a note that feels contemplative and earned, drawing the various sessions together into a coherent whole.\u003c\/p\u003e\n\u003cp\u003eThe publishing credits map the album's wide reach of sources. \"Peace\" and \"Ramblin'\" fall under Phrase Tech Music, while \"Anthem\" comes through Sony \/ ATV Songs LLC. \"Dismal Swamp,\" the title track \"Tone Poem,\" and \"Prayer\" are held by Forest Farm Music, administered by Wixen Music, and \"Monk's Mood\" arrives via Embassy Music. \"Ay Amor\" is published by Hadem Music Corp., and \"Lady Gabor\" through Gabor and Cardigan Music, a spread of catalogs that hints at the breadth of material Lloyd draws upon.\u003c\/p\u003e\n\u003cp\u003eFor collectors at Miles Waxey, this is a rewarding piece of contemporary jazz on vinyl, a document of Charles Lloyd and The Marvels moving between the studio and the stage with unforced grace. The gatefold presentation and the thoughtful cross-country, cross-continent recording history make it a record worth living with, one that rewards repeated listening from the first breath of \"Peace\" to the last hush of \"Prayer.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eIssued in a gatefold cover\u003cbr\u003e \u003cbr\u003e℗ © 2021 Charles Lloyd under exclusive license to UMG Recordings, Inc.\u003cbr\u003eTracks A1-C1, D1 recorded at East West Studios, Los Angeles, CA\u003cbr\u003eTrack C2 recorded at Noches del Botánico, Madrid, Spain\u003cbr\u003eTrack D2 recorded at Santa Barbara Sound Design, Santa Barbara, CA\u003cbr\u003e \u003cbr\u003ePublishers:\u003cbr\u003eA1, A2 -- Phrase Tech Music (ASCAP)\u003cbr\u003eA3 -- Sony \/ ATV Songs LLC (SOCAN)\u003cbr\u003eB1, B2, D2 -- Forest Farm Music (BMI) \/ Administered by Wixen Music\u003cbr\u003eC1 -- Embassy Music (BMI)\u003cbr\u003eC2 -- Hadem Music Corp. (ASCAP)\u003cbr\u003eD1 -- Gabor and Cardigan Music (BMI)\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Peace\u003cbr\u003eA2. Ramblin'\u003cbr\u003eA3. Anthem\u003cbr\u003eB1. Dismal Swamp\u003cbr\u003eB2. Tone Poem\u003cbr\u003eC1. Monk's Mood\u003cbr\u003eC2. Ay Amor (Live)\u003cbr\u003eD1. Lady Gabor\u003cbr\u003eD2. Prayer\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Charles Lloyd \u0026amp; The Marvels\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0033135-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Tone Poet Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2021\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50873851838760,"sku":null,"price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OTEtMjQ1Mi5qcGVn.jpg?v=1761702584"},{"product_id":"ultimate-peggy-lee-peggy-lee-2lp-vinyl","title":"Ultimate Peggy Lee - Peggy Lee (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eUltimate Peggy Lee\u003c\/strong\u003e by \u003cstrong\u003ePeggy Lee\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew voices in American popular music have carried the smoky poise and understated authority of Peggy Lee, and this generous double LP gathers a sweeping cross section of her artistry across four sides. Housed in a handsome gatefold cover, \"Ultimate Peggy Lee\" is exactly the kind of anthology that rewards a slow evening and a good turntable, moving from playful swing to torchlit intimacy without ever losing its cool center.\u003c\/p\u003e\n\u003cp\u003eSide A comes out swinging with the buoyant \"I Love Being Here With You\" before sliding into the immortal \"Fever,\" a performance so spare and so sensual it practically defines Lee's genius for saying more with less. \"Things Are Swingin'\" and \"I Don't Know Enough About You\" keep the tempo bright and knowing, and the side closes with \"I'm A Woman,\" a strutting declaration delivered with all the wit and steel Lee could muster.\u003c\/p\u003e\n\u003cp\u003eThe second side broadens the palette considerably. \"Just In Time\" and \"Hallelujah, I Love Him So\" show her easy rapport with an uptempo groove, while \"Sweet Happy Life\" and \"Alright, Okay, You Win\" balance breeziness with a bluesy backbone. Closing the side is \"Why Don't You Do Right (Get Me Some Money Too),\" the song that helped make her a star, its slow simmer and sly reproach still utterly magnetic.\u003c\/p\u003e\n\u003cp\u003eSide C is where the anthology reveals its range as a showcase of interpretation. \"It's A Good Day\" and \"You Deserve\" bring sunny optimism, while \"Big Spender\" turns worldly and theatrical. \"He's A Tramp,\" forever tied to Lee's screen legacy, arrives with a wink, and \"I Wanna Be Around\" lets a little bite creep into the phrasing. Throughout, she treats each lyric as a small drama, shaping every line with impeccable timing.\u003c\/p\u003e\n\u003cp\u003eThe final side gathers some of her most enduring ballad statements. \"Black Coffee\" broods in the small hours, \"I've Got The World On A String\" turns buoyant, and \"The Folks Who Live On The Hill\" glows with tender nostalgia. Then comes \"Is That All There Is?,\" her singular, world weary meditation, followed by a graceful reading of \"Try A Little Tenderness\" that sends the collection off on a note of warmth.\u003c\/p\u003e\n\u003cp\u003eSpanning swing, blues, standards, and the sophisticated pop that became her signature, this set is an ideal entry point for newcomers and a satisfying keepsake for longtime devotees. Across twenty two performances laid out over two records, it captures the many facets of a singer who made restraint feel like the boldest gesture of all. A worthy addition to any jazz and vocal collection, and a record that plays beautifully from first groove to last.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eDouble LP in gatefold cover\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. I Love Being Here With You\u003cbr\u003eA2. Fever\u003cbr\u003eA3. Things Are Swingin’\u003cbr\u003eA4. I Don’t Know Enough About You\u003cbr\u003eA5. I’m A Woman\u003cbr\u003eB1. Just In Time\u003cbr\u003eB2. Hallelujah, I Love Him So\u003cbr\u003eB3. Sweet Happy Life\u003cbr\u003eB4. Alright, Okay, You Win\u003cbr\u003eB5. Too Close For Comfort\u003cbr\u003eB6. Why Don’t You Do Right (Get Me Some Money Too)\u003cbr\u003eC1. It’s A Good Day\u003cbr\u003eC2. You Deserve\u003cbr\u003eC3. Heart\u003cbr\u003eC4. Big Spender\u003cbr\u003eC5. He's A Tramp\u003cbr\u003eC6. I Wanna Be Around\u003cbr\u003eD1. Black Coffee\u003cbr\u003eD2. I’ve Got The World On A String\u003cbr\u003eD3. The Folks Who Live On The Hill\u003cbr\u003eD4. Is That All There Is?\u003cbr\u003eD5. Try A Little Tenderness\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Peggy Lee\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Capitol Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0031401-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2020\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Capitol Records","offers":[{"title":"Default Title","offer_id":50873865797928,"sku":null,"price":30.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MzYtNDkyNS5wbmc.jpg?v=1761702838"},{"product_id":"herbie-nichols-trio-herbie-nichols-trio-1lp-vinyl-tone-poet-series","title":"Herbie Nichols Trio - Herbie Nichols Trio (1LP Vinyl) [Tone Poet Series]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eHerbie Nichols Trio\u003c\/strong\u003e by \u003cstrong\u003eHerbie Nichols Trio\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew records in the Blue Note catalog reward patient listening quite like the Herbie Nichols Trio. Nichols was a pianist and composer whose work sat slightly apart from the bebop mainstream, and this trio setting gives his angular, deeply personal writing the room it needs to breathe. Every piece here is a Nichols composition, and together they form a portrait of one of jazz's most distinctive and underappreciated voices.\u003c\/p\u003e\n\u003cp\u003eSide A opens with \"The Gig,\" a title that hints at the working musician's world Nichols knew so well, before moving into the rolling momentum of \"House Party Starting\" and the playful conversation of \"Chit-Chatting.\" Then comes \"The Lady Sings The Blues,\" a piece Nichols is famously associated with, followed by the sprightly, dancing figures of \"Terpsichore,\" named for the muse of dance. It is a first side that balances wit, warmth, and a restless harmonic curiosity.\u003c\/p\u003e\n\u003cp\u003eTurn the record over and the invention continues. \"Spinning Song\" and \"Query\" show Nichols posing musical questions and following them wherever they lead, while \"Wildflower\" offers a moment of lyrical grace. \"Hangover Triangle\" carries the kind of sly, knowing humor that runs through so much of his writing, and the set closes with \"Mine,\" a fitting final word from a composer whose material was so unmistakably his own.\u003c\/p\u003e\n\u003cp\u003eWhat makes these performances endure is the trio format itself. Stripped to piano, bass, and drums, there is nowhere to hide, and Nichols uses that exposure to his advantage, letting his ideas unfold with clarity and rhythmic surprise. His melodies twist in unexpected directions, his phrasing lands just off the expected beat, and the results feel fresh decades after they were first committed to tape.\u003c\/p\u003e\n\u003cp\u003eThis pressing brings the music back into circulation for a new generation of collectors and listeners. Originally released in 1956 by Blue Note Records, it appears here under the label's continuing legacy, with © 2023 Capitol Records, LLC, and distribution by Universal Music Enterprises, a Division of UMG Recordings, Inc. Blue Note® remains a registered trademark of Capitol Records, LLC. The runouts are etched, a small detail that speaks to the care taken in the record's production.\u003c\/p\u003e\n\u003cp\u003eFor anyone building a serious Blue Note shelf, or simply looking to discover a pianist whose reputation has only grown with time, the Herbie Nichols Trio is essential. It rewards repeated spins, revealing new corners of Nichols's imagination each time the needle drops. Here at Miles Waxey, we count it among the quiet treasures of the jazz canon, a record that asks for your attention and returns it many times over.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRunouts are etched.\u003cbr\u003e \u003cbr\u003eOn the back cover:\u003cbr\u003eA Blue Note Records release; Originally released in 1956 by Blue Note Records © 2023 Capitol Records, LLC.\u003cbr\u003eDistributed by Universal Music Enterprises, a Division of UMG Recordings, Inc.\u003cbr\u003eBlue Note® is a registered trademark of Capitol Records, LLC.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. The Gig\u003cbr\u003eA2. House Party Starting\u003cbr\u003eA3. Chit-Chatting\u003cbr\u003eA4. The Lady Sings The Blues\u003cbr\u003eA5. Terpsichore\u003cbr\u003eB1. Spinning Song\u003cbr\u003eB2. Query\u003cbr\u003eB3. Wildflower\u003cbr\u003eB4. Hangover Triangle\u003cbr\u003eB5. Mine\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Herbie Nichols Trio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0035092-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Tone Poet Series\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":50878401544488,"sku":null,"price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NzUtNjkxNC5qcGVn.jpg?v=1761753369"},{"product_id":"wayfaring-webster-ben-webster-quartet-2lp-vinyl","title":"Wayfaring Webster - Ben Webster Quartet (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eWayfaring Webster\u003c\/strong\u003e by \u003cstrong\u003eBen Webster Quartet\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew tenor saxophonists have ever poured as much warmth into a phrase as Ben Webster, and \"Wayfaring Webster\" gathers the Ben Webster Quartet in a setting that lets that unmistakable breathy tone breathe. Across four sides of music, the collection moves with an unhurried grace, favoring the ballad craft and the swing feel that made Webster one of the most beloved voices in jazz.\u003c\/p\u003e\n\u003cp\u003eSide A eases you in with \"Sunday,\" a lively opener that gives way to the tender introspection of \"Old Folks\" and the aching lyricism of \"For All We Know.\" It is a sequence that showcases Webster's gift for storytelling, the way he can lean into a melody, hold a note just a moment longer than expected, and make it feel like a confession.\u003c\/p\u003e\n\u003cp\u003eThe middle sides keep the quartet stretching out. \"Poutin'\" and the standard \"My Romance\" close out Side B before \"Perdido\" brings a familiar, swinging brightness to the start of Side C, followed by the gentle sway of \"How Long Has This Been Going On.\" These are tunes that reward repeat listening, revealing more of the interplay between Webster and his rhythm section each time around.\u003c\/p\u003e\n\u003cp\u003eSide D delivers two highlights to send you off, beginning with \"Chelsea Bridge,\" the Billy Strayhorn composition that Webster made his own with a rendition of misty, twilight beauty. The closer, \"Ben's Little Scheme,\" offers one last taste of the quartet at play, a fitting farewell to an intimate program.\u003c\/p\u003e\n\u003cp\u003eThis edition marks the first time this music has appeared on vinyl, presented as a Record Store Day Black Friday 2023 UK and Europe exclusive. Pressed on 180g Double Black vinyl and limited to just 1000 copies, it is a release designed for collectors who want to hear Webster with weight and clarity across a generously spaced double LP.\u003c\/p\u003e\n\u003cp\u003eCompleting the package is an obi strip, a considered finishing touch that adds to the appeal for anyone building a serious jazz shelf. For devotees of Webster's late, luxuriant style, and for newcomers looking to understand why his sound remains so cherished, \"Wayfaring Webster\" is a rewarding addition to the collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eRecord Store Day Black Friday 2023 (UK\/EUROPE) exclusivity\u003c\/p\u003e\n\u003cp\u003eLimited to 1000 copies\u003cbr\u003e180g edition Double Black vinyl edition\u003cbr\u003eComes with obi strip - First time on vinyl\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Sunday\u003cbr\u003eA2. Old Folks\u003cbr\u003eA3. For All We Know\u003cbr\u003eB1. Poutin’\u003cbr\u003eB2. My Romance\u003cbr\u003eC1. Perdido\u003cbr\u003eC2. How Long Has This Been Going On\u003cbr\u003eD1. Chelsea Bridge\u003cbr\u003eD2. Ben’s Little Scheme\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Ben Webster Quartet\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Tidal Waves Music\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e TWM114\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United Kingdom\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Tidal Waves Music","offers":[{"title":"Default Title","offer_id":50884927947048,"sku":null,"price":24.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NjgtOTQyOS5qcGVn.jpg?v=1761856885"},{"product_id":"sarah-vaughans-golden-hits-sarah-vaughan-1lp-vinyl","title":"Sarah Vaughan's Golden Hits - Sarah Vaughan (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eSarah Vaughan's Golden Hits\u003c\/strong\u003e by \u003cstrong\u003eSarah Vaughan\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew voices in the history of American music command the kind of reverence that Sarah Vaughan's does, and this collection gathers some of her most beloved performances onto a single, irresistible record. From the first notes, it is clear why she earned her place among the giants of jazz and popular song, her instrument capable of both feather light delicacy and rich, resonant power.\u003c\/p\u003e\n\u003cp\u003eSide A opens with \"Misty,\" one of the most enduring ballads in the standard repertoire, a showcase for the warmth and control that made Vaughan a favorite of listeners and fellow musicians alike. It flows into the charming \"Broken Hearted Melody\" and the playful \"Make Yourself Comfortable,\" before settling into the timeless glow of \"Autumn In New York\" and \"Moonlight In Vermont.\" The side closes with \"How Important Can It Be,\" rounding out a sequence that moves effortlessly between heartache and lighthearted swing.\u003c\/p\u003e\n\u003cp\u003eTurn the record over and the pleasures continue. \"Smooth Operator\" and \"Whatever Lola Wants\" bring wit and personality to the fore, while \"Lullaby Of Birdland\" offers one of the most recognizable melodies in jazz, delivered with the kind of phrasing only Vaughan could summon. It is a performance that reminds you why she was known as the Divine One, bending and shaping each line with total command.\u003c\/p\u003e\n\u003cp\u003eThe second side rounds out with \"Eternally,\" the wistful \"Poor Butterfly,\" and the tender \"Close To You,\" a closing trio that lets Vaughan's expressive gifts shine in the quieter, more reflective register she inhabited so beautifully. Across all twelve selections, the emphasis stays where it belongs: on that extraordinary voice and its remarkable range of color and feeling.\u003c\/p\u003e\n\u003cp\u003eAs a compilation, \"Sarah Vaughan's Golden Hits\" makes an ideal entry point for newcomers and a rewarding addition for longtime admirers. The programming balances the familiar with the delightful, giving equal weight to sweeping ballads and buoyant, up tempo numbers so that no single mood dominates. It is the sort of record you can put on from beginning to end and let carry you along.\u003c\/p\u003e\n\u003cp\u003eFor collectors browsing the shelves at Miles Waxey, this is exactly the kind of title that anchors a jazz and blues library. Sarah Vaughan remains a cornerstone artist, and a record that assembles standards like \"Misty,\" \"Autumn In New York,\" \"Moonlight In Vermont,\" and \"Lullaby Of Birdland\" in one place is a genuine pleasure to own. Drop the needle, sit back, and let one of the great voices of the twentieth century fill the room.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Misty\u003cbr\u003eA2. Broken Hearted Melody\u003cbr\u003eA3. Make Yourself Comfortable\u003cbr\u003eA4. Autumn In New York\u003cbr\u003eA5. Moonlight In Vermont\u003cbr\u003eA6. How Important Can It Be\u003cbr\u003eB1. Smooth Operator\u003cbr\u003eB2. Whatever Lola Wants\u003cbr\u003eB3. Lullaby Of Birdland\u003cbr\u003eB4. Eternally\u003cbr\u003eB5. Poor Butterfly\u003cbr\u003eB6. Close To You\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Sarah Vaughan\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Mercury\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e SR 60645\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2019\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Mercury","offers":[{"title":"Default Title","offer_id":50884937646376,"sku":null,"price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MzYtOTYyNy5qcGVn.jpg?v=1761857082"},{"product_id":"quiet-nights-miles-davis-1lp-vinyl-very-good-vg","title":"Quiet Nights - Miles Davis (1LP Vinyl, 1963 pressing) - Very Good (VG)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eQuiet Nights\u003c\/strong\u003e by \u003cstrong\u003eMiles Davis\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere is a particular hush that settles over \"Quiet Nights,\" and it begins the moment the needle finds the groove. This is Miles Davis in a reflective mood, drifting through a program that leans into bossa nova textures and after hours introspection. The record opens with \"Song #2\" and \"Once Upon A Summertime\" on the A side, moving into the Portuguese lyricism of \"Aos Pes Da Cruz\" and then \"Song #1,\" before the B side unfolds with \"Wait Till You See Her,\" \"Corcovado,\" and the closing \"Summer Night.\"\u003c\/p\u003e\n\u003cp\u003eThe music was captured at CBS 30th Street Studio in New York City, that legendary converted church space famed for its natural reverberation and warmth. The sessions span nearly a year, giving the album its patient, unhurried character. \"Aos Pes Da Cruz\" and \"Corcovado\" were laid down on July 27, 1962, while \"Song #1\" and \"Wait Till You See Her\" came from the August 13, 1962 date. The album's opening pair, \"Song #2\" and \"Once Upon A Summertime,\" were recorded on November 6, 1962, and the closer, \"Summer Night,\" was set to tape on April 17, 1963.\u003c\/p\u003e\n\u003cp\u003eWhat you have here is the first release, and the label details tell the story to a trained eye. It carries the Columbia 2-eye label with the word \"NONBREAKABLE\" printed beneath the catalog number, a small but telling marker of an early pressing. Along the bottom you will find \"360 SOUND STEREO\" rendered in black letters. That black text is the giveaway for this first pressing; on the second pressing those same letters appear in white.\u003c\/p\u003e\n\u003cp\u003eCollectors who chase the true firsts will appreciate the runout evidence as well. There is no \"o\" stamped in the runouts, which indicates this release was not mastered by Customatrix. That distinguishes it from the related Customatrix mastered pressing and confirms its place at the front of the line. The label also bears the registered Columbia logo with \"Marcas Reg.\" and the note \"Printed in U.S.A.\"\u003c\/p\u003e\n\u003cp\u003eTonally, this is a quieter corner of the Davis catalog, more mood piece than blowing session, and it rewards the listener who wants atmosphere rather than fireworks. The bossa inflected numbers sit comfortably alongside the standards, and the 30th Street acoustics lend the whole thing a spacious, intimate glow.\u003c\/p\u003e\n\u003cp\u003eFor the shelf of any serious Miles Davis collector, this is the pressing to seek out: a genuine first release with the black \"360 SOUND STEREO\" lettering, the 2-eye label, and the \"NONBREAKABLE\" line intact. A subtle, late night record that deserves a proper place in the collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eThis is the 1st release pressed on Columbia 2-eye label and \"NONBREAKABLE\" beneath the cat#. \"360 SOUND STEREO ...\" at the bottom in black letters (on the 2nd pressing these letters are white).\u003c\/p\u003e\n\u003cp\u003eNo \"o\" in runouts, meaning this release was not mastered by Customatrix, unlike [r11699502]\u003c\/p\u003e\n\u003cp\u003e(R) Columbia [logo] Marcas Reg.\u003cbr\u003ePrinted in U.S.A.\u003c\/p\u003e\n\u003cp\u003eRecorded at: CBS 30th Street Studio, New York City\u003cbr\u003eJuly 27, 1962 (A3, B2)\u003cbr\u003eAugust 13, 1962 (A4,B1)\u003cbr\u003eNovember 6, 1962 (A1, A2)\u003cbr\u003eApril 17, 1963 (B3)\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. Song #2\u003cbr\u003eA2. Once Upon A Summertime\u003cbr\u003eA3. Aos Pes Da Cruz\u003cbr\u003eA4. Song #1\u003cbr\u003eB1. Wait Till You See Her\u003cbr\u003eB2. Corcovado\u003cbr\u003eB3. Summer Night\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Miles Davis\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CS 8906\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 1963\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Very Good (VG) (rare not feel-able scuffs)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":50886207766824,"sku":null,"price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/EBD9EBD2-96DB-4655-8459-762EB36CCB85.jpg?v=1768085822"},{"product_id":"porgy-and-bess-miles-davis-1lp-vinyl","title":"Porgy And Bess - Miles Davis (1LP Vinyl, NM\/VG)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003ePorgy And Bess\u003c\/strong\u003e by \u003cstrong\u003eMiles Davis\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eMiles Davis and George Gershwin might seem an unlikely pairing on paper, but \"Porgy And Bess\" stands as one of the most inspired meetings of jazz interpretation and American songbook material ever committed to tape. This 180-gram audiophile mono LP presents a faithful reissue of the original mono version, letting the music breathe exactly as it was first intended, without the artificial spread of later stereo remixes.\u003c\/p\u003e\n\u003cp\u003eThe recordings were captured across four sessions in the summer of 1958: July 22, July 29, August 4, and August 18, all at Columbia's legendary 30th Street Studio in New York City. That cavernous converted church interior became something of a secret weapon for Columbia during this era, giving orchestral recordings a natural warmth and depth that engineers spent decades trying to replicate elsewhere. Pressed here in mono on quality 180-gram vinyl, this edition puts the focus squarely on the balance and detail of those original sessions.\u003c\/p\u003e\n\u003cp\u003eSide A opens with \"The Buzzard Song\" before moving through the aching beauty of \"Bess, You Is My Woman Now,\" the driving \"Gone\" and its companion \"Gone, Gone, Gone,\" and one of the most famous readings of \"Summertime\" you will ever hear. The first side closes with the reflective \"Bess, Oh Where's My Bess,\" a reminder of how much narrative weight Gershwin folded into these melodies and how deftly Davis draws it out through his horn.\u003c\/p\u003e\n\u003cp\u003eThe second side is equally rich, running from the reverent \"Prayer (Oh Doctor Jesus)\" and the atmospheric \"Fishermen, Strawberry And Devil Crab\" through the sorrowful \"My Man's Gone Now\" and the swaggering \"It Ain't Necessarily So.\" From there the program glides through \"Here Come De Honey Man,\" the tender \"I Loves You, Porgy,\" and finally the buoyant \"There's A Boat That's Leaving Soon For New York,\" sending the album out on a bright, forward-leaning note.\u003c\/p\u003e\n\u003cp\u003eThroughout, Davis approaches these show tunes not as jazz standards to be dismantled but as fully realized settings, playing with a restraint and lyricism that makes every phrase feel considered. The arrangements give the material an orchestral scope while leaving ample room for that unmistakable trumpet voice to move through the melodies, sometimes muted and intimate, sometimes open and soaring.\u003c\/p\u003e\n\u003cp\u003eThis pressing carries catalog number CL 1274 on both the jacket and the labels, with catalog number 88765407571 printed at the bottom of the rear jacket and 88765407571S2 appearing on the front sticker. It is a handsome, well-documented edition of a genuine cornerstone of the Miles Davis catalog, and an essential addition for any serious jazz collection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eCover variant to [r=4054718] without the series number and RSD logo on front sticker; 88765407571S2 on sticker\u003c\/p\u003e\n\u003cp\u003eCatalog number CL 1274 on jacket and labels; catalog number 88765407571 on rear jacket bottom.\u003c\/p\u003e\n\u003cp\u003e12\" 180-gram audiophile mono vinyl LP\u003c\/p\u003e\n\u003cp\u003eReissue of the original mono version.\u003c\/p\u003e\n\u003cp\u003eRecorded 7\/22\/1958, 7\/29\/1958, 8\/04\/1958, and 8\/18\/1958 at the Columbia 30th Street Studio in New York City.\u003c\/p\u003e\n\u003cp\u003eTrack Listing:\u003cbr\u003eA1. The Buzzard Song\u003cbr\u003eA2. Bess, You Is My Woman Now\u003cbr\u003eA3. Gone\u003cbr\u003eA4. Gone, Gone, Gone\u003cbr\u003eA5. Summertime\u003cbr\u003eA6. Bess, Oh Where's My Bess\u003cbr\u003eB1. Prayer (Oh Doctor Jesus)\u003cbr\u003eB2. Fishermen, Strawberry And Devil Crab\u003cbr\u003eB3. My Man's Gone Now\u003cbr\u003eB4. It Ain't Necessarily So\u003cbr\u003eB5. Here Come De Honey Man\u003cbr\u003eB6. I Loves You, Porgy\u003cbr\u003eB7. There's A Boat That's Leaving Soon For New York\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Miles Davis\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Columbia\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CL 1274\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2012\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord grading:\u003c\/strong\u003e NM\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve grading:\u003c\/strong\u003e VG+\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Columbia","offers":[{"title":"Default Title","offer_id":50886212616488,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/E0CA1734-73D8-4B61-93ED-E1959FD35DC3.jpg?v=1768085487"},{"product_id":"love-letters-ketty-lester-1962-1lp-vinyl-very-good-plus-vg","title":"Love Letters - Ketty Lester (1962) (1LP Vinyl) - Very Good Plus (VG+)","description":"\u003cp\u003e\u003cstrong\u003eLove Letters\u003c\/strong\u003e by \u003cstrong\u003eKetty Lester\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eRecorded in March of 1962 in Hollywood, California, this mono pressing of \"Love Letters\" captures Ketty Lester at a defining moment, delivering a program of standards and torch songs with the poise and intimacy that made her a singular voice. The album opens with its celebrated title track, a song whose spare, spoken-sung phrasing and haunting arrangement helped introduce Lester to a wide audience. From that first cut, the record sets a mood of tender confession and quiet drama that carries through both sides.\u003c\/p\u003e\n\u003cp\u003eThe song selection reads like a carefully curated evening of romance and melancholy. Side A moves from the title tune into \"Once Upon A Time,\" \"P. S. I Love You,\" and \"I'll Never Stop Loving You,\" before darkening beautifully with \"Gloomy Sunday\" and \"Fallen Angel.\" Side B keeps the emotional temperature high, gathering \"Where Or When,\" \"I'm A Fool To Want You,\" \"Moscow Nights,\" \"Porgy, I's Your Woman Now,\" \"When I Fall In Love,\" and the closing \"Goin' Home.\" It is a set that balances familiar standards with more unexpected choices, giving Lester room to shade each lyric with her own understated authority.\u003c\/p\u003e\n\u003cp\u003eMuch of the album's distinctive character comes from Lincoln Mayorga, who arranged the sessions and provided piano and organ throughout. His writing frames Lester's vocals with a warm, considered elegance, supported by a rhythm section of Ray Pohlman on guitar, Dick Brandt on bass, and drums split between Earl Palmer on the title track and Milt Holland across the remainder of the record. That subtle handoff behind the kit gives the opener a slightly different pulse from the songs that follow.\u003c\/p\u003e\n\u003cp\u003eThe arrangements are enriched by a full string and reed complement that lends the album its lush, cinematic sweep. Violins from Ambrose Russo, Benny Gill, Bob Levine, Howard Colf, John Santulis, and Lou Klass weave through the ballads, while cellos from David Filerman, Howard Colf, and Naoum Benditzky add depth and shadow. John Neufeld's clarinet rounds out the ensemble, coloring the quieter passages with a breath of woodwind warmth.\u003c\/p\u003e\n\u003cp\u003eProduced by Ed Cobb as an A.C.M. Production, the record was engineered by Armin Steiner, whose recording gives the vocals presence and the strings a natural bloom. The package carries art direction by Ken Kim, photography by Sid Avery, and liner notes by Bill Pereira, a complete presentation that reflects the care behind the music.\u003c\/p\u003e\n\u003cp\u003eThis is the monophonic edition, marked DL 108 MONOPHONIC at the lower left of the front cover, with catalog number DL-108 on the spine and EL-108 on the label. It is a rewarding find for admirers of early 1960s vocal jazz and lushly orchestrated song.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Love Letters\u003cbr\u003eA2. Once Upon A Time\u003cbr\u003eA3. P. S. I Love You\u003cbr\u003eA4. I'll Never Stop Loving You\u003cbr\u003eA5. Gloomy Sunday\u003cbr\u003eA6. Fallen Angel\u003cbr\u003eB1. Where Or When\u003cbr\u003eB2. I'm A Fool To Want You\u003cbr\u003eB3. Moscow Nights\u003cbr\u003eB4. Porgy, I's Your Woman Now\u003cbr\u003eB5. When I Fall In Love\u003cbr\u003eB6. Goin' Home\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eLincoln Mayorga - Arranged By\u003cbr\u003eKen Kim - Art Direction\u003cbr\u003eDick Brandt - Bass\u003cbr\u003eDavid Filerman - Cello\u003cbr\u003eHoward Colf - Cello\u003cbr\u003eNaoum Benditzky - Cello\u003cbr\u003eJohn Neufeld - Clarinet\u003cbr\u003eEarl Palmer - Drums (A1)\u003cbr\u003eMilt Holland - Drums (A2 to B6)\u003cbr\u003eArmin Steiner - Engineer [Recording Engineer]\u003cbr\u003eRay Pohlman - Guitar\u003cbr\u003eBill Pereira - Liner Notes\u003cbr\u003eSid Avery - Photography By\u003cbr\u003eLincoln Mayorga - Piano, Organ\u003cbr\u003eEd Cobb - Producer\u003cbr\u003eAmbrose Russo - Violin\u003cbr\u003eBenny Gill - Violin\u003cbr\u003eBob Levine (4) - Violin\u003cbr\u003eHoward Colf - Violin\u003cbr\u003eJohn Santulis - Violin\u003cbr\u003eLou Klass - Violin\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eAn A.C.M. Production\u003cbr\u003eRecorded March, 1962 in Hollywood, California.\u003c\/p\u003e\n\u003cp\u003eMono Edition:\u003cbr\u003eDL 108 MONOPHONIC printed at lower left corner of front cover\u003cbr\u003eDL-108 catalog number on spine\u003cbr\u003eEL-108 catalog number on label\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Ketty Lester\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ERA Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e DL 108\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 1962\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Very Good Plus (VG+, light paper scuffs)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Very Good (NM)\u003c\/p\u003e","brand":"ERA Records","offers":[{"title":"Default Title","offer_id":51005214032168,"sku":null,"price":54.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MS01MzgxLmpwZWc.jpg?v=1763127533"},{"product_id":"plays-the-best-of-lerner-loewe-chet-baker-1lp-vinyl-craft-recordings","title":"Plays The Best Of Lerner \u0026 Loewe - Chet Baker (1LP Vinyl) [CRAFT Recordings]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003ePlays The Best Of Lerner \u0026amp; Loewe\u003c\/strong\u003e by \u003cstrong\u003eChet Baker\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere is a particular kind of alchemy that happens when a trumpet player as lyrical as Chet Baker turns his attention to the American songbook, and here he does it with the catalog of Lerner and Loewe. Baker treats these melodies with the tenderness they deserve, and across eight sides of song he finds the aching center of tunes drawn from My Fair Lady, Gigi, Brigadoon, and Paint Your Wagon. From the opening confession of \"I've Grown Accustomed To Your Face\" through the closing sway of \"Show Me,\" this is Baker as an interpreter, letting the songs breathe.\u003c\/p\u003e\n\u003cp\u003eWhat elevates this record beyond a simple showcase is the company Baker keeps. Zoot Sims moves fluidly between tenor and alto saxophone across most of the program, giving the horn lines a warmth and swing that complements Baker's cooler tone. Pepper Adams anchors the low end with his baritone saxophone on nearly every track, and Herbie Mann adds his distinctive flute to numbers like \"I Could Have Danced All Night\" and \"The Heather On The Hill,\" even stepping over to tenor saxophone for \"Almost Like Being In Love.\"\u003c\/p\u003e\n\u003cp\u003eThe rhythm section deserves its own spotlight. Piano duties are split between two very different hands: Bill Evans brings his unmistakable harmonic sensibility to \"I've Grown Accustomed To Your Face,\" \"Thank Heaven For Little Girls,\" \"I Talk To The Trees,\" and \"Show Me,\" while Bob Corwin handles the remaining tracks with a graceful touch. Earl May holds the bottom on bass and Clifford Jarvis keeps time on drums, together forming a supple foundation that never crowds the soloists.\u003c\/p\u003e\n\u003cp\u003eThis is a Riverside production shepherded by the label's own Orrin Keepnews, who also penned the liner notes. Keepnews had an ear for pairing musicians in ways that let their individual voices shine while serving the song, and that instinct is everywhere on these performances. The result is a session that feels intimate and unhurried, a group of first rate players finding common ground in the melodic richness of Broadway and film.\u003c\/p\u003e\n\u003cp\u003eThe sound here comes from careful modern stewardship. Kevin Gray remastered and cut the lacquer at Cohearent Audio, working directly from the original analog masters, with earlier mastering credited to Jack Matthews and engineering by Roy Friedman. This remaster was originally issued as part of the box set Chet Baker: The Legendary Riverside Albums, and it carries that pedigree of fidelity and respect for the source.\u003c\/p\u003e\n\u003cp\u003eRounding out the package is the visual presentation, with cover design by Harris Lewine, Ken Braren, and Paul Bacon, plus back liner photography by Lawrence N. Shustak. A quietly beautiful entry in the Baker discography, and one that rewards repeated listening.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. I've Grown Accustomed To Your Face\u003cbr\u003eA2. I Could Have Danced All Night\u003cbr\u003eA3. The Heather On The Hill\u003cbr\u003eA4. On The Street Where You Live\u003cbr\u003eB1. Almost Like Being In Love\u003cbr\u003eB2. Thank Heaven For Little Girls\u003cbr\u003eB3. I Talk To The Trees\u003cbr\u003eB4. Show Me\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003ePepper Adams - Baritone Saxophone (A1 to A4, B1, B3, B4)\u003cbr\u003eEarl May - Bass\u003cbr\u003eHarris Lewine - Design [Cover]\u003cbr\u003eKen Braren - Design [Cover]\u003cbr\u003ePaul Bacon (2) - Design [Cover]\u003cbr\u003eClifford Jarvis - Drums\u003cbr\u003eRoy Friedman - Engineer\u003cbr\u003eHerbie Mann - Flute (A1 to A4, B3)\u003cbr\u003eKevin Gray - Lacquer Cut By, Remastered By\u003cbr\u003eJack Matthews - Mastered By\u003cbr\u003eLawrence N. Shustak - Photography By [Back Liner]\u003cbr\u003eBill Evans - Piano (A1, B2 to B4)\u003cbr\u003eBob Corwin - Piano (A2 to A4, B1)\u003cbr\u003eOrrin Keepnews - Producer, Liner Notes\u003cbr\u003eHerbie Mann - Tenor Saxophone (B1)\u003cbr\u003eZoot Sims - Tenor Saxophone, Alto Saxophone (A1 to A4, B1 to B3)\u003cbr\u003eChet Baker - Trumpet\u003cbr\u003eLerner \u0026amp; Loewe - Written-By\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003e*This remaster was originally issued as part of the box set, Chet Baker - The Legendary Riverside Albums.\u003cbr\u003e*Remastering by Kevin Gray @ Cohearent Audio. Cut from the original Analog masters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Chet Baker\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Riverside Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CR00360\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e CRAFT Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2021\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Riverside Records","offers":[{"title":"Default Title","offer_id":51134446928168,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/ODUtNTI0OC5qcGVn.jpg?v=1764693731"},{"product_id":"the-incredible-jazz-guitar-of-wes-montgomery-wes-montgomery-1lp-vinyl","title":"The Incredible Jazz Guitar Of Wes Montgomery - Wes Montgomery (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe Incredible Jazz Guitar Of Wes Montgomery\u003c\/strong\u003e by \u003cstrong\u003eWes Montgomery\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew records in the jazz guitar canon carry the weight and reputation of \"The Incredible Jazz Guitar Of Wes Montgomery.\" This is the album where Montgomery's warm, thumb-picked tone and effortless octave lines announced a new voice on the instrument, and it remains a cornerstone for anyone building a serious jazz collection. This particular pressing arrives as a Newbury Comics exclusive, limited to just 750 copies on striking orange vinyl.\u003c\/p\u003e\n\u003cp\u003eThe program opens with a burst of energy on Sonny Rollins' \"Airegin\" before settling into Montgomery's own \"D-Natural Blues,\" a track that showcases his gift for turning the blues into something both earthy and sophisticated. \"Polka Dots And Moonbeams\" offers a tender contrast, and the side closes with \"Four On Six,\" one of Montgomery's signature compositions and a study in swinging, hypnotic groove.\u003c\/p\u003e\n\u003cp\u003eSide B keeps the momentum with \"West Coast Blues,\" another Montgomery original that has since become a standard, followed by Dave Brubeck's \"In Your Own Sweet Way.\" \"Mister Walker\" and a graceful reading of \"Gone With The Wind\" round out the set, leaving no doubt as to why this album cemented Wes Montgomery's standing among the greats.\u003c\/p\u003e\n\u003cp\u003eThe supporting cast is every bit as formidable as the leader. Tommy Flanagan brings his elegant, endlessly tasteful piano to the sessions, while the rhythm section pairs Percy Heath on bass with his brother Albert Heath on drums, a family partnership that locks in with intuitive precision. Jack Higgins handled the recording engineering, and the whole enterprise was overseen by producer Orrin Keepnews, who also contributed the sleeve notes.\u003c\/p\u003e\n\u003cp\u003eVisually, this reissue honors the original Riverside presentation with care. The cover and design work is credited to Harris Lewine, Ken Braren, and Paul Bacon, with cover and back liner photography by Lawrence N. Shustak. Notably, the spine has no printing of any kind, and the 'Original Jazz Classics' logo is absent from the cover, keeping the presentation clean and faithful to its source.\u003c\/p\u003e\n\u003cp\u003eCollectors will appreciate the thoughtful details throughout, from the white and light green Riverside 'Reel to Reel' labels to the plain white paper inner sleeve with rounded corners and center cutout. Combined with the vivid orange vinyl and the tight edition of 750 copies, this is a pressing that rewards both the listener and the collector, a definitive statement from one of the most influential guitarists jazz has ever produced.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Airegin\u003cbr\u003eA2. D-Natural Blues\u003cbr\u003eA3. Polka Dots And Moonbeams\u003cbr\u003eA4. Four On Six\u003cbr\u003eB1. West Coast Blues\u003cbr\u003eB2. In Your Own Sweet Way\u003cbr\u003eB3. Mister Walker\u003cbr\u003eB4. Gone With The Wind\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003ePercy Heath - Bass\u003cbr\u003eHarris Lewine - Cover, Design\u003cbr\u003eKen Braren - Cover, Design\u003cbr\u003ePaul Bacon (2) - Cover, Design\u003cbr\u003eAlbert Heath - Drums\u003cbr\u003eJack Higgins - Engineer [Recording]\u003cbr\u003eWes Montgomery - Guitar\u003cbr\u003eLawrence N. Shustak - Photography By [Cover And Back Liner]\u003cbr\u003eTommy Flanagan - Piano\u003cbr\u003eOrrin Keepnews - Producer, Sleeve Notes\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eNewbury Comics exclusive. Limited edition of 750 copies on orange vinyl. \r\u003cbr\u003e\r\u003cbr\u003eSpine has no printing of any kind. White and light green Riverside 'Reel to Reel' labels. Plain white paper inner sleeve with rounded corners and center cutout. 'Original Jazz Classics' logo not printed on cover.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Wes Montgomery\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Original Jazz Classics\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e OJC-036\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2015\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Original Jazz Classics","offers":[{"title":"Default Title","offer_id":51134459052328,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MS02NjcyLmpwZWc.jpg?v=1764694930"},{"product_id":"in-orbit-clark-terry-1lp-vinyl-original-jazz-classics","title":"In Orbit - Clark Terry (1LP Vinyl) [Original Jazz Classics]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eIn Orbit\u003c\/strong\u003e by \u003cstrong\u003eClark Terry\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew pairings in jazz history carry the quiet magnetism of Clark Terry and Thelonious Monk, and \"In Orbit\" captures them in a setting that flatters both. Recorded in New York on May 7 and 12, 1958, this Riverside session finds Terry stepping to the front with his flugelhorn, an instrument he did much to legitimize as a lead voice in modern jazz. The warmth and roundness of that horn set the tone across nine tracks, from the buoyant title cut \"In Orbit\" to the closing meditation of \"Very Near Blue.\"\u003c\/p\u003e\n\u003cp\u003eThe lineup is a study in balance. Terry's flugelhorn floats over the rhythmic bedrock laid down by Sam Jones on bass and \"Philly\" Joe Jones on drums, a combination that swings with both muscle and finesse. And then there is Monk on piano, playing sideman here rather than leader, sprinkling his unmistakable angular logic through the harmonies. His presence lends pieces like \"Let's Cool One,\" one of his own compositions, a knowing, off center charm.\u003c\/p\u003e\n\u003cp\u003eThe program moves easily between moods. \"One Foot In The Gutter\" leans into a bluesy, earthy groove, while \"Trust In Me\" softens the pace with a ballad's tenderness. On the flip side, \"Pea-Eye,\" \"Argentia,\" and \"Buck's Business\" keep the energy varied and conversational, and \"Moonlight Fiesta\" adds a splash of color to the sequence. Throughout, the interplay never feels crowded; there is a spaciousness that lets each voice register clearly.\u003c\/p\u003e\n\u003cp\u003eThis reissue was produced under the care of Craft Recordings, with the original session guided by producer Orrin Keepnews, who also supplied the liner notes. Jack Higgins engineered the date. For this edition, the audio was mastered by Kevin Gray, who also cut the lacquer, bringing modern precision to a classic tape. Martin Williams contributes liner notes printed on the obi, adding further context to the music within.\u003c\/p\u003e\n\u003cp\u003eThe package retains the character of the original release. Paul Bacon designed the cover, and Jack Manning provided the cover photograph, elements that root the record firmly in its late 1950s Riverside identity. Riverside Records were released by Bill Grauer Productions, inc., and this pressing carries the ℗2024 and ©1958 Craft Recordings notice, manufactured and distributed by Concord, and made in the U.S.A.\u003c\/p\u003e\n\u003cp\u003eOne important detail for collectors and listeners alike: although the artwork indicates stereo, the record itself plays in mono. That single channel presentation suits the intimacy of the session beautifully, drawing the flugelhorn, piano, bass, and drums into a focused, cohesive whole. \"In Orbit\" remains an essential document of Terry's artistry and a rare chance to hear Monk supporting another leader with generosity and wit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. In Orbit\u003cbr\u003eA2. One Foot In The Gutter\u003cbr\u003eA3. Trust In Me\u003cbr\u003eA4. Let's Cool One\u003cbr\u003eB1. Pea-Eye\u003cbr\u003eB2. Argentia\u003cbr\u003eB3. Moonlight Fiesta\u003cbr\u003eB4. Buck's Business\u003cbr\u003eB5. Very Near Blue\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eSam Jones - Bass\u003cbr\u003ePaul Bacon (2) - Design [Cover Designed By], Cover [Cover Designed By]\u003cbr\u003e\"Philly\" Joe Jones - Drums\u003cbr\u003eJack Higgins - Engineer\u003cbr\u003eClark Terry - Flugelhorn\u003cbr\u003eKevin Gray - Lacquer Cut By\u003cbr\u003eMartin Williams (6) - Liner Notes [On Obi]\u003cbr\u003eKevin Gray - Mastered By\u003cbr\u003eJack Manning (3) - Photography By [Cover Photograph]\u003cbr\u003eThelonious Monk - Piano\u003cbr\u003eOrrin Keepnews - Producer [Produced By], Liner Notes [Notes By]\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eRecorded in New York; May 7 and 12, 1958.\u003cbr\u003e \u003cbr\u003eRiverside Records are released by Bill Grauer Productions, inc.\u003cbr\u003e℗2024 \u0026amp; ©1958 Craft Recordings. Manufactured and Distributed by Concord.\u003cbr\u003eMade in U.S.A.\u003c\/p\u003e\n\u003cp\u003ePlease note:\u003cbr\u003ethe record is mono even if written stereo on artwork.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Clark Terry\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Thelonious Monk\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CR00723\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Original Jazz Classics\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":51134517969192,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MTgtODk5NS5qcGVn.jpg?v=1764696520"},{"product_id":"bill-evans-trio-with-symphony-orchestra-bill-evans-trio-with-symphony-orchestra-1lp-vinyl","title":"Bill Evans Trio with Symphony Orchestra - 140gran high quality virgin vinyl limited edition (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eBill Evans Trio with Symphony Orchestra\u003c\/strong\u003e by \u003cstrong\u003eBill Evans Trio With Symphony Orchestra\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eIf you want to luxuriate in jazz, then look no further than this remarkable meeting of the Bill Evans Trio and a 48-piece orchestra conducted by Claus Ogerman. Appropriately named the Bill Evans Trio With Symphony Orchestra, this album pairs the intimacy of Evans's celebrated piano trio with the sweep and grandeur of a full symphonic ensemble, a combination that feels both bold and inevitable.\u003c\/p\u003e\n\u003cp\u003eReleased in February 1966, the record was the brainchild of Verve's A\u0026amp;R Director, Creed Taylor, whose instinct for pairing jazz artists with lush, ambitious settings finds one of its finest expressions here. The result is a session that refuses to treat the orchestra as mere decoration, instead weaving it into the very fabric of the music alongside Evans's unmistakable touch.\u003c\/p\u003e\n\u003cp\u003eAt the heart of it all is the trio itself. Bill Evans presides at the piano with the harmonic sophistication and quiet lyricism that made him one of the most influential pianists of his generation. Chuck Israels anchors the group on bass, his lines supple and attentive, while Larry Bunker brings a sensitive, responsive pulse on drums. Together they form a unit intimate enough to whisper and strong enough to hold their own against the full weight of Ogerman's arrangements.\u003c\/p\u003e\n\u003cp\u003eSide A opens with \"Granadas\" and moves through the graceful \"Valse\" and \"Prelude\" before arriving at \"Time Remembered,\" one of Evans's own compositions and a piece that showcases his gift for reflective, deeply personal melody. These performances glide with an unhurried elegance, the orchestra swelling and receding around the piano like tides drawn to the moon.\u003c\/p\u003e\n\u003cp\u003eThe second side carries the same spirit forward, beginning with the stately \"Pavane\" and the mournful beauty of \"Elegia (Elegy).\" From there the program turns toward \"My Bells\" and closes with \"Blue Interlude,\" bringing the journey to a contemplative and satisfying rest. Across both sides, Evans and his trio meet the orchestra as equals, each phrase measured, each dynamic shift felt rather than announced.\u003c\/p\u003e\n\u003cp\u003eThis is an essential document for anyone who cherishes the quieter, more introspective corners of the jazz canon, or for the listener who wants to hear one of the music's great pianists step into a broader, more cinematic frame. It rewards close attention and repeat listening in equal measure, revealing new textures with every spin. Few records so gracefully bridge the worlds of jazz and orchestral music, and fewer still do so with the taste and restraint that define this collaboration between Bill Evans, his trio, and the vision of Claus Ogerman.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Granadas\u003cbr\u003eA2. Valse\u003cbr\u003eA3. Prelude\u003cbr\u003eA4. Time Remembered\u003cbr\u003eB1. Pavane\u003cbr\u003eB2. Elegia (Elegy)\u003cbr\u003eB3. My Bells\u003cbr\u003eB4. Blue Interlude\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eChuck Israels - Bass\u003cbr\u003eLarry Bunker - Drums\u003cbr\u003eBill Evans - Piano\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eIf you want to luxuriate in jazz, then look no further than the Bill Evans Trio with Claus Ogerman conducting a 48-piece orchestra on the appropriately named Bill Evans Trio With Symphony Orchestra. Released in February 1966, the album was the brainchild of Verve’s A\u0026amp;R Director, Creed Taylor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Bill Evans Trio With Symphony Orchestra\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Elemental Music\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 620905\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Elemental Music","offers":[{"title":"Default Title","offer_id":51134549000488,"sku":null,"price":29.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/C2D5E59A-5B26-431B-A210-E93B89E048E6.jpg?v=1764698383"},{"product_id":"the-tony-bennett-bill-evans-album-tony-bennett-1lp-vinyl-original-jazz-classics","title":"The Tony Bennett\/Bill Evans Album - Tony Bennett (1LP Vinyl) [Original Jazz Classics]","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe Tony Bennett\/Bill Evans Album\u003c\/strong\u003e by \u003cstrong\u003eTony Bennett\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eSome collaborations feel less like a session and more like a meeting of two minds who had been circling one another for years, waiting for the right room. \"The Tony Bennett\/Bill Evans Album\" is exactly that kind of encounter. Recorded at Fantasy Studios in Berkeley, California, over four days in June 1975, it pairs one of the most beloved voices in American song with one of the most searching pianists jazz has ever produced. There is no rhythm section here to hide behind, no orchestra to cushion the sound; just voice and piano, exposed and intimate.\u003c\/p\u003e\n\u003cp\u003eThe program leans into ballads and standards that reward this kind of stripped down attention. The A side opens with \"Young and Foolish\" and moves through \"The Touch of Your Lips,\" \"Some Other Time,\" \"When in Rome,\" and \"We'll Be Together Again,\" each one a study in restraint and phrasing. The chemistry between the two players is unmistakable, with Bennett shaping every lyric while Evans answers in the harmonic language that made him a legend.\u003c\/p\u003e\n\u003cp\u003eThe B side deepens the mood, beginning with \"My Foolish Heart\" and settling into Evans' own \"Waltz for Debby,\" a piece so closely associated with the pianist that hearing Bennett sing over it feels like a rare gift. \"But Beautiful\" and the Oscar winning \"Days of Wine and Roses\" close the record, leaving the listener suspended in that quiet, unhurried space the two men built together across these nine songs.\u003c\/p\u003e\n\u003cp\u003eBehind the music sits a formidable production team. Helen Keane produced the session, with Orrin Keepnews serving as executive producer and Don Cody handling the engineering. The visual presentation was overseen by Phil Carroll on art direction, with cover photography by Phil Bray and back cover photography by Tom Vano, framing this meeting of artists with the elegance it deserves.\u003c\/p\u003e\n\u003cp\u003eThis particular pressing brings the recording forward with genuine audiophile care. The all analog mastering was done from the original tapes by Kevin Gray, who also cut the lacquer, ensuring that the natural warmth of Bennett's voice and the delicacy of Evans' touch carry through to the grooves. The runouts are etched, a mark of the attention paid at every stage.\u003c\/p\u003e\n\u003cp\u003eIssued with a 2023 phonogram date and a 1975 copyright by Craft Recordings, manufactured and distributed by Concord and made in the U.S.A., this edition honors a session that has only grown in stature over the decades. For anyone drawn to the space between jazz and the great American songbook, it remains an essential document of two masters listening closely to one another.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Young and Foolish\u003cbr\u003eA2. The Touch of Your Lips\u003cbr\u003eA3. Some Other Time\u003cbr\u003eA4. When in Rome\u003cbr\u003eA5. We'll Be Together Again\u003cbr\u003eB1. My Foolish Heart\u003cbr\u003eB2. Waltz for Debby\u003cbr\u003eB3. But Beautiful\u003cbr\u003eB4. Days of Wine and Roses\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003ePhil Carroll - Art Direction\u003cbr\u003eDon Cody - Engineer\u003cbr\u003eOrrin Keepnews - Executive-Producer\u003cbr\u003eKevin Gray - Lacquer Cut By\u003cbr\u003eKevin Gray - Lacquer Cut By\u003cbr\u003eKevin Gray - Mastered By [All-analog Mastering From The Original Tapes By]\u003cbr\u003eTom Vano - Photography By [Back Cover Photo], Cover [Back Cover Photo]\u003cbr\u003ePhil Bray - Photography By [Cover Photo], Cover [Cover Photo]\u003cbr\u003eBill Evans - Piano\u003cbr\u003eHelen Keane - Producer [Produced By]\u003cbr\u003eTony Bennett - Vocals\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eRecorded at Fantasy Studios, Berkeley, Ca.; June 10-13, 1975.\u003cbr\u003e \u003cbr\u003e℗ 2023 \u0026amp; © 1975 Craft Recordings.\u003cbr\u003eManufactured and Distributed by Concord.\u003cbr\u003eMade in U.S.A.\u003c\/p\u003e\n\u003cp\u003eRunouts are etched.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Tony Bennett\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupporting Artists:\u003c\/strong\u003e Bill Evans\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CR00613\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Original Jazz Classics\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2023\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":51135318458664,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MDktNzg3NC5qcGVn.jpg?v=1764713393"},{"product_id":"how-my-heart-sings-the-bill-evans-trio-1lp-vinyl","title":"How My Heart Sings! - The Bill Evans Trio (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eHow My Heart Sings!\u003c\/strong\u003e by \u003cstrong\u003eThe Bill Evans Trio\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eFew piano trios in jazz history achieved the conversational intimacy of the Bill Evans Trio, and \"How My Heart Sings!\" captures that group at a remarkable moment of creative unity. Recorded across three sessions in New York on May 17, May 29, and June 5, 1962, this album finds Evans alongside Chuck Israels on bass and Paul Motian on drums, three musicians listening to one another with a rare and delicate attentiveness.\u003c\/p\u003e\n\u003cp\u003eThe title track opens the record with the kind of shimmering lyricism that made Evans one of the most influential pianists of his generation. From there, the A-side moves through a tender reading of \"I Should Care\" and Evans's own \"In Your Own Sweet Way,\" before closing with \"Walking Up,\" a study in the trio's easy, buoyant interplay. Each performance rewards close listening, revealing the subtle harmonic shadings and rhythmic conversation that define this ensemble.\u003c\/p\u003e\n\u003cp\u003eTurn the record over and you are greeted by an unhurried, deeply personal interpretation of \"Summertime,\" followed by the playful \"34 Skidoo\" and \"Ev'rything I Love.\" The set concludes with \"Show-Type Tune,\" a fitting cap to a program that balances romance, wit, and introspection in equal measure. Israels grounds the group with a warm, singing bass line, while Motian's brushwork and cymbal touch add color without ever crowding the piano.\u003c\/p\u003e\n\u003cp\u003eBehind the music sits a first-rate production team. Orrin Keepnews served as producer, with Bill Schwartau handling the recording as engineer, and Ken Deardoff contributing the album design. The liner notes come from both Evans himself and Keepnews, offering perspectives from the artist and the producer who understood him so well. Phil De Lancie handled the remastering that gives this edition its clarity and presence.\u003c\/p\u003e\n\u003cp\u003eThis particular pressing is a 2009 repress of the 1989 remaster, issued with the classic Prestige black and yellow labels. It carries forward the sonic care of De Lancie's remastering work while presenting the trio's playing with the warmth and depth that collectors of these sessions prize.\u003c\/p\u003e\n\u003cp\u003eFor anyone drawn to the introspective, harmonically rich world of Bill Evans, \"How My Heart Sings!\" is an essential document of his early 1960s trio. It stands as a beautiful showcase of three players in complete accord, and this edition offers a fine way to bring that music home.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. How My Heart Sings\u003cbr\u003eA2. I Should Care\u003cbr\u003eA3. In Your Own Sweet Way\u003cbr\u003eA4. Walking Up\u003cbr\u003eB1. Summertime\u003cbr\u003eB2. 34 Skidoo\u003cbr\u003eB3. Ev'rything I Love\u003cbr\u003eB4. Show-Type Tune\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eChuck Israels - Bass\u003cbr\u003eKen Deardoff - Design [Album Design]\u003cbr\u003ePaul Motian - Drums\u003cbr\u003eBill Schwartau - Engineer [Recording Engineer]\u003cbr\u003eBill Evans - Liner Notes\u003cbr\u003eOrrin Keepnews - Liner Notes\u003cbr\u003eBill Evans - Piano\u003cbr\u003eOrrin Keepnews - Producer\u003cbr\u003ePhil De Lancie - Remastered By\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eRecorded in New York, May 17, May 29, and June 5, 1962. Similar to [r5510493] but this is with Prestige black and yellow labels.\u003c\/p\u003e\n\u003cp\u003e2009 repress of the 1989 remaster.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e The Bill Evans Trio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Original Jazz Classics\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e OJC-369\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2009\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Original Jazz Classics","offers":[{"title":"Default Title","offer_id":51135322423592,"sku":null,"price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NzQtMjI1My5qcGVn.jpg?v=1764713579"},{"product_id":"visions-norah-jones-1lp-vinyl","title":"Visions - Norah Jones (1LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003chr style=\"margin: 15px 0; border: none; border-top: 1px solid #ccc;\"\u003e\n\u003cp\u003e\u003cstrong\u003eVisions\u003c\/strong\u003e by \u003cstrong\u003eNorah Jones\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eNorah Jones returns to the collector's shelf with \"Visions,\" a 2024 release on Blue Note Records that pairs her signature warmth with a rich, live-band immediacy. Produced by Leon Michels, the album unfolds across twelve tracks, opening with \"All This Time\" and moving through \"Staring At The Wall,\" \"Paradise,\" and the title cut before landing on the closing standard \"That's Life.\" It is a record that rewards front-to-back listening, and this pressing was clearly made with that intention in mind.\u003c\/p\u003e\n\u003cp\u003eThis is the European edition, and it carries a distinct identity from its US counterpart. Rather than the FBI anti-piracy warning, the rear sleeve bears the European Rights Society information BIEM\/SDRM, a \"Made in EU\" designation, a label code, and European copyright details, all echoed on the side A and side B labels. The pressing itself was made in Germany, a fact originally noted on a sticker affixed to the shrink wrap of the rear cover.\u003c\/p\u003e\n\u003cp\u003eFor collectors chasing variants, the appeal runs deeper still. This copy is the Indie Record Store Exclusive, featuring both an exclusive cover and striking Orange Blend vinyl, details that were called out on a sticker on the front cover's shrink wrap. It is the kind of edition that stands apart in a shelf of standard black wax, and one that speaks directly to those who value the small differences that make a pressing worth seeking out.\u003c\/p\u003e\n\u003cp\u003eThe sonic pedigree is worth dwelling on. \"Visions\" was recorded at The Legendary Diamond Mine in Queens, New York, and Diamond Mine North in Rhinebeck, with mixing handled by Jens Jungkurth back at the Legendary Diamond Mine. Michels engineered the sessions, with Jungkurth engineering \"I'm Awake,\" \"Swept Up In The Night,\" and \"Alone With My Thoughts,\" and Lucas Carpenter assisting. Mastering was completed by Alex DeTurk and Garrett Robinson at Bunker Studio in Brooklyn, with vinyl mastering by Scott Hull and Garrett Robinson at Masterdisk Studios in Peekskill, and lacquers cut by Scott Hull.\u003c\/p\u003e\n\u003cp\u003eThe physical package rounds out the experience with care. A printed inner sleeve houses the full lyrics and credits, giving the listener something to read while the record spins. Art direction and design come from Katie Moore, with photography by Joelle Grace Taylor, and the runouts are etched, though \"MASTERDISK\" and \"-63342-\" appear stamped, small marks that authenticate the pressing's craft.\u003c\/p\u003e\n\u003cp\u003eIssued under Blue Note Records with a 2024 copyright held by Capitol Records, LLC, this is a thoughtfully assembled edition of one of Norah Jones's most engaging recent works, ideal for the collector who values both the music and the details of the object itself.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. All This Time\u003cbr\u003eA2. Staring At The Wall\u003cbr\u003eA3. Paradise\u003cbr\u003eA4. Queen Of The Sea\u003cbr\u003eA5. Visions\u003cbr\u003eA6. Running\u003cbr\u003eB1. I Just Wanna Dance\u003cbr\u003eB2. I'm Awake\u003cbr\u003eB3. Swept Up In The Night\u003cbr\u003eB4. On My Way\u003cbr\u003eB5. Alone With My Thoughts \u003cbr\u003eB6. That's Life\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eKatie Moore (2) - Art Direction, Design [Art Direction \u0026amp; Design By]\u003cbr\u003eLucas Carpenter (3) - Engineer [Assistant Engineer]\u003cbr\u003eJens Jungkurth - Engineer [Engineered By] (B2, B3, B5)\u003cbr\u003eLeon Michels - Engineer [Engineered By]\u003cbr\u003eScott Hull (2) - Lacquer Cut By\u003cbr\u003eAlex DeTurk - Mastered By\u003cbr\u003eGarrett Robinson - Mastered By [Vinyl Mastered By]\u003cbr\u003eScott Hull (2) - Mastered By [Vinyl Mastered By]\u003cbr\u003eJens Jungkurth - Mixed By\u003cbr\u003eJoelle Grace Taylor - Photography By\u003cbr\u003eLeon Michels - Producer [Produced By]\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eDistinct from US version by not having the FBI anti-piracy warning on the back of the sleeve. Also distinct by having the European Rights Society information BIEM\/SDRM, \"Made in EU\", and label code written on the back of the sleeve as well on the side A and side B labels, and having European information found in the copyright information on the back of the sleeve.\u003c\/p\u003e\n\u003cp\u003e- Indie Record Store Exclusive Cover \u0026amp; Orange Blend Vinyl [originally stickered on shrink wrap of the front cover]\u003cbr\u003e- Made in Germany [originally stickered on shrink wrap of the rear cover]\u003cbr\u003e- Released with printed inner sleeve containing lyrics and credits.\u003cbr\u003e- Runouts are etched. Except 'MASTERDISK' and '-63342-' are stamped.\u003c\/p\u003e\n\u003cp\u003e[On rear cover and labels]\u003cbr\u003eBlue Note Records; ℗© 2024 Capitol Records, LLC.\u003cbr\u003eMade in EU.\u003c\/p\u003e\n\u003cp\u003e[On insert]\u003cbr\u003eRecorded at The Legendary Diamond Mine, Queens, NY \u0026amp; Diamond Mine North, Rhinebeck, NY\u003cbr\u003eMixed [...] at The Legendary Diamond Mine, Queens, NY\u003cbr\u003eMastered [...] at Bunker Studio, Brooklyn, NY\u003cbr\u003eVinyl mastered [...] at Masterdisk Studios, Peekskill, NY\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Norah Jones\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e 00602458994230\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2024\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e Import\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":51410438455592,"sku":null,"price":27.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/OTYtNjY4OC5qcGVn.jpg?v=1770689645"},{"product_id":"unforgettable-with-love-natalie-cole-2lp-vinyl","title":"Unforgettable With Love - Natalie Cole (2LP Vinyl)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Sealed (New)\u003c\/p\u003e\n\u003chr style=\"margin: 15px 0; border: none; border-top: 1px solid #ccc;\"\u003e\n\u003cp\u003e\u003cstrong\u003eUnforgettable With Love\u003c\/strong\u003e by \u003cstrong\u003eNatalie Cole\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are tribute albums, and then there is \u003cem\u003eUnforgettable With Love\u003c\/em\u003e, Natalie Cole's radiant embrace of the songbook her father made famous. Across four sides of music, she steps into the standards of Nat King Cole not as a mere imitator but as a daughter in conversation with her legacy, bringing warmth, poise, and a voice utterly her own to material that has shaped American popular song for generations.\u003c\/p\u003e\n\u003cp\u003eThe sequencing rewards a long, unhurried listen. Side A opens with the tender sway of \"The Very Thought Of You\" before easing into the playful lilt of \"Paper Moon\" and the rolling swing of \"Route 66.\" \"Mona Lisa\" and \"L-O-V-E\" follow, songs so deeply tied to the Cole name that hearing Natalie deliver them feels like a passing of the torch. By the time \"This Can't Be Love\" closes the side, the album's blend of romance and buoyant charm is fully established.\u003c\/p\u003e\n\u003cp\u003eThe heart of the collection lies in its ballads and its ambition. \"Smile\" and the haunting \"Lush Life\" showcase Natalie's ability to hold a lyric with quiet gravity, while \"Orange Colored Sky\" bursts with color and mischief. A gorgeous medley weaving \"For Sentimental Reasons,\" \"Tenderly,\" and \"Autumn Leaves\" gathers three beloved standards into a single flowing statement, a highlight that lingers long after the needle lifts.\u003c\/p\u003e\n\u003cp\u003eSides C and D keep the momentum, moving from the finger snapping fun of \"Straighten Up And Fly Right\" and \"Avalon\" through the mellow ache of \"Don't Get Around Much Anymore\" and the wistful \"Too Young.\" \"Nature Boy\" arrives with its mysterious, almost hymnlike air, and the multilingual charm of \"Darling, Je Vous Aime Beaucoup\" and \"Non Dimenticar\" adds a cosmopolitan sparkle. The final stretch, from \"Almost Like Being In Love\" and \"Thou Swell\" to \"Our Love Is Here To Stay,\" builds toward the inevitable and unforgettable title track that gives the album its name and its emotional center.\u003c\/p\u003e\n\u003cp\u003eThe care behind this pressing matches the music. Executive produced by Natalie Cole and Tommy LiPuma, the album has been remastered by Bill Inglot and Dan Hersch, with lacquers cut by the legendary Bernie Grundman. That lineage of craftsmanship translates to a listening experience where the vocals sit forward and the arrangements breathe with clarity and depth.\u003c\/p\u003e\n\u003cp\u003eThis particular edition is a Target Exclusive pressed on striking opaque pink vinyl, a collectible variant that makes it stand out on any shelf. For lovers of vocal jazz and the great American songbook, it is a beautifully realized package that honors a timeless catalog while celebrating one of its finest interpreters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. The Very Thought Of You\u003cbr\u003eA2. Paper Moon\u003cbr\u003eA3. Route 66\u003cbr\u003eA4. Mona Lisa\u003cbr\u003eA5. L-O-V-E\u003cbr\u003eA6. This Can't Be Love\u003cbr\u003eB1. Smile\u003cbr\u003eB2. Lush Life\u003cbr\u003eB3. That Sunday That Summer\u003cbr\u003eB4. Orange Colored Sky\u003cbr\u003e. A Medley Of: For Sentimental Reasons, Tenderly \u0026amp; Autumn Leaves\u003cbr\u003eC1. Straighten Up And Fly Right\u003cbr\u003eC2. Avalon\u003cbr\u003eC3. Don't Get Around Much Anymore\u003cbr\u003eC4. Too Young\u003cbr\u003eC5. Nature Boy\u003cbr\u003eC6. Darling, Je Vous Aime Beaucoup\u003cbr\u003eD1. Almost Like Being In Love\u003cbr\u003eD2. Thou Swell\u003cbr\u003eD3. Non Dimenticar\u003cbr\u003eD4. Our Love Is Here To Stay\u003cbr\u003eD5. Unforgettable\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eNatalie Cole - Executive Producer\u003cbr\u003eTommy LiPuma - Executive-Producer\u003cbr\u003eBernie Grundman - Lacquer Cut By\u003cbr\u003eBill Inglot - Remastered By\u003cbr\u003eDan Hersch - Remastered By\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eOpaque Pink - Target Exclusive\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Natalie Cole\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Craft Recordings\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e CR00206\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Craft Recordings","offers":[{"title":"Default Title","offer_id":51410440192296,"sku":null,"price":22.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/MDgtMjgxMy5qcGVn.jpg?v=1770689765"},{"product_id":"finger-paintings-earl-klugh-1977-1lp-vinyl-near-mint-nm","title":"Finger Paintings - Earl Klugh (1977) (1LP Vinyl) - Near Mint (NM)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Near Mint (NM)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003chr style=\"margin: 15px 0; border: none; border-top: 1px solid #ccc;\"\u003e\n\u003cp\u003e\u003cstrong\u003eFinger Paintings\u003c\/strong\u003e by \u003cstrong\u003eEarl Klugh\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThere are records that whisper and records that swagger, and Earl Klugh's \"Finger Paintings\" manages to do both across its nine tracks. Klugh's acoustic guitar sits at the center of it all, unamplified and warm, threading its way through arrangements that never crowd it out. This is the sound of a player who understood that restraint can be its own kind of virtuosity, letting each phrase breathe against a backdrop of gorgeous, carefully layered accompaniment.\u003c\/p\u003e\n\u003cp\u003eMuch of that backdrop belongs to Dave Grusin, whose fingerprints are everywhere. He produces, conducts, and arranges the entire session while also lending Fender Rhodes, synthesizer, and percussion to the proceedings. Alongside co-producer Larry Rosen, who also handled recording and mixing duties, Grusin shapes a sound that feels both plush and precise. The result glides from the percolating opener \"Dr. Macumba\" through the wistful standard \"Long Ago And Far Away\" and the sun-warmed pulse of \"Cabo Frio\" without ever losing its poise.\u003c\/p\u003e\n\u003cp\u003eThe players assembled here read like a who's who of late seventies session royalty. Anthony Jackson and Louis Johnson split the electric bass chairs, while Steve Gadd and Harvey Mason trade off behind the kit, each bringing a distinct feel to the tracks they anchor. Lee Ritenour adds electric guitar on several cuts, his lines dovetailing neatly with Klugh's acoustic work. Percussion comes courtesy of Ralph MacDonald, Steve Forman, and Grusin himself, adding color and motion throughout.\u003c\/p\u003e\n\u003cp\u003eListen closely and you'll hear the horns and strings that give this record its cinematic sweep. A horn section including Tom Scott, Chuck Findley, Jerome Richardson, Jack Nimitz, Larry Williams, and Dick \"Slyde\" Hyde punctuates the arrangements, while a deep roster of string players fills out the lush passages that lift tracks like \"Catherine\" and \"Keep Your Eyes On The Sparrow (Baretta's Theme).\" Those strings were tracked separately at Columbia Studios on 30th Street in New York, then folded into the whole.\u003c\/p\u003e\n\u003cp\u003eThe bulk of the album was recorded, mixed, and mastered at Kendun Recorders in Burbank, California, with John Golden handling the mastering. The lone exception is \"Summer Song,\" which was captured at the legendary Electric Lady Studios in New York City. Phil Schier oversaw the strings and horns sessions, with Michael Ebert and Michael Shulman assisting on recording and mixing, and George Butler serving as executive producer.\u003c\/p\u003e\n\u003cp\u003eFrom the danceable groove of \"Dance With Me\" to the closing reflection of \"This Time,\" \"Finger Paintings\" rewards the listener who wants their jazz elegant, melodic, and impeccably crafted. It's a showcase for Klugh's singular touch and a snapshot of a stellar cast working at the top of their game.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Dr. Macumba\u003cbr\u003eA2. Long Ago And Far Away\u003cbr\u003eA3. Cabo Frio\u003cbr\u003eA4. Keep Your Eyes On The Sparrow (Baretta's Theme)\u003cbr\u003eB1. Catherine\u003cbr\u003eB2. Dance With Me\u003cbr\u003eB3. Jolanta\u003cbr\u003eB4. Summer Song\u003cbr\u003eB5. This Time\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eEarl Klugh - Acoustic Guitar\u003cbr\u003eAnthony Jackson - Bass [Electric] (A1 to A3, B1, B5)\u003cbr\u003eLouis Johnson - Bass [Electric] (A4, B2, B3)\u003cbr\u003eHarvey Mason - Drums (A2, A3, B1, B5)\u003cbr\u003eSteve Gadd - Drums (A1, A4, B2 to B4)\u003cbr\u003eLee Ritenour - Electric Guitar (A1 to A3, B1, B5)\u003cbr\u003eDave Grusin - Electric Piano [Fender Rhodes], Synthesizer, Producer, Conductor, Arranged By\u003cbr\u003eGeorge Butler - Executive-Producer\u003cbr\u003eChuck Findley - Horns\u003cbr\u003eDick \"Slyde\" Hyde - Horns\u003cbr\u003eJack Nimitz - Horns\u003cbr\u003eJerome Richardson - Horns\u003cbr\u003eLarry Williams - Horns\u003cbr\u003eTom Scott - Horns\u003cbr\u003eJohn Golden - Mastered By\u003cbr\u003eDave Grusin - Percussion (B1, B2)\u003cbr\u003eRalph MacDonald - Percussion (A1, A2, B3, B5)\u003cbr\u003eSteve Forman - Percussion (A3, A4, B4)\u003cbr\u003eLarry Rosen - Producer, Recorded By, Mixed By\u003cbr\u003ePhil Schier - Recorded By [Strings \u0026amp; Horns]\u003cbr\u003eMichael Ebert (2) - Recorded By, Mixed By [Assistant]\u003cbr\u003eMichael Shulman - Recorded By, Mixed By [Assistant]\u003cbr\u003eAllan Harshman - Strings\u003cbr\u003eAnn Stockton - Strings\u003cbr\u003eArnold Belnick - Strings\u003cbr\u003eBernard Kundell - Strings\u003cbr\u003eConstance Pressman - Strings\u003cbr\u003eDana L. Rees - Strings\u003cbr\u003eDavid Montagu - Strings\u003cbr\u003eEdgar Lustgarten (2) - Strings\u003cbr\u003eEndre Granat - Strings\u003cbr\u003eGerald Vinci - Strings\u003cbr\u003eJacob Krachmalnick - Strings\u003cbr\u003eKaren Jones (2) - Strings\u003cbr\u003eMarshall Sosson - Strings\u003cbr\u003ePamela Goldsmith - Strings\u003cbr\u003eSheldon Sanov - Strings\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eRecorded, mixed, and mastered at Kendun Recorders, Burbank, CA, except \"Summer Song\" recorded at Electric Lady Studios, NY, NY. Strings recorded at Columbia Studios, 30th Street, NY, NY.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Earl Klugh\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e BN-LA737-H\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 1977\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":51956255621416,"sku":null,"price":4.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/Ny0yMTMzLmpwZWc.jpg?v=1780777122"},{"product_id":"the-koln-concert-keith-jarrett-1978-2lp-vinyl-very-good-vg","title":"The Köln Concert - Keith Jarrett (1978) (2LP Vinyl) - Very Good (VG)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Very Good (VG) (Scuffs and some scratches. Nothing that can be felt)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Very Good Plus (VG+)\u003c\/p\u003e\n\u003chr style=\"margin: 15px 0; border: none; border-top: 1px solid #ccc;\"\u003e\n\u003cp\u003e\u003cstrong\u003eThe Köln Concert\u003c\/strong\u003e by \u003cstrong\u003eKeith Jarrett\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eKeith Jarrett navigated jazz fusion's emergence while staying true to artistic vision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMusical Analysis:\u003c\/strong\u003e\u003cbr\u003eKeith Jarrett leads with distinctive artistry, creating intricate interplay between musicians. The harmonic progressions and rhythm section showcase the evolution of jazz with spontaneous brilliance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlbum Story:\u003c\/strong\u003e\u003cbr\u003e\"The Köln Concert,\" recorded live in January 1975, stands as a monumental achievement in the realm of jazz and classical music. Keith Jarrett’s extraordinary solo piano performance, captured at the Cologne Opera House, transcends the traditional boundaries of genre, weaving together improvisation, classical influences, and jazz harmonies. What sets this album apart is Jarrett's spontaneous creativity; he crafted this stunningly intricate concert on the spot, with no prior preparation, embodying a unique blend of emotions that range from serene beauty to intense passion. The audience at the concert was treated to an electrifying experience, where every note seemed to breathe life, inviting listeners to feel an intimate connection with the music and the artist himself.\u003c\/p\u003e\n\u003cp\u003eThis album has not only become one of the best-selling jazz recordings of all time but also serves as a testament to the power of improvisation and authenticity. Jarrett's captivating playing style and profound emotional expression resonate deeply, evoking a sense of pure, unfiltered artistry that is rarely\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA. KÖLN, January 24, 1975 Part I\u003cbr\u003eB. KÖLN, January 24, 1975 Part II A\u003cbr\u003eC. KÖLN, January 24, 1975 Part II B\u003cbr\u003eD. KÖLN, January 24, 1975 Part II C\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eB \u0026amp; B Wojirsch - Design [Cover Design]\u003cbr\u003eMartin Wieland - Engineer\u003cbr\u003eGreg Fulginiti - Lacquer Cut By\u003cbr\u003eJohn Bittner - Lacquer Cut By\u003cbr\u003eWolfgang Frankenstein - Photography By\u003cbr\u003eKeith Jarrett - Piano, Composed By\u003cbr\u003eManfred Eicher - Producer\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eRecorded live at the opera in Köln, Germany, January 24, 1975.\u003cbr\u003e(P)(C) 1975 ECM Records GmbH. Manufactured and distributed by Warner Bros. Records Inc. Printed in U.S.A.\u003cbr\u003eRelease is in a double album, Gatefold cover.\u003cbr\u003eReissue. Released sometime between 1978 and 1984 when WB had the US distribution rights and ECM used this label design.\u003cbr\u003ePressing by Wakefield Mfg. identified by the etched tulip in the runouts.\u003c\/p\u003e\n\u003cp\u003eRunouts are etched except for the [l367883] Tulip symbol which is stamped\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSound Quality:\u003c\/strong\u003e\u003cbr\u003eExceptional dynamic range captures every nuance – tight bass, warm midrange, crisp highs. High-quality pressing with excellent tracking and quiet surfaces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCollector's Notes:\u003c\/strong\u003e\u003cbr\u003eEssential for serious collectors – a piece of musical history with lasting value.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Keith Jarrett\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 2LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e ECM Records\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e ECM 2-1064\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 1978\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ECM Records","offers":[{"title":"Default Title","offer_id":52132087300392,"sku":null,"price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/NC01MjY1LmpwZWc.jpg?v=1784376994"},{"product_id":"come-away-with-me-norah-jones-1lp-vinyl-near-mint-nm","title":"Come Away With Me - Norah Jones (1LP Vinyl) - Near Mint (NM)","description":"\u003cdiv class=\"vinyl-record-details\"\u003e\n\u003cp\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Used\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Condition:\u003c\/strong\u003e Near Mint (NM)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSleeve Condition:\u003c\/strong\u003e Near Mint (NM)\u003c\/p\u003e\n\u003chr style=\"margin: 15px 0; border: none; border-top: 1px solid #ccc;\"\u003e\n\u003cp\u003e\u003cstrong\u003eCome Away With Me\u003c\/strong\u003e by \u003cstrong\u003eNorah Jones\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eNorah Jones arrived like a hush in a noisy room, and this 20th Anniversary Edition of \"Come Away With Me\" gives that quiet its full measure of space. Originally released on Blue Note in 2002, the album made its name on the strength of Jones at the piano, her voice unhurried and close, gliding from the smoky opener \"Don't Know Why\" through the gentle sway of the title track and the tender closer \"The Nearness Of You.\" It remains a record built for late evenings and low light, a blues and jazz sensibility folded into something intimate and enduring.\u003c\/p\u003e\n\u003cp\u003eThe music was captured at Sorcerer Sound in New York City and Allaire Studios in Shokan, New York, then mixed at Sear Sound and mastered at Sterling Sound. This anniversary pressing carries lacquers cut by Joe Nino-Hernes, with mastering by Ted Jensen, and it revisits the original production work of Arif Mardin alongside Jay Newland and Norah Jones herself. Eli Wolf produced the 20th Anniversary Edition, returning to the source of a record that has only deepened with time.\u003c\/p\u003e\n\u003cp\u003eBehind Jones stands a remarkable cast of players. Guitarists Bill Frisell, Adam Levy, Adam Rogers, Jesse Harris, and Kevin Breit lend their voices across the sessions, while Brian Blade and Dan Rieser handle drums and Kenny Wollesen adds his own textures. Lee Alexander and Tony Scherr anchor the bottom end, Jenny Scheinman brings her violin, and Rob Burger and Sam Yahel color the arrangements with keys and organ. The result is warm, conversational ensemble playing that never crowds the singer at its center.\u003c\/p\u003e\n\u003cp\u003eSongs like \"Cold Cold Heart,\" \"Feelin' The Same Way,\" \"Shoot The Moon,\" and \"Turn Me On\" show the album's easy movement between standards, originals, and country-tinged ballads, while \"Lonestar,\" \"Painter Song,\" and \"Nightingale\" round out a second side that drifts by like a long, slow exhale. Jones contributed her own liner notes, adding a personal thread to a package designed with real care.\u003c\/p\u003e\n\u003cp\u003eThis edition comes housed in a gatefold jacket with lyrics and credits, and it includes a printed inner sleeve. Photography by Joanne Savio and art direction from Vartan and Jessica Novod-Berenblat frame the music in fittingly understated style. It carries Blue Note logos on the jacket back, spine, and labels, with UMe on the back; ℗ 2002, © 2022 UMG Recordings, Inc.\u003c\/p\u003e\n\u003cp\u003eA note for collectors: this title began as a Target exclusive with a hype sticker and an included lithograph. On March 22, 2023, that exclusivity ended and copies began appearing in independent shops without the Target sticker, some bearing a different hype sticker that incorrectly described the record as a limited edition colored vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePressing Details:\u003c\/strong\u003e\u003cbr\u003eTrack Listing:\u003cbr\u003eA1. Don't Know Why\u003cbr\u003eA2. Seven Years\u003cbr\u003eA3. Cold Cold Heart\u003cbr\u003eA4. Feelin' The Same Way\u003cbr\u003eA5. Come Away With Me\u003cbr\u003eA6. Shoot The Moon\u003cbr\u003eA7. Turn Me On\u003cbr\u003eB1. Lonestar\u003cbr\u003eB2. I've Got To See You Again\u003cbr\u003eB3. Painter Song\u003cbr\u003eB4. One Flight Down\u003cbr\u003eB5. Nightingale\u003cbr\u003eB6. The Long Day Is Over\u003cbr\u003eB7. The Nearness Of You\u003c\/p\u003e\n\u003cp\u003eCredits:\u003cbr\u003eBrian Bacchus - A\u0026amp;R\u003cbr\u003eBruce Lundvall - A\u0026amp;R\u003cbr\u003eVartan (4) - Art Direction\u003cbr\u003eJessica Novod-Berenblat - Art Direction, Design\u003cbr\u003eEden White - Coordinator [Production]\u003cbr\u003eShell White - Coordinator [Production]\u003cbr\u003eGordon H Jee - Creative Director\u003cbr\u003eTory Davis - Design [Package]\u003cbr\u003eJay Newland - Engineer\u003cbr\u003eS. Husky Hoskulds - Engineer (A2, A4, B6)\u003cbr\u003eTodd Parker (2) - Engineer [Assistant Mixing]\u003cbr\u003eDick Kondas - Engineer [Assistant]\u003cbr\u003eMark Birkey - Engineer [Assistant] (A1, A7)\u003cbr\u003eAdam Levy - Featuring\u003cbr\u003eAdam Rogers (2) - Featuring\u003cbr\u003eBill Frisell - Featuring\u003cbr\u003eBrian Blade - Featuring\u003cbr\u003eDan Rieser - Featuring\u003cbr\u003eJenny Scheinman - Featuring\u003cbr\u003eJesse Harris - Featuring\u003cbr\u003eKenny Wollesen - Featuring\u003cbr\u003eKevin Breit - Featuring\u003cbr\u003eLee Alexander - Featuring\u003cbr\u003eRob Burger - Featuring\u003cbr\u003eSam Yahel - Featuring\u003cbr\u003eTony Scherr - Featuring\u003cbr\u003eJoe Nino-Hernes - Lacquer Cut By [Runout Etch]\u003cbr\u003eJoe Nino-Hernes - Lacquer Cut By [Vinyl Cutting]\u003cbr\u003eNorah Jones - Liner Notes\u003cbr\u003eTed Jensen - Mastered By\u003cbr\u003eArif Mardin - Mixed By\u003cbr\u003eJay Newland - Mixed By\u003cbr\u003eJay Newland - Mixed By\u003cbr\u003eJoanne Savio - Photography By\u003cbr\u003eArif Mardin - Producer (A1, A3, A5 to B5, B7)\u003cbr\u003eJay Newland - Producer (A2, A4, B6)\u003cbr\u003eNorah Jones - Producer (A2, A4, B6)\u003cbr\u003eCraig Street - Producer [Original Tracks Produced By] (A2, A4, B6)\u003cbr\u003eJay Newland - Producer [Original Tracks Produced By] (A1, A7)\u003cbr\u003eNorah Jones - Producer [Original Tracks Produced By] (A1, A7)\u003cbr\u003eZach Hochkeppel - Product Manager\u003cbr\u003eEli Wolf - Reissue Producer [20th Anniversary Edition Produced By]\u003cbr\u003eNorah Jones - Vocals, Piano\u003c\/p\u003e\n\u003cp\u003eNotes:\u003cbr\u003eTarget Exclusive with hype sticker and included lithograph.\u003cbr\u003eOn 03-22-2023 Target exclusivity on this release ended and copies began selling in independent record shops without the Target hype sticker. Some copies released at this time featured a different hype sticker incorrectly identifying the record as a limited edition colored vinyl.\u003c\/p\u003e\n\u003cp\u003eIssued in gatefold jacket with lyrics and credits. Includes printed inner sleeve.\u003c\/p\u003e\n\u003cp\u003eA Blue Note Records release; ℗ 2002, © 2022 UMG Recordings, Inc.\u003c\/p\u003e\n\u003cp\u003eLabel logos:\u003cbr\u003eBlue Note on jacket back, spine, labels.\u003cbr\u003eUMe on jacket back.\u003c\/p\u003e\n\u003cp\u003eRecorded at Sorcerer Sound, New York City and Allaire Studios, Shokan, NY\u003cbr\u003eMixed at Sear Sound, New York City\u003cbr\u003eMastered at Sterling Sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Norah Jones\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e 1LP\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenre:\u003c\/strong\u003e Jazz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Blue Note\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCatalog Number:\u003c\/strong\u003e B0034620-01\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRelease Year:\u003c\/strong\u003e 2022\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCountry:\u003c\/strong\u003e United States\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Blue Note","offers":[{"title":"Default Title","offer_id":52132099391784,"sku":null,"price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/files\/1784378047184-365745974.jpg?v=1784378074"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0941\/2339\/3320\/collections\/url-article-curated-shop-vs-auction-site-where-rare--1_6cc1c300-66d5-4de5-ac96-f5d54669770a.webp?v=1788184626","url":"https:\/\/mileswaxey.com\/collections\/relaxing-jazz.oembed","provider":"Miles Waxey","version":"1.0","type":"link"}